Tag: writing

Posted in Uncategorized

Monday Musings: Remembering What the “Race” is About

Posted on by beckylevine

I am not an early riser. What’s the thing I’m probably looking forward to most about summer? No alarm clock. I no longer sleep till noon, like I did when I was a teenager, but I wouldn’t really have a problem with it if I did. Every now and then.

But every now and then I do manage to roll out of bed early, either with or without the help of that clock, and every now and then I manage to be awake when I do it. And those are the mornings I look around, listen to the quiet inside and the noisy birds outside, and I remember the value of going a bit more slowly. Of not being so much at the beck-and-call of the to-do list, of giving myself the time to use all my senses–including the smell of the morning air on our little mountain and the touch of my fingers on the keyboard.

A few years ago, my son made me this turtle.

It was one of those times when I was trying to hurry, hurry, hurry through a revision, when the target I had at the end of my scope was labeled “Finish.”  When I had schedules and deadlines (all my own) on my mind, even as I was doing the best job I could of reaching deep into my story and figuring out how to make it better. When I was telling myself (and trying to believe) that rushing was not the way to go.

Can you see the turtle’s “#1” medal around his neck? Yes, it’s that turtle–the one for whom slow and steady won the race. And, yes, you can take that medal two ways. Or I can. That slow and steady will get me my dream–which, yes, does include more books on bookstore shelves and e-readers, kids who read those books and love them, the time and freedom to keep writing that kind of book. Or you can read that slow and steady is the way to go even if the dream is only about the writing, about making the time to write, even if those other dreams don’t yet have a solid, visible date-stamp on them.

These days, I’m working at reading the medal as meaning both things. That the writing is what matters–that the best thing I can do for myself is to write, to remember how much I love the flow of words, and to keep learning ways to make it better. AND that doing this, keeping at it, is the best way I have of making the other dream come true.

This weekend was a lot of reading time. This morning, back to my WIP, to an argument between my MC and her (currently) THIRD love-interest. Am I looking forward to it? You bet I am.

Happy Monday dreams to everyone.

Posted in Critique Groups, Critiquing, Guest Blogger

Guest Interview: Wendy Martin on Critique Groups

Posted on by beckylevine

Wendy Martin is the author of several children’s books, An Ordinary Girl, A Magical Child (2005, 2008), Aidan’s First Full Moon Circle (2008), and Watchers (2008). She is the illustrator of those three books as well as Rabbit’s Song (2009) by S.J. Tucker and Trudy Herring, and Smoky and the Feast of Mabon (2010) by Catherynne M. Valente.


     
Wendy has a deep commitment to children. Walking her talk, she applied for and completed training to be a Court Appointed Special Advocate (CASA) for children of the St. Louis Children’s Division Court foster care system. She was officially sworn into this volunteer position on Sept 11, 2008.

Wendy currently resides with her husband and daughter in eastern Missouri when she isn’t on the road giving workshops at festivals or visiting schools. She claims the dubious title of Perpetual Project Lady and does her best to keep the house clean and the cats fed.

Read on for an interview with Wendy, in which she discusses critiquing for writing and art.

BL: Can you give us a brief description of your critique group (online or in person, how many members, what they’re writing, how you found the group, how long you’ve been together)?

WM: I belong to two crit groups, one for writing and one for illustration. Both are on-line. The illustration group is very informal and is more of a support group than for aiming for publication, although we can ask for specific project feedback. It is a public Blogger site where members post solutions to weekly prompts. The group is morphing in terms of membership all the time since it is so informal but there are about a half dozen “regulars.” I think the goal is 25 active members. I received an invitation via email when the group was being formed about 3 years ago.

The other group is very structured. There are 5 members and we are about 6 months old. It is online and crits are submitted via email. Every sixth week we “meet” in a chat room to just talk about whatever catches our fancy and any changes we’d like to see in the crits. The group is genre specific to MG although our subject matter is all over the place. I believe I also received an email invite for this one, but I don’t remember.

BL: What do you think are the benefits of your groups?

WM: With the illustration group, the benefit is to meet a deadline on an ongoing basis and illustrating a topic or theme we hadn’t selected ourselves. All members are supposed to be working in water media, although some of the newer members are submitting computer-generated art. I’ve been meaning to question the mod about that.

In the writing group, for me, the biggest benefit is finding the flaws in my WIP and having suggestions on how to fix them to make a stronger story. The entire group is serious about finding a publisher for their manuscripts, so this is helpful since we all have a similar goal in mind.

BL: What’s the hardest part of being in a critique group, for you? What makes that part worthwhile?

WM: The hardest part for both groups is meeting the deadlines. I am better at it with the writing group since it is so structured and I know I will be getting as much feedback as I give. In the art group, it is sometimes discouraging not to receive any useful feedback because either no one comments or all the comments are along the lines of “That’s nice, I like it.”

BL: If a writer’s goal is publication, do you think participating in a critique group can help the writer toward that goal? How?

WM: To achieve publication one must perfect one’s craft. Whether that is writing or illustrating is irrelevant. There are certain things that separate the hobbyist from the professional and being in a crit group can push anyone past their comfort zones if they let it. Once a creator has left their comfort zone is when true creation comes. And that’s when publication becomes possible. The work you are submitting to publish has to be strong enough and unique enough to stand out from the crowd. Plus, the creator has to have a thick skin because rejection is a normal part of this business. There’s a lot of rejection, even for the people who achieve publication. Crit groups help to prepare people for the tougher aspects of the business by familiarizing writers and artists with criticism. Even a successful book will garner negative reviews. Everyone has an opinion and not all of them will be positive!

BL: What was the biggest surprise for you, about critique groups or the critique process, when you first started participating in a group?

WM: How often the groups didn’t work out or survive. Most groups I have joined or been invited to join petered out in less than six months. I often found that groups formed by newcomers rarely gave me any useful feedback. I have found that in order for a group to function fully, the members must be all at about the same place on their quest for publication.

Please answer the next questions quickly, without too much thinking time. 🙂

BL: Do you critique with: Red pen or NOT-red pen?

WM: Both.

BL: Favorite critiquing drink: Tea, coffee, or diet soda?

WM: Water.

BL: Do you prefer: Critiquing or being critiqued?

WM: Being critiqued. Love feedback.

BL: Who would you rather have run the house while you write/critique? Jeeves or Alice from The Brady Bunch?

WM: Alice

BL: Name one book that has blown you away in the last year.

WM: Wondrous Strange by Leslie Livingston.

Posted in Books, Reading, Tension, Voice

Reading for Writing

Posted on by beckylevine

This week I isolated one of my worries about my current WIP–the worry that I don’t (yet!) know how to convey the tension the story needs and deserves. I’m not the most comfortable person with tension. In fact, as far as I’m concerned, books were invented for me (yes, for me) to escape life’s stresses.

And then this character came along and told me in no uncertain terms that she was a strong and powerful girl, that she had to face some very bad things to bring that power out, to see it for herself. She also told that I had to write those things.

Yes, okay. Sure. No problem.

I’ve been plotting and writing and developing my characters, and I’m definitely making progress. In the back of my head, though, has been that worry–what about the tone of the story–it’s feel. This is, I think, partially a matter of voice, and partially a matter of things like sentence length, action and pacing, how long and how intently I as a writer and Caro as a hero dip into her reactions and emotions. The one thing I’m clear on is that–I’m not yet clear on all this. 🙂

So I’m going back to the basics. I don’t know who said this first, and I don’t know what number they used, but I’m thinking of the advice about reading X quantity of books in a genre to really know it. Yes, I know there’s a before in there, too–read X books BEFORE you try and write something. Well, I’m going to cheat. I care too much about this story, want to be writing it too much to wait until I’ve read 100 or 1,000 tough, edgy, painful YA novels. So I’ll be reading and writing at the same time.

I’m going to do a little osmosis–just read and read and read and let the words of the experts seep into my brain. I’m also going to do a little analysis–pick a few favorites and read them a few more times, though, then try to actually see what they’re doing, how they’re creating that tension. How they’re writing the words that hit me in the gut.

And, yes, I know I’m running the danger of losing myself so much in their styles that I start copying those styles on my own pages. It’s happened once or twice before–when I was reading a lot of historical novels, at the start of this project, I had to back off for a while. Also–and this one was a lot more fun–when I was on a binge of reading Meg Cabot’s Princess Diaries series, my 12-year-old male protagonist started talking way too much like Mia. So I’ll be watching myself for heading into derivative-land, and pulling out for a bit if I need.

But I’m going to read, and I’m going to write. And I’m going to trust in this combination that hasn’t ever let me down before.

Posted in First Drafts, Getting Organized, Thinking

Friday Five: Finding My Way Back into My Story

Posted on by beckylevine

Today, with a gift of two free writing days (husband and son are off for an end-of-summer backpacking trip), I’m opening up my WIP and digging back in.

Feels wonderful.

Here’s what I’ll be doing:

1. Writing OUTSIDE the house. I’m heading over to the coffeehouse where I’ll be away from laundry and the kitchen cupboards that still need to be cleaned out and all the wonderful books I brought home from the library yesterday.

2. Spending some time thinking generationally. Ideas & thoughts about the mother-daughter pattern of my story—the fears engendered during one’s immigration and the resistance/frustration the other has about those fears—have been simmering the last couple of weeks. I’m pretty sure this is what I brought home from Chicago, both from the research part and from the hours spent with my sister on our family tree. Its brought those two threads together in my mind–not in any clear way yet, but as a weaving I need to focus on. I’m going to try and build a basic timeline of their lives and choices, making sure they also fit in the big historical events that need to be part of their stories.

3. Taking a look at Shutting Out the Sky, a book about tenements recommended to me by Stella Michel.

4. Browing through the chapters I have written. I’m in a much different mode now–realizing I was rushing through pages too quickly for the thinking I need to do on this story. I’m not going to go back and rewrite, but I’ll be taking along a pad of sticky notes to jot down possible changes to make, layers to add, on later drafts. I also just need to remind myself where I’m at and from which scene I need to start writing forward.

5. Let myself fall in love again. Between Chicago and getting life organized the last few weeks, I need to spend some time with Caro, remind myself why her story is so important to me and how I want to bring it onto the page. I’ll be doing a lot of jotting and doodling today and tomorrow, and I may stick a few pieces of paper up around my office to remind me of what I’m doing here, with this young woman.

What about you? What do you do to get back into the swing of the story, after the two of you have been separated for a while?

Posted in The Writing Path

Courage

Posted on by beckylevine

It seems like, lately, I’ve been having a lot of conversations with writers–online and off–about how to deal with all the unknowns of this writing thing. In particular, Mary-Francis Makichen’s blog post “You Can’t Win if You Don’t Play” really caught me.

What unknowns am I talking about?

  • Whether your story idea is any good
  • Whether you can turn this story idea into a FINISHED book
  • If you’re even working on the right project
  • Whether that book will be good enough to get an agent or editor
  • Whether, even if that book is good enough, it will find a home
  • How long you should keep querying (see Jessica Faust’s post on this topic)

I could go on. I do believe that it isn’t only pre-published authors who deal with these questions. Yes, maybe, the belief in possibilities comes a little easier once you’ve done it before, but I don’t think it completely wipes out the worry.

You hear all sorts of ideas/opinions about how to get through or around these worries, how to keep writing despite them. Determination. Education. BIC. I’d like to add a new word to the pot.

Courage.

Yeah, I know, in some ways we have it good. We are doing something we love, playing with words, fashioning something new out of the ones we put on the page. I’m lucky–I get to spend the bulk of my day’s hours in this pursuit, sometimes in pajamas, sometimes on the couch. And, even when it’s exasperating and frustrating and confusing, there really isn’t anything else I’d pick. I think most writers feel this way.

This doesn’t mean it’s easy. One of the hardest things about writing is NOT having short-term positive feedback. Sometimes, we don’t even have long-term feedback.

It’s kind of like when Wile E. Coyote runs off the cliff. Except we’re not clueless like Wile. We actually know the cliff is there. We hope that when we step off, we’ll keep going, maybe even climb higher into the sky, but we know there’s a real risk this won’t happen. Yet we keep running.

This takes courage.

So, for today, pat yourself on the back and give yourself a treat. An extra piece of chocolate, a hot cup of tea, a new book. And then take a breath of bravery and get back to work. 🙂

Posted in The Writing & Critique Group Survival Guide, Writing Projects

Spring & Writing: What’s Growing with You?

Posted on by beckylevine

Yes, Spring is here. I know, it was official a few weeks ago, and some of you are still dealing with cold rain and snow, but the green things are trying. And out here, they’re growing and blooming.

My son’s spring break was this last week, and we took off for a couple of days of camping here and hiking here and here. It was perfect. Well, maybe not absolutely perfect for my son, who doesn’t really fitto sleep on the floor of the Vanagon anymore, but he didn’t complain, and we didn’t step on his head getting in and out, so, really, it all worked fine.

Tomorrow, school starts up again, and we head into the end of April. I hadn’t realized how much I needed a break of pretty much nothingness. Even with the sore muscles, I’m feeling seriously rested and refreshed. And ready to look at Spring with welcome. Ready to face my writing projects and say, “Bring it on!”

What will I be doing, with the sunshine bouncing off the greenery into my office window?

  • Revisions on The Writing & Critique Group Survival Guide. I’ll be getting feedback from my Writer’s Digest editor and digging back into the book. After this weekend, I feel ready.
  • Getting ready to write the first draft of my historical YA (feeble “working” title: Caro’s Story). Several writing friends are sort of getting to that place where we need to write, and we’re talking about pulling out all the stops in June and blasting through our first drafts. On one of our hikes this week, my husband and son helped me brainstorm some story problems (hey, you NEED something to talk about when you’re trying to climb 3,000 feet in 3 miles!), and, boy, their help was HUGE! I had several recordings on my cellphone with ideas about the ending AND the middle. So I’ll be more than ready to go in June. (I know, that’s officially summer, but prep will happen in May!).
  • Going back to the picture book I started this month. I did some basic plotting of the beginning and end, and wrote a few hundred words of early ideas. Next step: figure out some problems my heroes can face across the middle.
  • Start getting organized for my RESEARCH TRIP to Chicago this summer. My YA is set there in 1913. My sister lives a couple of hours south, and the plan is to take a couple of days in Chicago to hit museums, visit neighborhoods, talk to historians. We think we’re even going to go by the apartment where our grandmother lived as a little girl. I am so excited about this–it’s going to be better than the Peter Pan ride at Disneyland. And, you know, that’s the best.

It’s been a tough, long winter. Not for us, thank goodness, but for so many people all across the country, and the world. I want to face this Spring with optimism. I want to stay open to whatever new things may come along.

What about you? What projects–writing or otherwise–are you gearing up for this Spring? What’s calling to you?

Posted in First Drafts, Getting Organized, Outlining, Plot, Research, The Writing & Critique Group Survival Guide

When the Itch Hits

Posted on by beckylevine

Do you scratch it?

I’ve been talking a lot online about the research & planning I’m doing for my YA historical novel. It’s been going great. I’m learning tons about my characters, about their wants and their conflicts, about their back-story and their future. I know there’s more I can learn.

Except I’m itching to put all this aside and get writing.

I promised told myself I would finish Donald Maass’ Writing the Breakout Novel Workbook before I started writing. I said I would do a bit of plotting before I dug in. There are at least a third of these

researchbooks

that I haven’t read yet, and more I need to add to the shelf.

I can hear you all now. “Just write it!”

And here are your very good reasons:

  • I’ll learn more about your characters as you draft their stories.
  • The plot will change no matter how much time I spend on it.
  • I’ll narrow down my research needs as I write.
  • If I do too much planning, I’m putting handcuffs and chains on my muse.

Yep. So I’m going to write.

Soon. I’m still learning from Maass, but I’m giving myself permission to go a bit more quickly through his worksheets. I’m putting a few more tags on pages that need to wait until I have a draft to revise. And I’m letting myself relax away from the research a bit, so I can keep my actual characters at the forefront of my brain, instead of too many historical details/facts. And, since I still will have revisions to do on the critique book, I’m telling myself that any plotting I do has to be fit in between those changes. I’m not allowed to put the writing off, just because the whole outline isn’t complete and comprehensible.

When? I’m thinking June. A few other writing friends have first drafts looming, and we may all hit the keyboards together.

I’ll be MORE than ready.

So when do you start? What’s your comfort zone between knowing any/all of your story and needing to get those people on the page and moving? I’d love to hear how you do the balancing act?

Posts may be a bit thin on the ground the next few days–we’re in the middle of spring break over here. I’ll be back in force next week, though, and I’d love to start doing a little more talk about critiquing and critique groups. So if there’s a topic you’re “itching” to dig into, let me know that, too!

Posted in Character, Heroes, Somebody Else Says, Writing Books

Somebody Else Says: Nathan Bransford (and Me) on Redeemability

Posted on by beckylevine

Okay, I know it’s starting to feel like this is a bit of a cheating week for me. First, I the WONDERFUL and BRILLIANT Shrinking Violets guest post for me. (I know how much you all loved that, though, so no guilt here!). Then I resort to a visual image, no words, about my workday, and I didn’t even find that image myself–Nastassja Mills did! And now, I’m sending you over to read Nathan Bransford’s blog.

Still, no guilt. Because Nathan is always worth listening to, and also because I am going to throw my own two cents into the pot here. Nathan’s basically talking about how to make it work that your hero does something horrible or has a pretty nasty flaw. And his basic idea–although he says it much better and in more detail, so you MUST go read the post–is that you do this by redeeming your hero.

What I started thinking about, though, as I read the post is that this implies another need, perhaps. And that would be the need to have our hero do something “bad” to start with. Yes, I’m still buried in Donald Maass’ workbook and theories, but this seems to me to fall under that big umbrella of pushing our heroes past our their limits.

I am having the sense as I think about my fiction WIP and draft out a few early scenes that I’m making my hero pretty darned, well…heroic. That’s okay. In fact, that’s good. Some pretty nasty things happen to her, and she’s going to have to be strong, or to repeat the highest praise I’ve ever heard about any heroine from literaticat—kick-ass. But…

She can’t be Wonder Woman. (For one thing, the story is set in Chicago, 1913–in MARCH, and that outfit would be completely inappropriate.)

One of my goal for this character is to find out what she does wrong. It has to, I think, be a necessary wrong and one that is ultimately a critical part of her quest and growth, but it does have to be bad.

What about your heroes? Do they wear cloaks because they’re hiding something? What’s really under that mask? How bad can you make them? And how will you, as Nathan says, redeem them?

Posted in B.I.C., The Writing Path

B.I.C. in All Its Meanings

Posted on by beckylevine

Before I forget, if you haven’t entered my contest for a copy of Donald Maass’ Writing the Breakout Novel, there’s still time. Just leave a comment for that post, and I’ll add your name to the pot.

For the past week, I’ve been running around like the proverbial decapitated chicken.  Today was the first time in too long that I had several hours to sit in my office and get a large chunk of work done. I set myself a goal for the day (made it!!) and got to work.

In other words, I did Butt In Chair (B.I.C.).

We’ve all heard the phrase. On a good day, we love the acronym and feel proud of how disciplined and productive we are. We even add F.O.K.T. (Fingers on Keyboard Typing) to our commitment.

On a bad day, we pretty much want to send the chair and the keyboard through the window.

This may be because we’re stuck on a too-narrow definition–the one that says B.I.C means typing away, putting words on the page, and sending those pages to the printer.

Today, I MAYBE typed 100 words.

My B.I.C. time was spent thinking. I was working on the next stage of The Critiquer’s Survival Guide. I have an interesting task to do while I write this book, and that is to create a very small  sample of each genre for which I discuss critiquing.  I’m using excerpts from real books, too, but those are for the good example. I couldn’t very well pick up a novel I thought was “not-so-good” and then write, publicly, about why I thought it didn’t work. So I’m making up those not-so-good examples.

Today was my day to pick topics. Even though I only have to write a page or two for each, I knew that–if I didn’t have a plan ahead of time–I’d hit a major stumbling block each time I started writing a new chapter. And stumbling blocks can pretty much triple that B.I.C. time!

How did I spend my B.I.C. hours? I thought. I scribbled ideas in a notebook, thought about my life and experiences, any things I might be a semi-expert on (to write something purposefully bad, you pretty much have to write it decently first). I closed my eyes and visualized, dipped into my memories and my opinions.

And then I typed a word or six.

There are days I don’t even come to my desk for B.I.C. Opening a chapter file—new or existing–can be deadly for brainstorming plot events or developing characters. You look at the empty page, or at the words you’ve already written, and you get stuck. You have no idea where to start the scene, or you’re frozen at the idea of changing any of the words you’ve already written.

For big thinking, I do B.I.C. in my rocking chair. Usually, it’s tucked away in a corner of my office. My husband and son drop into it occasionally for a chat. But when I don’t know where I’m going, when I have to explore concept stuff, I pull the chair out. I put a blank notepad next to me, with a pen, and get a cup of hot tea to sip on. And I rock.

The ideas come. Without a CPU, monitor, or keyboard anywhere nearby.

I’ll admit. As soon as I’ve got the thoughts, I’m back at the desk chair. I don’t trust my notepads or my brain to keep things straight. Everything goes into a computer file and gets printed out to the appropriate binder–my one-stop containment center. But it all starts in that rocking chair.

Be careful what chair you pick on any given day. Use B.I.C., but don’t let it use (or abuse) you. Writing is so many more things than just writing. You wear multiple hats as an author, and you need just as many places to wear them.

What’s your favorite chair, and how do you use it for writing?

Posted in Marketing, Publishing, The Writing Path

To Worry or Write? That’s the Question

Posted on by beckylevine

It seems like, for the past few weeks, I keep running across articles of doom and gloom. Now I know. I get it. The economy stinks. And it’s hitting everybody, no question. Including publishing.

Realistically, this is going to impact us as writers. And, realistically, I–for one–am capable of breaking into a cold sweat and spending way too many hours fretting about how, specifically, it may impact me.

But I’m not going to do that. Instead, I’m going to keep writing.

Yes, things are bad, but the economy, like everything else, goes up and down and–sometimes–in loop-de-loops. I am incapable of predicting how long this downfall will last or where I’ll be on my writing path when it’s over. For all I know, just as I finish my current revision or get the next book idea drafted, everything could be on an upswing and every publisher in the world will be wanting me as their author. (Okay, its a stretch, but if I’m dreaming, I might as well really dream.)

So I’m going to figure that there’s still a book market out there and that Publishing will survive and I will have a place in it. And I’m going to keep putting words on a page and networking with other writers and marketing my skill with words as a valuable commodity.

I’m not putting up any negative links in this post. Instead, I’m just going to share a couple of the ones that made me feel better today.

My sister, a home economist in Illinois, put this link up on Facebook. The article basically says that, when we freak out, we don’t do ourselves or the economy any good. I’m taking it as a prescription to stay sane.

http://www.nytimes.com/2008/11/20/garden/20math.html?ex=1384923600&en=e2861f2c72869a85&ei=5124&partner=facebook&exprod=facebook

And this article shows the flip side of book sales (maybe!) going down. We all love our libraries and wish good things for them, so…

http://www.boston.com/news/local/articles/2008/10/16/library_use_rises_as_economy_falls/

What about you. Got any cheerful links to post about what’s happening with books and writing and how you’re dealing with the uncertainty?