Posted in Promotion, Somebody Else Says, The Writing Path, Uncategorized, Writing Fears

Somebody Else Says: Jo Knowles & Bubble Stampede

Two seemingly very different posts to link you to today. I think, though, that they’re actually pretty strongly connected by being BIG parts of the writing path.

Jo Knowles is a wonderful YA writer. Her Lessons from a Dead Girl is incredible, and Jumping off Swings (Due this August) is high on my to-read list. In her most recent blog post, she talks about how hard it can be to get seriously constructive feedback on your writing and how wonderful it is to remember what you can do with that feedback. A must-read for anyone who knows that discouraged feeling.

http://jbknowles.livejournal.com/319123.html

A year ago, Laura Purdie Salas and Fiona Bayrock created Bubble Stampede, a LiveJournal blog about their upcoming months of promoting their to-be-published books–Stampede!: Poems to Celebrate the Wild Side of School and Bubble Homes and Fish Farts . The year’s posts are definitely worth skimming, but they’ve also just posted a summation of the year-what worked, what didn’t. Lots of valuable insight.

http://community.livejournal.com/bubblestampede/13237.html

Happy Monday. I’ll be back soon with some more of my own thoughts!

Posted in Agents, The Writing & Critique Group Survival Guide, The Writing Path

Agent or No Agent: My Two Cents

A few weeks ago, Shawna at Just Another Day in the Life gave me the Honest Scrap reward for my blog. I still need to pass this award on to seven other bloggers, which I am going to do soon, with pleasure. But I thought of the reward today, as I was coming up with an idea for a post. I’m still in recovery mode from the plague that has hit my house (which is why I was pretty much absent from here the second half of last week), so I was planning to just point you all to some other blogger’s links.

Then I thought of the reward, and I realized I’d better live up to it. Which is why I’m going to tell you, today, that–yes, I think writers should try to get an agent to represent their work. I know this isn’t always the most popular opinion, and that you can find an unlimited number of horror stories about agents on the blog and just by talking to other writers. My thoughts assume we’re talking about a good agent. And self-publishing is another conversation, with pluses and minuses, but obviously the agent question doesn’t come up there.

Here are the thoughts & ideas that have led me to look for and in one case, find an agent; in another case, not yet find an agent.

  • I want experts to do their work for me. I don’t do my own taxes, because I am lousy at math and legalese. I ask my critique partners to read my manuscripts thoroughly, because they’re better reviewers of my writing than I am. My husband trims our small trees, but we hire a wonderful tree-cutting company to climb around in and take out the really big ones. I now ask my taller-than-me son to get the dishes down from the high shelves.
  • I want to write. I don’t want to negotiate contracts. I want to be able to ask my contract questions to someone who isn’t creating that contract, but who is looking at it to get me (and them) the best deal possible.
  • I want my manuscript submitted to the right editors. I have NO way of knowing who those are. I can read their websites and submission guidelines, sure, but–what does “funny” mean? Humor, like so many qualities, is subjective. An agent will have worked with editors and know their senses of humor–and their senses of tragedy, suspense, edginess. I won’t have a clue.
  • I think that having an agent ask to represent me or my project means that my manuscript has reached a certain point. I know, what about my own self-confidence and my own sense of my strength as a writer? Well, let’s just say I’m open to a little extra reinforcement of that sense–especially from a professional who knows this business.

As I said above, one of my hunts–for a nonfiction agent–has been successful. And the experience of working with Jessica Faust on the contract for The Writing & Critique Group Survival Guide gave me everything I’d hoped for. Jessica is professional and efficient. She answered all my questions clearly (and without making me feel stupid or naive once!). And–for those who worry about that 15%–I’m not going into details, but the negotiating she did .

The other hunt hasn’t had the same success rate, but I’m not ready to give up. My first novel, a middle-grade mystery, went the rounds to agents for about a year. I got lots of compliments, but no takers. I was struggling to decide what to do–whether to go on to submit to editors and hope for the best, whether to find a new revision path, or whether to put it aside and work on the YA historical that had been calling to me. And guess what–I got the best, most clear-sighted advice I’d had yet…from an agent. One of my last queries returned me a wonderful letter from an agent who explained why she thought my book wasn’t being picked up…and it was a market reason. I don’t think I was just grasping at happy straws (because she wasn’tsaying the problem lay in my writing!), but the reason made perfect sense with what I know about the kidlit market. The lightbulb went off brightly, and I was able to pick which direction to take on my writing path.

Agents know what they’re talking about.

I really believe this. Some agents make a lot of money, sure. So do some writers. Overall, though, nobody takes any job in this industry for the high salary; they take it because they love books, they want to work with words, and they want to help add to the pile of reading choices in the bookstores and libraries.

So what do I think this means for writers? I think it means that, along with writing our manuscripts, we need to be doing research about agents. We need to be reading up on who represents our kind of project, on who has a trustworthy record in the industry and with other writers, and on the standard of work we need to be ready to present when we make that initial connection.

Obviously, if I had a direct, clean path to an editor, and I had a project that I thought was ready, I’d be emailing them and asking if I could submit. And if they said yes and if they wanted the book, guess what I’d do? I’d go back to all the research I’ve done, and I’d contact my “top” agent choices and ask them to represent me in negotations. Like I said, I want those experts around who will make my life easier.

What about you? I’d love to hear your thoughts on this conversation.

Posted in The Writing Path

It Really IS That Cool

Okay, most of the time at this blog, I try to emit a certain level of professionalism. I’m sure I don’t have any of you fooled, but my goal is to at least sound like I know what I’m talking about, and as though I’m moving calmly forward on my own writing path.

There are times, though, when that calm just gets broken. Like today.

What happened? Well, I got a couple of emails from my Writer’s Digest editor. The first was talking about some new wording on the title–still working on the final-final, I think! The second email, though, was, well…

MY BOOK COVER!!!

Okay, not yet. It was a preliminary book cover, and–of course–irritating me had to ask a couple of questions about it, so I can’t show it to you yet, but just take my word for it today.

IT’S GORGEOUS!

I am not a visual person. But you can bet that every time I browse through the writing section of a bookstore (which I’ve been doing a LOT lately, as I researched this book), I’ve been checking out all the recent Writer’s Digest covers and imagining what mine might look like.

I should have just waited. Because this one rocks. (Really, I’d show you if I could!)

You know, we go along as writers, working on a certain amount of faith. Even though I’d be writing even if I thought I’d never get published, it’s clearly one of the big goals that keeps me motivated and productive. And part of that faith is, I think, based on the excitement we see and hear from other writers, and from the excitement we feel for them, as their books take “real” form and land on bookstore shelves. Still, though, it’s a bit of, “I hope someday I really do feel that good.”

Well, I’m here to say, you do.

I know, there are still many months before the book is out, before it’s something I can pick up and hold. And I know this still isn’t my fiction, which has dreams and goals of its own that I still want to achieve. BUT…

Out there, somebody has designed a book cover for a book I’m writing. Today, when I opened up the file and saw not only the title, but also my name on a design I love, it felt very, very real. And absolutely fantastic.

So keep those dreams going, guys. Keep putting those words on the page, keep chasing down opportunities and saying “Yes” to them, and keep believing that it’s going to happen. Because all of these are pieces of the path, pieces that, someday, will add up to a big, loud, squeal of delight whe you least expect it.

Thanks for letting me share! 🙂

Posted in The Writing Path, Writing Fears

Writing Fears…How I REALLY Feel

I think I’ve talked here before about how, in The Critiquer’s Survival Guide, I’m making up excerpts from “not-so-good” books, to use as examples. (I also have excerpts from real books, but those are for the better examples!) Anyway, today I was playing with a bit of text for a pretend self-help book called Overcoming Your Writing Fears. I didn’t have to come up with a lot of words, just a few paragraphs. I sat for a few minutes, thinking & imagining, and the muse answered my call.

The wicked, evil muse who sounded an awful lot like some vicious, boot-camping, pep-talking villain, the kind with a get-over-it attitude and butt-kicking motivation technique.

This is NOT me. Okay, it was kind of  fun to write, and I think it’ll stay in the book, but it also started me thinking about how (and why) I really deal with my writing fears. To be honest, this is a relatively new question for me. Call me cocky, but for years I pretty much wrote along, thinking I was a decent-to-good writer, learning my craft and putting words on the page. Then, as I started getting “closer” to the real thing, to submitting to agents, to getting contracts, to sending some of those pages off to an editor–the fear started to show up.

It’s not a fear of whether I can write. It’s, not much, anyway, a fear that I can’t write well. It’s pretty much a fear/worry that I will keep writing and writing and never “make it.”

Which is pretty silly, when you think about it, considering The Critiquer’s Survival Guide is scheduled to come out this fall. 🙂

Silly, or not, the fear is real. As are all our anxieties about our skill and “success.” So how do I deal with it?

Well, mostly I try to be kind to myself, but not too kind. I don’t beat myself up for the days I make less progress, and I don’t try to press-fit myself into the computer chair with a big shoe horn, when it’s clear the shoving will only be painful. But when I take a break, especially if that break is from fear, I try to make that time useful. I get up and exercise or I tidy up some of the mess in the house that’s been driving me crazy. (This is different from procrastinating by cleaning–if I’d been doing that, the mess wouldn’t be there in the first place!)

And I bring myself back. I try very hard not to spend more than one day, other than the weekend, away from SOME kind of writing. I know that the best way to make progress on a manuscript is to keep it at the front of your mind, and every 24-hours that you are not working on it is another layer down in your brain that you have to go down to dig it up. And because I know that staying away from the writing never feels good; it just feels frustrating and tense and makes me angry at myself. Even the fear is better than that.

That’s pretty much the how. The why–the reason I try and work through (or with) my writing fears–is perhaps even more important. When I look at the problem, when I face the fact that I am afraid and worried and too full of doubt, I have to ask my question. And that question is: With all this, will you, can you stop writing?

There is only one answer to that question for me: No.

So, if I’m going to write–and I am going to write–then I have to come back, fears or not, to the novel or the picture book or the nonfiction project. Because that’s the only way I’m going to get the flip side of that fear–the delight, the magic, the power.

I’m not alone in this fear, and neither are you. Here are a few more posts on the subject, some words from a few more writers.

And another post popped up today (Thursday)–must be that time of the year!

What are your writing fears? How do you handle them, to make sure you keep moving forward on whatever your writing path may be?

Posted in B.I.C., The Writing Path

B.I.C. in All Its Meanings

Before I forget, if you haven’t entered my contest for a copy of Donald Maass’ Writing the Breakout Novel, there’s still time. Just leave a comment for that post, and I’ll add your name to the pot.

For the past week, I’ve been running around like the proverbial decapitated chicken.  Today was the first time in too long that I had several hours to sit in my office and get a large chunk of work done. I set myself a goal for the day (made it!!) and got to work.

In other words, I did Butt In Chair (B.I.C.).

We’ve all heard the phrase. On a good day, we love the acronym and feel proud of how disciplined and productive we are. We even add F.O.K.T. (Fingers on Keyboard Typing) to our commitment.

On a bad day, we pretty much want to send the chair and the keyboard through the window.

This may be because we’re stuck on a too-narrow definition–the one that says B.I.C means typing away, putting words on the page, and sending those pages to the printer.

Today, I MAYBE typed 100 words.

My B.I.C. time was spent thinking. I was working on the next stage of The Critiquer’s Survival Guide. I have an interesting task to do while I write this book, and that is to create a very small  sample of each genre for which I discuss critiquing.  I’m using excerpts from real books, too, but those are for the good example. I couldn’t very well pick up a novel I thought was “not-so-good” and then write, publicly, about why I thought it didn’t work. So I’m making up those not-so-good examples.

Today was my day to pick topics. Even though I only have to write a page or two for each, I knew that–if I didn’t have a plan ahead of time–I’d hit a major stumbling block each time I started writing a new chapter. And stumbling blocks can pretty much triple that B.I.C. time!

How did I spend my B.I.C. hours? I thought. I scribbled ideas in a notebook, thought about my life and experiences, any things I might be a semi-expert on (to write something purposefully bad, you pretty much have to write it decently first). I closed my eyes and visualized, dipped into my memories and my opinions.

And then I typed a word or six.

There are days I don’t even come to my desk for B.I.C. Opening a chapter file—new or existing–can be deadly for brainstorming plot events or developing characters. You look at the empty page, or at the words you’ve already written, and you get stuck. You have no idea where to start the scene, or you’re frozen at the idea of changing any of the words you’ve already written.

For big thinking, I do B.I.C. in my rocking chair. Usually, it’s tucked away in a corner of my office. My husband and son drop into it occasionally for a chat. But when I don’t know where I’m going, when I have to explore concept stuff, I pull the chair out. I put a blank notepad next to me, with a pen, and get a cup of hot tea to sip on. And I rock.

The ideas come. Without a CPU, monitor, or keyboard anywhere nearby.

I’ll admit. As soon as I’ve got the thoughts, I’m back at the desk chair. I don’t trust my notepads or my brain to keep things straight. Everything goes into a computer file and gets printed out to the appropriate binder–my one-stop containment center. But it all starts in that rocking chair.

Be careful what chair you pick on any given day. Use B.I.C., but don’t let it use (or abuse) you. Writing is so many more things than just writing. You wear multiple hats as an author, and you need just as many places to wear them.

What’s your favorite chair, and how do you use it for writing?

Posted in Marketing, Promotion, Publishing, The Writing Path, Webinars

Webinars…Maybe I’m Catching up with the Millenium

Can you see me? Feebly waving an arm at you all, while I prop myself up against the wall? No, it’s not that bad! 🙂

I’m just being silly. I feel pretty great, actually, because I just sent the first (of two) chunks of The Critiquer’s Survival Guide off to my editor at Writer’s Digest. Happy Dance! But, yes, it’s a bit of a wimpy Happy Dance, because I am feeling just a tad brain fried. I was on deadline without any problem, but I did hit that adrenaline high that comes along with any “Do it NOW!” kind of focus. And I did stay up just a tiny bit late a night or two along the way.

So you’re not getting much of a blog today, but I did want to point you over to Jane Friedman’s post from last Tuesday. She’s talking about the series of “Webinars” that Writer’s Digest is starting this year. She lists the ones that are coming soon and gives a brief description of what you can do if you sign up for one.

This is the one I liked:

  • “Ask the presenter questions in real time”

Why am I interested, you ask? Besides the fact that these sound very cool? Well, because the current plan is for ME to do one of these webinars for the critique book. I’LL be the presenter that people can talk to. VERY exciting. Me, who has only been out of the morass of dial-up connectivity for a few months!

Anyway, check them out. I’ll be thinking and planning about all this, after I finish writing.

Posted in Critique Groups, Query Letters, Revising, The Writing Path

When to Query

This week, I’m sending out some queries. I’m as sure as I can be that these are queries I need to send, and that my project is where it needs to be to show to an agent. I know, though, that this is a big question I hear lots of writers asking–when is the right time to send that letter?

The answer is, I believe, not until your book is done. Or, if you’re writing an nonfiction book proposal, not until the proposal is done.

There are two things about this answer–first, it might seem obvious. Actually, though, I hear a lot of writers talking about sending queries out before they’ve finished revising their projects. I think they figure that there will be time, while their letter is making its way to the top of the slush pile,  for them to finish that revision. Alert: I sent one email query out at 3:00 in the afternoon and got my reply back at 6:00 that evening. No, it wasn’t a request for more pages, but I’d have been ready if it was.

Why set an agent up to want your book, if you aren’t ready to show them the whole thing? Why risk frustrating them, because you queried too soon? Wait until the book is done.

Which takes us to the second thing about my answer–another question. How do you know when your book is done. Completely done. Beautifully done. Seamlessly done.

You’re never 100% sure. At least I’m not. But you can go through a basic checklist and test your gut reaction to the questions on it. Here we go:

  • Have you written the book from beginning to end?
  • Have you rewritten that book several times?
  • Have your revision passes made substantial changes to plot, character, voice…all the biggies?
  • Have you shown your book to other people, preferably a well-read, deep-reading, serious critique group? More than once?
  • Have you incorporated the feedback of those people into you book? Yes, again, more than once?
  • When you read your project, does it feel cohesive, a complete, seamless entity? Does it feel like…a book?
  • Are you not avoiding thinking about a passage, a scene, or a chapter that jumps out at you as not fitting? Denial about not needing that next piece of chocolate is okay. Denial about fixing your project is not.

Yes, this is a lot of work. And it takes a lot of time. There is no way, though, that this time and energy is a waste.  Nothing that makes your book more ready to hook an agent could be.

Posted in Blogging, Promotion, The Writing Path

Why Blog?

Last week, around the time that Martha Alderson guest-posted over here, she and I were talking about blogging in general–why to do it, how to do it “right,” how to make your blog useful, to its readers and to yourself.

So I thought I’d talk about it a bit here. Just a bit, and then I’m going to give you some links to other people’s take on it.

I first started blogging for fun and to connect with other kids’ writers. I still have this other blog, where I talk more about my own projects–the ups and downs–and just silly life stuff.  This blog totally met its objectives–I’ve “met” such wonderful writers there (and even met some of them in person, too). I get support and education about writing for kids. And, honestly, I just have fun blogging.

Then I got the contract with Writer’s Digest to write The Critiquer’s Survival Guide, and I started thinking about promotion. Frankly, it’s a bit tough to think about blogging to promote your book, or yourself, but—equally frankly, it’s the smart thing to do. In my first blog entry here, I talked about what I wanted to do with this new blog. My overall goal is to provide truly helpful, supportive information about writing, marketing, and–yes–critiquing. I hope the blog becomes something just as important for my readers as it is for me.

And, yes, I want to keep having fun with both blogs.

I browsed around the web and found out a bit more about blogging–different reasons for doing it and some good ways to make your blog helpful. Take a look & see what these people have to say.

And let me (and everyone else!) hear from you. Do you blog? Why? What’s the best tip you’ve ever received about how to blog? Feel free to drop the URL to your blog in with your comment!

Posted in Books, Publishing, Somebody Else Says, The Writing Path, Writing Books, Writing Goals

Somebody Else Says: Jane Lindskold

I was going to put up this great, maybe-even-profound blog about…blogging first thing this week. Then I read this post by Jane Lindskold at Tor.com and thought it was a good one to share. We can all use more info about What Happens After the Book is Written. Hop over and have a read.

Thanks to Nathan Bransford for the link.

See you in a few days for that brilliantpost on blogs!

Posted in Guest Blogger, NaNoWriMo, Plot, Revising, The Writing Path

Guest Blogger: Martha Alderson

Martha Alderson is a friend, a critique partner, and a wonderful teacher of plot. Her blog, The Plot Whisperer, is a font of information about crafting your fiction, and you can buy Martha’s book and other plot tools at her website, Blockbuster Plots. To celebrate the end of NaNoWriMo, Martha has declared December National Plot Month and is giving daily tips at her blog to help you get started on revising that manuscript.

I asked Martha to stop by and give us just a taste of this next stage, how to look at those tens of thousands of words you just produced and figure out what you’re supposed to do with them.

Welcome, Martha!

Thank you, Becky, for inviting me to guest blog “about the kind of plotting a writer can do when they’ve FINISHED NaNoWriMo.” I agree with you that this is a crucial time–because, as you say–“it’s the first time (if the writers have done such a fast first draft) that they start shaping the story.”

The craft of writing involves taking what the muse has offered during the first draft and shaping the words into a coherent story. This step involves more than rewriting. The craft of writing requires a revisioning of the overall story.

The first draft is all about getting the words on the page.

Now it is time to forget the words.

Instead, stand back and analyze the story as a whole.

Consider the overall structure, how the characters develop and transform, where the gaps and holes appear, how the dramatic action rises and falls, the flow, the pace, the voice, what themes are introduced, and the overall meaning of the story itself.

Plot Tricks & Tips to Prepare for Draft Two

  • Do not read your manuscript for at least a week, preferably longer.
  • Do not show your first draft to others.
  • No editing. (Editing keeps you at the word level. Now is the time to consider the story as a whole.)
  • Break the story into the Beginning, Middle, and End. Each part has specific parameters and is easier to manage that takes place in each section.
  • List the main events that take place in each section.
  • Plot out step-by-step what happens to the main character in each of the three parts, both in terms of the action and in terms of their own individual growth, based on the action.

If you have a draft of a novel, memoir, or screenplay and are at a loss as to how to take your writing to the next level, join me throughout the month of December. I’ll take you through the process of crafting your first draft into a viable story.