Posted in Agents, Getting Organized, Picture Books, Progress, querying, Research, The Writing Path

Query Prep: Researching Agents

Luckily for me, I enjoy research. I like doing a quick search and seeing if I hit anything interesting on the first try. I like going down rabbit holes. And I like pulling my discoveries together into some kind of recognizable order.

All of which is a good thing. Because, as I started getting serious about agent research this month, I remembered that it is a particularly twisty-turny rabbit hole.

It’s pretty easy to find a list of picture book agents. It’s pretty easy to find an interview or a quote that tells you a tiny bit about the agent, what they like, and if/where you might connect. It’s pretty easy to start popping their names into a spreadsheet.

And it’s pretty easy to find a reason why you won’t be querying them.

I took a bit of time to set up a spreadsheet, with a tab for research and another tab to actually track queries. I know lots of people like QueryTracker, and I may go back to it when I actually start sending out queries. But I’m not very visual, so it helps me to see all the info in one place. If you decide to use a spreadsheet, obviously, you’ll set it up for the info you want to track. But I did this a little differently than the last time I was querying, so I thought I’d highlight some of the columns that I added this time around.

  • I have two columns for Publishers Marketplace rankings. One is for the agent’s ranking, and the other is for the agency ranking. This will let me watch for newer agents who may not have a lot of sales yet, but who are working at an established agency and who may have support from the more experienced agents there. I want to sort by this column, so for any agent/agency I can’t find a PM ranking for, I’m just entering 1,000, so those rows will filter down to the bottom of the list.
  • I have a column for whether or not an agent represents picture book, and I’m making sure to separate out those agents who are looking for authors and not just author/illustrators. Because I can barely draw a stick figure!
  • I have another column for whether or the agent is currently open to queries. This column was really frustrating me. I felt like I just kept bumping up against agent after agent who are not open to querying. I knew QueryTracker information included this info for each agent, so I posted in the 12X12 Facebook group and found out that the QT info is almost always accurate and up-to-date. So I did a filtered search there and came up with a list that only includes open agents. It was a decent length and has me feeling much less discouraged.
  • I added a column for the most recent date on which I’ve added research info for each agent. I remember, last time, not doing this and finding out that I was definitely not carrying that factor around in my memory.
  • I put in one more column for my own ranking of agents on a scale of 1-5, 1 being the agents that go to the top of my query list (and get added to the tab for actual querying and tracking). 4 is for the agents I would love to query, but who aren’t open right now or aren’t taking any more picture book authors. 5 is for the agents I don’t see myself ever being a fit with; again, if I delete them, I won’t remember that I’ve already researched; this keeps them on the spreadsheet, but out of sight. 2 and 3 are kind of nebulous, more a gut feel where I think the agent falls after my #1-ranked agents.

This is really getting into the weeds, and you may be reading it and saying, “Duh!” But I remember when I was first starting to do this, years ago, I felt like there was a lot of info floating around out there, and I wasn’t sure how to best organize it, and I kept finding info that didn’t fit into my spreadsheet. I’m feeling better about this one, even though I’m sure I’ll keep modifying it as I go.

So if you’re already set, my best wishes to you for a successful query path. If you find this helpful, I’m glad to have tossed it up here!

Posted in Chapter Books, Getting Organized, Organization, Picture Books, Progress

Sometimes Life is Like a Snow Globe

Okay, sometimes life is like being inside a snow globe. It’s an odd metaphor for a summer, but it’s a summer where things have been shaken up, settled briefly, then shaken up again. In July, we “hosted” my husband’s kidney stone about three weeks. (Go get a big glass of water. Right now. I’ll wait.) Then the heat wave hit, and now California is basically one big firestorm. I’ve been able to get things done at work and make some decent progress on a writing project, but concentration and focus haven’t been my friends for a while now.

When my snow is “settled,” I’m good with having a lot of writing projects up in the air. I can shift back and forth, letting one simmer while I move forward on another. When the snow is whirling, though, having that many first drafts and revisions in my head is like being in a blizzard. (Not that I’ve ever been in a blizzard.)

This morning, after I checked the news on the fires, I took a few minutes to sit and breathe (the smoke has been better at our house for a couple of days!). The wind in my head quieted down a bit, and my mind wandered over to my current writing projects: a new picture book idea I’m excited about, three revisions I have some good thoughts on, and whatever continued writing I want to do on my chapter book wip after the Highlights workshop at the end of this month.

Needless to say, the thought of all those projects waiting for me kicked up the wind, and my mind was back in the snowstorm. I reminded myself that, at times like this, it’s good for me to step back into a sheltered place, line up my goals neatly by the fire, and make some decisions about what comes next, then next after that, and then next again. A row of “nexts” is much better than a swirl of “NOW!”

I put my row in this order:

  • I want to write another chapter on the chapter book WIP. I’d been putting that on a shelf, because it isn’t required for the workshop, and who knows what direction I’ll be going when I’m on the other side of all that learning. But I realized this chapter is calling to me, I can see my MC struggling and coming out (temporarily) ahead by the end. This sounds fun, and fun is good. Assuming the snow settles a bit, that’s the writing I’ll do this weekend.
  • I’ll plot and think and brainstorm and get a first draft out of the new idea. When this year started, I had what I thought was four picture book manuscripts worth revising for (eventually) querying agents. Since then I’ve drafted and revised two new ideas into stories with a lot more potential. It’s clear to me that only one of those original ideas is good enough to revise right now, and the other three need to go on a shelf. I think this newest idea is another good one, and I want to get it drafted. Then I’ll be back to a stack of four, and a much stronger hope that I can turn them into something ready to show agents.
  • After the workshop, I ‘ll move into revision-only mode on my picture books. Four is enough, and I want to keep doing the hard work and getting more feedback from my critique group. I never say never, but at this point, I may not go on another idea hunt until Tara Lazar’s Storystorm comes around in January. (Which, the way time has been feeling lately, is right around the corner!) My goal is to start querying, and revision is going to be the best path toward that goal.
  • I’m not making any hard decisions about the chapter book until after the workshop. I may find out that this story idea just doesn’t have the potential for today’s market. I may find out that I’m on the right track, and I may “depart” from Highlights as or more excited about the story as I am right now. If the latter happens, then I’ll toss that ball into the air and have it handy to work on anytime I need to let all four picture books simmer for a few days.

Believe me, I’m perfectly aware that this list is my brain’s attempt to glue my snow globe to a shelf and keep anything else from shaking it up, and I’m even more aware that actuality is out of my control. But I’m looking at my plan as being like a snow shovel. If I don’t pick it up and do some clearing while I can, I’m never going to be able to get my car out of the driveway. (Not that I’ve ever held a snow shovel.)

How are you handling the chaos these days? Feel free to share any tricks and tips in a comment!

Posted in brainstorming, Dreamscapes, Getting Organized, Picture Books, Writing Goals

Getting My Dream Ducks in Order

As good as I am at multi-tasking, my natural, happy mind-state is to think and act in a linear path. One thing at a time, put it down, pick up the next, work on that, repeat. And for many years that has worked for my writing. Until recently, I was never popping with story ideas–I could pretty much put all my focus onto wherever I was in whatever novel I was struggling with at the time.

Then picture books came along to say, “Hi!” Storystorm is a huge part of my idea generation, but also–these days–some muse (maybe the Muse of Overwhelmedness) sends ideas to me on a regular basis. And you know what?

I CAN’T WRITE THEM ALL AT THE SAME TIME!

Add to this that I am moving toward querying agents. And while I would like to just dive in head-first, some very wise people recently reminded me of the important steps involved in a smart agent search. And..guess what?

I CAN’T DO ALL THE STEPS AT THE SAME TIME!

And once more piece–now my looking-forward is a mix of dreams, goals, and actions. That’s about as non-linear as you can get. Some people could work it into a flow chart and feel comfortable dropping onto any arrow. But not me.

I CAN’T FOCUS ON MULTIPLE BIG-PICTURE VISIONS AND TINY DETAILED TASKS AT THE SAME TIME!

It was a busy week at the day-job, and I had to push the ALL down to the bottom of my brain for a few days. (No, of course it didn’t stay there, which is why I ended the week feeling like I had gone ten rounds with…Yes. The Muse of Overwhelmedness.)

So…I went to bed early last night, and I slept in this morning. I let my mind gently roam its way to a couple of Storystorm ideas, and I had breakfast and caffeine. And then I played with dream-scaping.

Dreamscape 2

Typically, these brainstorming-circle tools don’t work for me. The fact that this one has, at least in having filled up a page with bright colors and actual text, is–I guess–reassuring. In an oh-good-I-am-finally-deep-enough-into-this-writing-thing-to-have-my-head-explode way.

How I turn this dreamscape into process(es), I’m not sure. In my past, free-to-be-linear life, my lists were a straight line of numbered tasks, and I got to happily cross off each one as I finished it. This new world is filled with tasks that connect to each other backward and forward, get to be repeated time after time, and play a role in various and sundry scenarios. It’s as if a nice, simple If…Then statement met up with Wile E. Coyote.

But I think this is my new normal, and it’s a normal I have been aiming toward for years. So I’m celebrating by being grateful and breathing deeply. And I’m keeping the nice paper and pretty pens near at hand.

Posted in Getting Organized, Writing Goals

Don’t Drop that Chainsaw; Put it Gently Away for a While

My husband has this analogy (metaphor?) he uses frequently—juggling cats and chainsaws. I think, to him, this activity actually sounds like fun. To me, it’s just a great image for those days when you feel like you not only have too many balls in the air at once, but that most of them have claws and teeth, motorized and otherwise.

Yes, you do know the days I’m talking about.

It’s so easy, maybe too easy, to keep adding things to our calendars. To our lives. Books to read. Movies to see. Workshops to take. Fun trips with our families or friends. Writing projects.

Writing projects we really want to do.

And pretty soon, we’ve got chainsaws flying, along with a Siamese, a Tabby, and a Manx we sure hope started out without that tail. We only have two hands, but the sky is filled with a half-dozen felines, way too many bright-yellow power tools, and…watch out for that electrical cord!

The other morning (aka the wee hours of the night, just past midnight), I took one of those chainsaws from my list and turned it off. It was a project that, I hoped, was going to get me started on a new learning curve. As I lay awake, I had one of those moment of clarity that you really wish came to you at noon, or even dinnertime, but never do. I said to myself, “Oh, yes. And when, exactly, do you have time, right now, for a learning curve?” You can guess what I answered.

I didn’t lock the chainsaw away. I just wound up its cord neatly and tucked the whole thing into its plastic case, then latched it shut. And I put it on the shelf. Not too high–I can reach it easily. And those latches are so lightweight; I can flip them open any time I want.

Just not, you know, this month.

Guess what? I went back to sleep. Was there disappointment? Sure, a little. Was there relief? Oh, you bet. Because, by taking one of my chainsaws out of the air, I get to keep the others running and save all those kitties that I love so much. Nothing’s going to come crashing down around me, nothing’s going to hit me on the head, and nobody else is going to lose a tail.

What about you? Are you juggling just fine, catching flaming torches easily between your teeth? Or is there one item you want to take a second look at, catch it gently and see if maybe, just for a while, it doesn’t belong in your routine? We each run in our own personal circuses, and I toast your act—whether it’s tossing two beanbags back and forth, or catching swords as you ride bareback on a pink-feathered horse.

Just, if you’re waking up too many hours before dawn, consider sliding one of those swords into its scabbard. 🙂

Posted in First Drafts, Getting Organized, The Writing & Critique Group Survival Guide

Writing Backward

I made a discovery this weekend. Or, rather, a re-discovery, because this little piece of knowledge is something I’ve learned before, utilized many times, and–of course–forgotten until I had a need for it again.

Sometimes, its easier to write backward.

When I was in college, I did try and come up with that all-important thesis statement that drives an essay. After that, though, I would often write in this order:

  1. Conclusion
  2. Body paragraphs
  3. Intro paragraph
  4. Revision of that thesis statement that wasn’t quite right after all.

Why backward? Because sometimes you just can’t know how you’re getting somewhere, until you’ve been.

This last week, between dodging raindrops, staying afoot in huge winds, and lighting LOTS of candles, I got the outline and marketing/course information written for an online critique class that Writer’s Digest will be offering in December. This weekend, I started on the lessons. They’ll build on what I’ve written in The Writing & Critique Group Survival Guide, teaching critique tools and skills by having students critique first chapters or scenes from their classmates.

It took me a bit to focus in, but then I remember the backward writing. Which, in this case, took the form of developing–first–the bulleted list of questions the reader should ask themselves as they critique, and–second–writing the introductory text to set up those bullets. MUCH better.

As I worked, though, I was thinking about the other ways & times that backward writing is the form of choice. And here’s what I came up with:

  • Getting your hero to their scene goal and then figuring out the path they took.
  • Writing the fight scene between two (or three) characters, and then working out the scenes that will build in tension to that moment
  • Working out the climax of your novel first, so you know what’s the most important choice your hero will have to make
  • Developing exercises for your how-to book, to focus on your reader’s practical goal, before writing the guide’s main content
  • Writing the conclusion to your magazine article, to hone in on the one thing your should take away from the piece
  • Playing with the resolution to your memoir, to get closer to the theme of your personal story

Obviously, writing this way will not work every time. The opposite tact is to write through an entire draft–from start to finish, or skipping through the middle–to grow your own understanding of your project. I find that this backward style works best when I’m stuck, when I’m staring at the lead-in or some place in that vast middle of a project and not knowing what to write. Jumping ahead–flipping the coin over–gives me a jump-start, a different angle from which to see things.

And then, I find, I’m writing.

What about you? What did I miss? When do you decide to step off the linear, straightforward path and take a look at what the end can tell you about the beginning?

Posted in First Drafts, Getting Organized, Organization, Outlining, Plot, Scenes

Thursday’s Target-A Rainbow of Sticky Notes

Yesterday, I reread Robin LaFevers post on index cards. Then I went out and bought some sticky notes. Two packs. Five colors each.

Because I’m confused.

Not from Robin’s post. From my own plot. Too confused to know what to write next. So I’m trying something that occasionally works for me, but only occasionally–going visual.

My MC has three (maybe four) possible paths. Well, in all likelihood, she’ll follow all the paths somewhere in the story. I think. At the end, though, she has to choose one. I know this. I even know WHICH path she’ll choose. I also know (darn it!) that I can’t just lay these paths out sequentially or in parallel, which is how they’re feeling in my brain right now. No, I have to weave them.

Which means I need connections. Overlaps. Characters with more than one role. Layers.

I know, these come in revision. And I’m still on the first draft. Well, actually, I’m just a bit stalled on the first draft.

I think writer’s block may actually be this kind of stall–and maybe more aptly named writer’s jam. It’s not that I don’t have any ideas. It’s not that I can’t see my MC acting, going places, talking to people. It’s that I have LOTS of ideas, lots of action, people, and places. But they’re all crowded together, like I’ve poured them into one of those cake-icing bags–the ones that narrow down to a tiny hole. And all the ideas are trying to get out that hole…at the same time.

So I’m going to play with my sticky notes today, on my whiteboard, and try to come up with some pattern that shows me what to focus on. What to pull out of the hat next. I’m going to use a different color for every scene on one of those three (four?) paths and then try to move things around. (Yes, I know I said I had 10 colors. Hey, you never know!)  Hopefully, I’ll get THE idea that lets me move forward.

What do you do when you need a “lightbulb moment”?

Posted in Deadlines, Getting Organized, Page Proofs

Deadlines, Revisited

Way back here, almost a year ago, when I was just getting started with The Writing & Critique Group Survival Guide, I posted about how I seriously dislike deadlines.

Boy, that feels a long time ago.

Since, then I’ve met several deadlines, and all of them have felt pretty good. Probably because, as I wrote more of the book, as my critique group did their wonderful slicing and dicing, and as the book started taking it’s true, whole form, the nervousness I was feeling  about it died down. Which is good.

I didn’t expect, though, to find myself actually enjoying a deadline.

This week, I’ve been working on page proofs. In the “old” days, this would have meant the publisher mailing me (as in stuff envelope, apply stamps, drop in mail slot) the physical proofs, that I would have read through with red pen in hand.

Nope. My editor emailed me a PDF of the pages, with instructions for basically typing of a list of things I find that may need to be fixed. Because I can be slightly anal, I set up a table for this–just one column for the page number and another for “Change this to this.” (All dependent on my editor’s blessing, of course!)

This is what I’m doing for the next few days. This is all I’m doing.

And, you know, it’s kind of relaxing.

There’s something peaceful, for a small chunk of time, about having one project–one project only–asking for my attention. I’m not working on anything else, because this deadline takes priority. I take my laptop over to the comfy couch, get my tea, put the Internet on Pandora (wondering WHY The Rolling Stones are showing up on my Van Morrison station), and I read. I read, then stop, make a note, and read some more.

Soothing.

And, okay, it doesn’t hurt that I”m feeling a huge sense of relief and delight that–yes, many drafts after that first deadline–I’m still loving this book.

How do you feel about deadlines? What’s your favorite way to dig into the work that has to be done?

Posted in Bravery, Getting Organized, The Writing & Critique Group Survival Guide, The Writing Path, Writing Fears, Writing Projects

Taking Risks…Come On, Just a Few

I am by nature an extremely cautious person. I’m also not so good with change. 38 years later, I’m still not so sure my family needed to sell our smallish tract home and move to the much bigger house, on the top of a hill, with an ocean view and a bedroom for each kid, that my parents had designed and built just for us. Really.

‘Cause you know, why swap out the old for a new? Why take the chance, when where you’re headed might be worse than where you are?

Well, obviously, because it also might be a lot better. Or just really, really good and mesh in beautifully with the happy life you already have.

The last few years, I’ve taken more risks. Nothing huge, from a lot of people’s perspectives, but from Little Miss “Okay, Mom, I’ll get nine books I’ve already read from the library and one new one,” some of the choices I’ve made have been a big deal. And they’ve gotten me to some very good places, including the writing and soon-to-happen publication of The Writing & Critique Group Survival Guide.

So, this week, with school starting, more time to focus, and a year ahead in which I want things to be different, I’m putting myself out there. I’m digging deeper into my WIP, reminding myself how important this story—and my fiction—are to me. I’m working on a couple of basic pitches for two nonfiction projects, to send to my agent. I sent an email off for some consulting work. I’ve got a list o children’s nonfiction-book publishers that I’m going to contact.

You can see where the risk comes in. These are all projects I’m qualified to do, and they’re all things I really love doing. But, yes, it’s a lot. The old me would say I was insane, diving head first into all these options, instead of maybe sticking a toe (or just the tip of a toe) into that water. The new me takes a look at the possibility of insanity and does some reassuring. Here’s what I tell myself:

  • You can do these.  You can. [Sigh.] Yes, honestly.
  • None of these are sure bets. To be realistic, some—if not many—are longshots. The odds of you getting to do all of them—get real. You’re not that good. (Yes, sometimes, a big of ego-deflation is actually necessary these days. When did that happen?!)
  • They won’t all happen at the same time. Projects take weeks, months, even years to come to fruition. You’ll probably be bored, waiting for anything to do.
  • A full, exciting life is better than a quiet, dull one.
  • “Yes,” is better than “No,” much of the time. And for your writing path, just about all of the time.

Do I still get nervous? Of course. Do I let that stop me, as it would have when I was young, from reaching out, from stretching myself for the things I really want. Not any more. I may not race ahead and grab it at full-speed just yet. I do, however, hold out my hand and say, “Please.”

What about you? What risks have you taken, or are you facing, that can add to your writing path, bring you more of the happiness that it already gives you?

Posted in First Drafts, Getting Organized, Thinking

Friday Five: Finding My Way Back into My Story

Today, with a gift of two free writing days (husband and son are off for an end-of-summer backpacking trip), I’m opening up my WIP and digging back in.

Feels wonderful.

Here’s what I’ll be doing:

1. Writing OUTSIDE the house. I’m heading over to the coffeehouse where I’ll be away from laundry and the kitchen cupboards that still need to be cleaned out and all the wonderful books I brought home from the library yesterday.

2. Spending some time thinking generationally. Ideas & thoughts about the mother-daughter pattern of my story—the fears engendered during one’s immigration and the resistance/frustration the other has about those fears—have been simmering the last couple of weeks. I’m pretty sure this is what I brought home from Chicago, both from the research part and from the hours spent with my sister on our family tree. Its brought those two threads together in my mind–not in any clear way yet, but as a weaving I need to focus on. I’m going to try and build a basic timeline of their lives and choices, making sure they also fit in the big historical events that need to be part of their stories.

3. Taking a look at Shutting Out the Sky, a book about tenements recommended to me by Stella Michel.

4. Browing through the chapters I have written. I’m in a much different mode now–realizing I was rushing through pages too quickly for the thinking I need to do on this story. I’m not going to go back and rewrite, but I’ll be taking along a pad of sticky notes to jot down possible changes to make, layers to add, on later drafts. I also just need to remind myself where I’m at and from which scene I need to start writing forward.

5. Let myself fall in love again. Between Chicago and getting life organized the last few weeks, I need to spend some time with Caro, remind myself why her story is so important to me and how I want to bring it onto the page. I’ll be doing a lot of jotting and doodling today and tomorrow, and I may stick a few pieces of paper up around my office to remind me of what I’m doing here, with this young woman.

What about you? What do you do to get back into the swing of the story, after the two of you have been separated for a while?

Posted in First Drafts, Getting Organized, Outlining, Plot, Research, The Writing & Critique Group Survival Guide

When the Itch Hits

Do you scratch it?

I’ve been talking a lot online about the research & planning I’m doing for my YA historical novel. It’s been going great. I’m learning tons about my characters, about their wants and their conflicts, about their back-story and their future. I know there’s more I can learn.

Except I’m itching to put all this aside and get writing.

I promised told myself I would finish Donald Maass’ Writing the Breakout Novel Workbook before I started writing. I said I would do a bit of plotting before I dug in. There are at least a third of these

researchbooks

that I haven’t read yet, and more I need to add to the shelf.

I can hear you all now. “Just write it!”

And here are your very good reasons:

  • I’ll learn more about your characters as you draft their stories.
  • The plot will change no matter how much time I spend on it.
  • I’ll narrow down my research needs as I write.
  • If I do too much planning, I’m putting handcuffs and chains on my muse.

Yep. So I’m going to write.

Soon. I’m still learning from Maass, but I’m giving myself permission to go a bit more quickly through his worksheets. I’m putting a few more tags on pages that need to wait until I have a draft to revise. And I’m letting myself relax away from the research a bit, so I can keep my actual characters at the forefront of my brain, instead of too many historical details/facts. And, since I still will have revisions to do on the critique book, I’m telling myself that any plotting I do has to be fit in between those changes. I’m not allowed to put the writing off, just because the whole outline isn’t complete and comprehensible.

When? I’m thinking June. A few other writing friends have first drafts looming, and we may all hit the keyboards together.

I’ll be MORE than ready.

So when do you start? What’s your comfort zone between knowing any/all of your story and needing to get those people on the page and moving? I’d love to hear how you do the balancing act?

Posts may be a bit thin on the ground the next few days–we’re in the middle of spring break over here. I’ll be back in force next week, though, and I’d love to start doing a little more talk about critiquing and critique groups. So if there’s a topic you’re “itching” to dig into, let me know that, too!