Today, I’m guest blogging over at Killer Hobbies, for my friend Terri Thayer. I’m talking about some good books to buy your teens these holidays.
Blog Posts
Guest Blogger: Martha Alderson
Martha Alderson is a friend, a critique partner, and a wonderful teacher of plot. Her blog, The Plot Whisperer, is a font of information about crafting your fiction, and you can buy Martha’s book and other plot tools at her website, Blockbuster Plots. To celebrate the end of NaNoWriMo, Martha has declared December National Plot Month and is giving daily tips at her blog to help you get started on revising that manuscript.
I asked Martha to stop by and give us just a taste of this next stage, how to look at those tens of thousands of words you just produced and figure out what you’re supposed to do with them.
Welcome, Martha!
Thank you, Becky, for inviting me to guest blog “about the kind of plotting a writer can do when they’ve FINISHED NaNoWriMo.” I agree with you that this is a crucial time–because, as you say–“it’s the first time (if the writers have done such a fast first draft) that they start shaping the story.”
The craft of writing involves taking what the muse has offered during the first draft and shaping the words into a coherent story. This step involves more than rewriting. The craft of writing requires a revisioning of the overall story.
The first draft is all about getting the words on the page.
Now it is time to forget the words.
Instead, stand back and analyze the story as a whole.
Consider the overall structure, how the characters develop and transform, where the gaps and holes appear, how the dramatic action rises and falls, the flow, the pace, the voice, what themes are introduced, and the overall meaning of the story itself.
Plot Tricks & Tips to Prepare for Draft Two
- Do not read your manuscript for at least a week, preferably longer.
- Do not show your first draft to others.
- No editing. (Editing keeps you at the word level. Now is the time to consider the story as a whole.)
- Break the story into the Beginning, Middle, and End. Each part has specific parameters and is easier to manage that takes place in each section.
- List the main events that take place in each section.
- Plot out step-by-step what happens to the main character in each of the three parts, both in terms of the action and in terms of their own individual growth, based on the action.
If you have a draft of a novel, memoir, or screenplay and are at a loss as to how to take your writing to the next level, join me throughout the month of December. I’ll take you through the process of crafting your first draft into a viable story.
Les Edgerton’s Hooked
Back in October, I talked about The Writer’s Journey, by Christopher Vogler. In that post, I mentioned Les Edgerton’s book Hooked: Write Fiction That Grabs Readers at Page One & Never Lets Them Go. I said I’d talk more about Edgerton’s book in another post.
So here we are.
With November and NaNoWriMo ending, and the new year heading our way fast, I thought this would be a good time to pick up this thread. Revision is, in a big part, about structure–about what happens when and which scenes go where. Edgerton’s book is solely and completely about the beginnings of a story, but (pardon the pun) that seems as good a place as any to start.
Edgerton talks about a lot of the same things Vogler does—at least in terms of the early part of the hero’s journey. Edgerton may not call everything by the same names, but in his chapters, you’ll find the ordinary world, the inciting incident, the threshold, etc. The big difference, though, between the two books is Edgerton’s emphasis on how quickly we, as writers, have to get those starting points onto the page.
I write fiction for kids–middle-grade and YA readers. These readers are not known for their patience with authors. You can blame it on action movies and video games, or you can credit these kids with the sense and intelligence to recognize and appreciate a tight, fast-moving opener. As someone who, in the past ten years went from reading (and loving) 700-page Victorian novels to devouring 250-page tense and terse, funny and furious YA books—I can say the decade has been a good education in writing.
Because it’s not just kids’ books that move more quickly today; it’s all books. At first, when you realize just how much Edgerton is asking you to do in the first chapter, first scene, first page, first paragraph, it’s intimidating. And part of your brain may go into the “I don’t have to” whine. But keep reading. And go back to the books you’ve lost most in the past couple of years. You’ll see that he’s right.
It’s not just that we’re told over and over that agents, if we’re lucky, read the first five pages. It’s not just that we know most book buyers skim the first page, maybe the last, then make their decision about whether to buy that book or leave it on the shelf where they found it. It’s that, these days, a good story sucks us in from Page 1, hooks us, and goes racing along so quickly that we have to grab on and ride, just to keep up.
This is the kind of story I want to be writing.
Thankfully, Edgerton doesn’t just point out the necessity of this kind of beginning. He gives thorough, detailed information about the big pieces of this skinny little beginning, and he follows up with seriously helpful (and funny) instructions for how to put those pieces together.
If you haven’t read Hooked, take a look. Especially, if you’re looking at a revision, post-NaNo or not, take a look. I think you’ll be glad.
And don’t forget to check out Martha Alderson’s blog, Plot Whisperer for Writers and Readers, all through the month of December, for tips on plotting out your revision. Martha will be guest-blogging here, too, soon!
Happy Thanksgiving–Pat Yourself on the Back
Earlier this week, I talked about the break I was giving myself by getting some files off early to my critique group. While I was writing the post, I wasthinking about all you NaNoers. First, for all of you who have made your word count already or can see that number within range, CONGRATULATIONS!
Specifically, though, I was thinking about the NaNoers who weren’t quite there, who were probably NOT giving themselves a break, not yet, and who may have been panicking a bit about non-writing hours eaten up 🙂 by the upcoming Thanksgiving holiday.
And I was thinking about any of us writers, even those not doing NaNo, who are looking at the end of the year heading rapidly toward us and thinking, “I was supposed to get more done.”
I know that feeling. I can bring it into the forefront of my mind any day, any hour. All it takes is looking at my writing path from a certain angle, one that somehow show right up front the goals I haven’t met, the books I haven’t written.
Let’s face it. This is an unhealthy angle. Goals and dreams are wonderful and necessary, and we should all use them as motivators. We should not use them as punishment.
So tomorrow, and for however many days you’re surrounding yourself with family, friends, and food, be thankful. Not just for the company you’re keeping, but for all the words you have managed to put on the page so far this month, or this year. Remind yourself of all the things you have accomplished, and let go of worrying about the ones you haven’t.
Relax and recharge. The dreams will be waiting for you.
Happy Thanksgiving to everybody!
Deadlines–Big & Small
I met a deadline yesterday. I sent a chunk of chapters, the first big set from The Critiquer’s Survival Guide, off to my own critique group. (Yes, I really do practice what I preach!) I had checked with them ahead of time and found out they were okay with reading these pages over the T’giving holiday. I knew I wouldn’t get much writing done myself, with traveling and school being out, so this was great news. I told them I’d get them the files by Tuesday noon.
But…yesterday was Sunday.
Yep. I HATE deadlines. I have, ever since college, when I found out how much I stressed when papers were due or tests were looming. Way back then, I had friends who thrived on those last-minute all-nighters; they just sent me into a world of headaches and sore stomachs. So I learned a way to deal with those deadlines.
I set my own. Early. After the first year of school, I had every paper finished at least 24 hours ahead of time, and studied hard enough for tests to be able to put the books away just when a lot of other kids were pulling theirs out.
I still use this trick. Sure I still end up running on adrenaline for a while. I still have to push myself to add more hours, stick with it, get the work done. It’s just a mind game I play with myself. Except…this mind game has some real pluses.
Here’s what happens when I set (and meet) my own deadlines:
- I end up with free time. There’s always another project waiting, more work to be done. If you don’t finish until the last minute, you often have no choice but to leap right back into the fray.
- I use this free time to reward myself. Remember free2cr8’s Rewardathon Box? Today, I spent extra time on the treadmill, then relaxed with a book for a while. I’m sitting quietly in a quiet house, sipping my tea. I’ll probably do the dishes SOMETIME today, but I’m not rushing there, I can tell you that. And I won’t have to rush when I DO get to them.
- I get to recharge. As much as we love writing, we can’t do it day in and day out without a breather. At least I can’t. Not for hours at a time. We have to let our finger, eyes, and brains relax. For a little bit.
- I get to look at my project from a little further out. I know where I’m going next on this book, but I need some time to let it simmer. If I had to jump back in NOW, I’d write garbage and spend more time deleting paragraphs than producing them. I barely have to think about what’s coming; I just have to NOT think about what’s just gone. For a day. My brain will do the rest.
The Tuesday deadline was self-imposed, but it was real. If I didn’t get the files finished by then, it wouldn’t happen until after Thanksgiving. And the big deadline for this book doesn’t really leave me that kind of leeway. So, yes, Tuesday counted. And if I’d waited for them, I’d have found myself clicking Send, then spinning in a quick whirlwind, doing a complete 180 and spiraling instantly into laundry, packing, cooking, and cleaning for the holiday.
No break. No reward.
If you’re writing fiction, this technique works, too. You may or may not have an official deadline for a novel, for a draft, but you can set them up for yourselves. Look ahead on the calendar. What’s coming–say, in December. What do you want to have done by the time school lets out, or its time to wrap presents for whichever holiday you might celebrate? Now–what if you push that deadline back, just a day or two? You’ll have quiet time, for yourself, before those wonderful children are with you 24/7. You’ll have time to finish that book you’ve been reading, time to putter around the house with your music on, time to let your brain chill.
And something that can be done in twenty-one days can, I very much believe, be done in nineteen.
Like I said, it’s a mind game. And I know that there are times when the game is not possible–when the workload is too big and the timeline is too short.
But if you get a chance, give the game a try. Remember, you’re the one making the rules.
How do you handle deadlines, official or otherwise? What tricks do you play on your brain to make it happen?
To Worry or Write? That’s the Question
It seems like, for the past few weeks, I keep running across articles of doom and gloom. Now I know. I get it. The economy stinks. And it’s hitting everybody, no question. Including publishing.
Realistically, this is going to impact us as writers. And, realistically, I–for one–am capable of breaking into a cold sweat and spending way too many hours fretting about how, specifically, it may impact me.
But I’m not going to do that. Instead, I’m going to keep writing.
Yes, things are bad, but the economy, like everything else, goes up and down and–sometimes–in loop-de-loops. I am incapable of predicting how long this downfall will last or where I’ll be on my writing path when it’s over. For all I know, just as I finish my current revision or get the next book idea drafted, everything could be on an upswing and every publisher in the world will be wanting me as their author. (Okay, its a stretch, but if I’m dreaming, I might as well really dream.)
So I’m going to figure that there’s still a book market out there and that Publishing will survive and I will have a place in it. And I’m going to keep putting words on a page and networking with other writers and marketing my skill with words as a valuable commodity.
I’m not putting up any negative links in this post. Instead, I’m just going to share a couple of the ones that made me feel better today.
My sister, a home economist in Illinois, put this link up on Facebook. The article basically says that, when we freak out, we don’t do ourselves or the economy any good. I’m taking it as a prescription to stay sane.
And this article shows the flip side of book sales (maybe!) going down. We all love our libraries and wish good things for them, so…
http://www.boston.com/news/local/articles/2008/10/16/library_use_rises_as_economy_falls/
What about you. Got any cheerful links to post about what’s happening with books and writing and how you’re dealing with the uncertainty?
R…E…S…P…E…C…T
As I put together the proposal for the book I’m writing for Writer’s Digest, The Critiquer’s Survival Guide, and as the editors at Writer’s Digest polled people about what they’d want in this kind of a book, I heard a lot about the qualities people are looking for (or haven’t managed to find) in a critique group. I heard words like support and encouragement.
And respect.
Respect is important when you’re in a critique group, no question. As writers, we work hard to think through our ideas, develop our characters and plotlines, and put our words on the page. We expect, and deserve, those words to be treated as important and valuable.
When I talk to people, I hear horror stories of a critiquer who tried to rewrite another person’s story, or who hit the ground of the critique session running, with nothing, but negative & nasty comments to voice. And many people who haven’t had this kind of experience hesitate to expose their work for critique, out of fear that such a moment is lurking just around the corner.
Obviously, this kind of critique is the very opposite of respectful. The effort and energy it takes to hit someone this hard could just as easily, more easily, be expended to build a critique that is supportive and encouraging. And helpful.
Because the definition of respect that I hear most often, in terms of critique groups, is, I think, a bit too narrow. Yes, respectful does mean remembering that you, the critiquer, are not this story’s author. Respectful does mean not blasting your critique partner out of the chair with the feeling that what they have written is trash. But respectful, in a critique group, means some things that are not that often addressed.
To respect your critique partner’s writing, you must:
- Give their writing your complete attention.
- Stop when you read something that feels flawed and weak.
- Analyze your reaction, looking for the reason behind your response.
- Put time into clearly explaining the problem you have found.
- Make constructive suggestions for ways the author could improve the passage.
In other words, in a critique group, respect means not just valuing your critique partners’ writing, but taking it seriously. Seriously enough to help them break it down, take it apart into pieces, and put it all back together again. As many times as needed, as many times as the author is ready and willing.
Respect does NOT mean tiptoeing across the pages that a writer has handed you, skimming the surface searching only for things to praise and maybe a comma placement or two that you can correct. Respect does not mean leaving your critique partner alone, trying to sort through their own story for what works and what doesn’t.
Can this be done with kindness? With support and encouragement? Of course it can. It takes the same amount of time and energy to critique as it does to criticize. Yes. They’re different words. Very different.
By now, you can tell I’ve got a soapbox here. Maybe that’s why I’m getting the chance to write this book. You think? 🙂
Making it through the Middle
Saturday was November 15th. For NaNo writers, that’s halfway through. I’ve been following people’s journeys on blogs and Facebook, and some people are already finished with their word-count goal (yay!), others are still working hard to get there (yay, again!)
Theoretically, a lot of NaNo-ers are somewhere around the middle of their novels. The MIDDLE. Whether you’re trying to write a whole book in thirty days, or just trying to write a whole book, the middle is often not a fun place to be. Lots of us start out on our projects knowing the start of the story and where we (for now) expect the story to end. We may even have a few big scenes that we know are going to happen along the way.
We rarely, though, have the whole middle figured out. And that middle, while we’re drafting, can feel vast, bottomless.
In my critique group, we do a lot of brainstorming and, funny enough, lots of that brainstorming is about this middle section. I thought I’d share one way we go at filling up that big space.
Take a look at your characters. All of them. What have they done so far and what should they be doing next. I literally make a list down the side of a piece of paper of my hero and the rest of the main characters. Then I write down where each of those characters are in their story arc. I might also write down (at the far side of the paper) where each of those characters needs to be, on that arc, by the end of the story. When you’ve got those lists, think about what each character could do–just one thing each–to make progress toward completing that arc.
The other way to look at their progress is goal-based. Each character has a goal. If you get stalled, see where each of your characters are in terms of achieving that goal (or failing to get the goal, if that’s where they’re headed). What can those characters do, what next step can they take, to push forward on their goal path?
Don’t forget interactions. You want these characters, especially your hero, taking steps that put them into contact, and conflict, with each other. Juxtapose your hero, on another sheet of paper, with the other characters. What action, discussion, or argument does your hero need to have with each of these characters, to move the story along?
If you’re still stuck, there’s one more trick. What information do you need to give to the reader. What do you know—about a problem, or a clue, or a piece of background story—that needs to show up on the pages? Once you’ve thought of that, go back to the characters again. Who can help you reveal that information? What pairing, usually with your hero and somebody else, would give you a chance to show the detail, rather than tell it?
And the biggest, most important thing: don’t stress. When you’re stuck, remember that you don’t have to fill up the middle all at once. All you need is the very next action. That action may not be perfect; it may not even be the event you end up using in the next draft. Don’t worry. Just pick it and write it and keep going. Worry about changing it or fixing it later, in revision.
Right now, whether you’re NaNo’ing or not, your goal is to get across this middle. Remember Red Light, Green Light? How many times did Baby Steps win over Giant Steps? Plenty. So Baby Step your way across the middle and, sooner than you think, you’ll have the finish line in sight!
Good luck to all of you!
Somebody Else Says: Lori Russell Interviews Jane Friedman
I thought I was done blogging for the week, but then I read this interview at Writers on the Rise. Lots of interesting thoughts on the future of media (including books!).
Thanks to Jane Friedman for posting the link on her blog.
Have a great weekend!
Writing Conferences: Yes, No, or Why?
One of the debates you hear as people talk about writing paths is whether or not writing conferences are useful. Me? I admit it. I’m a huge fan. I think the fact that I’ve gone to writing conferences has a lot to do with where I am on my own path, with the steps I’ve made toward becoming a serious, committed, professional writer.
Of course, many of my “reasons” may very well be an excuse for the fact that I just have a great time at conferences!
I do think, though, that we can have very different needs or goals for each writing conference we attend, depending on where we are on our paths. It’s not quite a “stages” thing, but I think there are several different reasons a writer should go to a conference.
- To spend a day or two surrounded by “your” people, reminding yourself that you are a writer and that being a writer is wonderful
- To learn more about the writing craft and improve your writing skills
- To connect with other writers for a specific reason–learning more about a genre, doing research about someone in the publishing business, networking to locate one or more critique partners
- To meet an agent or editor and to pitch a specific writing project, hopefully taking your path one step closer to publication
For me, there has been a progression in the why (and the way) I attend writing conferences. I’ve been an attendee, just happy to escape from daily life, attend workshops, and mingle. I’ve been a volunteer, judging contest entries, arranging flowers, passing out water bottles. And I’ve been a speaker, finding out just how cool it is to wear a Faculty badge, to have another writer come up and thank me for something I said in a workshop. Someday, soon, I see myself actually sitting behind a table, signing copies of The Critiquer’s Survival Guide and, hopefully, other books, too.
I’ve also had the bad times–the pitch to an agent that felt flat, the foot-in-the-mouth with someone I had hoped to connect with, the interaction with the attendee who isn’t having a good experience and can’t help taking it out on somebody, anybody.
For me, though, I give writing conferences a ten out of ten. I’m a writer and a reader. So much of my life is just about words. There isn’t much better than being surrounded by a crowd of people who feel the same.
Don’t take my word for it, though. I did a little browsing, and found a few other “takes” for you on the whole writing conference question.
- Wendy Nelson Tokunaga tells a few things she likes about a few different types of conferences.
http://www.redroom.com/blog/wendy-nelson-tokunaga/writing-conferences - Corey Blake talks about whether conferences are important.
http://www.fastcompany.com/blog/corey-blake/creative-leadership-building-business-art/are-writing-conferences-important - Grumpy Old Woman at Fiction Writing and Other Oddities encourages writers to attend conferences, but has a few warnings to pass along as well.
http://www.amypadgett.com/2007/07/writing-conferences.html - Jessica McCurdy-Crooks has an article with specific advice and recommendations for attending a conference.
http://www.absolutewrite.com/novels/writers_conferences.htm
What about you? Have you gone to any conferences? What do you like/dislike about them? How do you think going to a conference might help you move forward on your writing path?
Becky Levine 