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Friday Five: Yoga at Home

So I’ve been taking yoga classes now for about 5 months, if you don’t count the MONTH I missed during Family-Plague season in the fall. (And I’m pretty sure going right back to the classes as soon as I was healthy enough to do so means I don‘t have to count it.)

I love my studio, and I love the classes, but today I’m going to do my own yoga in my own office. Why? Well, for Friday, I’ll give you 5 reasons.

  1. What else am I supposed to do with the beautiful pink bolster, lavender block, and sea-green therapy balls I’ve purchased. (Yes, I also have a lovely purple mat, but I do take that to classes with me!)
  2. Doing yoga at home this morning meant I could lay in bed for 15 more minutes, which is TWO hits of the snooze button, and you know you just can’t underestimate the value of the snooze button.
  3. I have some pretty cool yoga-type music I downloaded for just this purpose, that I’ve only played twice. Three times?
  4. My arms are VERY much still sore from Wednesday morning’s class, and you can just bet that in this morning’s practice, the instructor (that would be me) will not be doing the bridge pose. (Although I’ll do it again next Wednesday, if it’s in the line-up!)
  5. It’s just barely raining outside, the skies are a beautiful gray, I have a space heater, and a little by-myself yoga in my space sounds pretty darned good.

Just so you know, this will not be me:

What are you doing to enjoy your Friday?

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Looking for Guest Bloggers…and Giveaway Winners

So, if you read my theme post earlier this month, you’ll know I’m getting back to my fiction writing in 2012. This doesn’t mean, though, that I am forgetting about critique groups or the book I DO have out, The Writing & Critique Group Survival Group: How to Give and Receive Feedback, Self Edit, and Make Revisions.

I have an article out in February’s issue of Writer’s Digest magazine, “Critique Your Way to Better Writing,” and I’m always available here, or on Facebook, to talk about critiquing. Heck, I’ve even added a second critique group to my own life, one that I’m going to use to focus on my picture books.

And here’s the thing. I still have quite a small pile of author copies in my office. And they’re not doing me, or anyone else any good, just sitting here.

So it’s a year of giveaways! Well, almost a year, since I didn’t get it together enough to start this until February! What I’m going to do is ask for guest posters to come to my blog and talk about their critique experiences. I want to keep things positive, but that doesn’t mean you can’t share a not-so-great experience that taught you something, or a bad place you started from that led you to a better critique place. Basically, I’m open to anything, just not full-out slamming of any group or the critique process overall. Cause that’s not how I roll.

Each guest-blogger is going to get a copy of The Writing & Critique Group Survival Guide. AND, on top of that, I’m going to pick one commenter at each guest post to also send a book to. (I told you I have a pile!)

If this sounds fun to you–the guest-posting part–send me a quick note at beckylevine at ymail dot com, with the basic idea for your post. I’m hoping some of you will want to chime in with your thoughts and experiences.

And, hey, you’ll be helping me continue to clean up my office in 2012!

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The Word for 2012

Yes, I know it’s January 3th. Yes, I know that’s a little late for resolution-type posts. But, hey, I’ve been busy writing and working, which–since those are a big part of my goals for 2012–I believe is a satisfactory excuse.

Every year, Laura Purdie Salas picks a theme. I like this idea so much better than resolutions, which–in my head–seem to take the metaphorical tone of that anvil in the coyote-road runner cartoons. You know, the one that hovers over the right spot just until the coyote stops under it, then drops…WHAMMO!

Themes are softer.

My themes are usually a word. This year, after two months of upper-respiratory plague running through the family, my word came easily.

RECOMMIT

Now, I do have to say that, with Son over his pneumonia and me over my bronchitis and Husband over HIS pneumonia, I am starting to realize that I didn’t just spend November and December bailing out on my writing. I know, I know–it should have been obvious that they AND I were tired and drained, and not a whole lot of writing gets done at times like that. Yes, I know I was too hard on myself.

There is, however, a silver lining. Because struggling so hard (and pretty much failing) to get any writing, revising, or thinking done during those weeks was a big wake-up call about how much I dislike not making progress. It was also a big wake-up call about what I’ve been focusing on for the past year or so–the WHEN of publication.

It’s a dream. It’s a wonderful dream, and it’s one we all have. But it comes with churning and stress and panic-modes that do NOTHING to help us write. I’m stating the obvious here, but it just really came home to me at a gut level toward the end of 2011.

I want to write. I want to work on my stories. I want to push myself to dedicate some time, as many days as I can, to making my books and my craft better. THAT is what I missed these past few weeks, not the idea of seeing my book on a bookstore shelf or someone’s e-reader. Of course I want that. But the timeline needs to return to “someday,” and back off from drumming insistently at “how soon?!”

I’ve been there. I’ve concentrated on the the actual project–the characters, the plotline, the prose. I’ve done it. And it’s time to do it again. That’s why my word for 2012 is “recommit,” not just “commit.” Because, for me, it’s a return to doing this writing thing the way I really need to.

I seem not to be alone in this feeling. Susan Taylor Brown talked about it on Facebook.  Check out Kelly R. Fineman’s series of posts on commitment, starting here and moving forward chronologically, and do not miss Jo Knowles’ post, Defining “Work” and Another Invitation.

Do you have a theme or a word for 2012? Did you make some writing resolutions. I’d love to hear about yours, and I wish us all the best of luck in keeping them in mind during the next twelve months!

Happy New Year!

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Merry Xmas: Books Given & Received

Books as part of my Xmas gift-giving? Really?

Oh, come on. Don’t look so surprised! Of course books are my favorite presents to give AND receive. So I thought for today, I’d show you some of what passed in and out of my hands, and my family’s hands, this holiday.

What I Gave

To my son, the latest in Scott Westerfeld’s steampunk trilogy, Goliath.

He also got, via my recommendation to the grandparents, Terry Pratchett’s latest: Snuff.

To my husband, Colleen Mondor’s The Map of My Dead Pilots: The Dangerous Game of Flying in Alaska.

To my dad (knowing very well that Mom will read this, too!), Robert Bothwell’s Canada and Quebec: One Country, Two Histories.

Big Sister got Sarah Stewart Taylor’s Judgment of the Grave.

And Little Sister got Debra Schultz’ Going South: Jewish Women in the Civil Rights Movement.

Others got various pieces of Simon R. Green’s Nightside series, Adam Rex’s The True Meaning of Smekday, and Kenneth Oppel’s This Dark Endeavor.

         

Okay, that’s about….What? What’s that?

What did I get? Oh, yeah!

Stacy Schiff’s Cleopatra: A Life

…and Sara Zarr’s How to Save a Life.

(Gee, I wonder how my guys knew what books I wanted!)

Hope you all got books you wanted, and here’s to some wonderful end-of-year reading time!

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Revision: More from Mary Kole…and Me

I will get some time into my picture book this week. Mary Kole posted an archive blog this week on Facebook about trying things out, and that’s going to be my mantra for this revision.

  • Is this what that character wants? I don’t know…try it out!
  • Will this new ending work? I don’t know…try it out!
  • Can I simplify and specify to a stronger character want? I don’t know…try it out!

You get the point. There are two things going on here for me. One: I do believe anything can work. Tense changes, pov switches, you name it. If it’s done right. (And, no, I am NOT implying that’s easy!) Two: As much as we talk things out, play with ideas across the table or on scratch pads, the only way to really know if it makes your story better, is to actually write it. Put it down, in scene, with characters and action and dialogue.

My critique partners may get a bit of a mess next time. Or they might get a story that has moved that much further along the path to “done.” Heck, they might get something that covers both of those descriptions!

But they’re going to get something.

How goes your current writing or revision?

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Comfort? Here? No way!

This morning, on Facebook, Jeannine Atkins posted a quote by someone named Josh Simpson. The quote was:

“It’s important for an artist to find his comfort level—and stay out of it.”

I laughed out loud. Why? Because I had just said to my husband that this morning, I was going to spend an hour with my YA WIP, the one that is distressing and depressing me. Yes, despite the fact that it’s making me feel that way. I worked on it for a while yesterday, and the image I took away was a picture of me, spinning in circles in the same tiny space in the middle of a desert. Yep, there’s me, in the center of a little dust storm, just burying myself deeper and deeper into a tight, barren spot.

Fun? I don’t think so.

But this quote hits it. What am I supposed to do, quit? Boy, there are parts of me that want to. I’ve been musing a bit about my goals/direction for next year–what I want to attain, and it flashed through my head that next year may be the year of a decision about this book, about whether I DO keep working on it, or whether I put it aside until what…until I’m ready to handle it? Until I get a lightening-bolt breakthrough from somewhere unknown? And maybe that’s what I will decide.

It’s not what I want to do, though, and it doesn’t feel right to my gut. Yes, it’s partly that whole doctrine against quitting that I was raised with, but there’s more. If I quit, where am I supposed to go next? Back to that comfort zone? Some safe place where I’m not struggling with my writing?

You know, safety is not all that comfortable either, in my experience. It contains a lot of looking out at all the cool things going on around you…without you. It comes with some knowledge that you’re backing off, letting the fear control you, keeping away from some goal you really want.

No, I think there’s only one thing to do when you’re out of your comfort zone. Keep pushing through. At some point, I think–I hope–you push past that plateau you’re stuck at (the one with all the sand and cacti and circling buzzards), and you reach a new perspective. One that comes with the things you actually did learn in that stuck place, one that has a vista with maybe a palm tree and some water, or a little peak with pine trees and deer. And space to move and actually create.

For a while anyway. Until you hit that next uncomfortable zone.

Rinse and repeat.

Thanks, Jeannine, for the reminder that there is a reason to keep pushing on. *Hugs!*

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Revision: I’ve Been Here Before

I did something the other day. I shared my first picture book, the one I thought was “close,” to a set of new readers. A few things happened:

  • They said many of the things my other critiquers have been saying.
  • Because they were fresh readers, and this was their first sight of the picture book, their comments gave me a bit of a kick in the backside, a wake-up call.
  • I realized that I still have some deep revision work to do.

Last week, Mary Kole posted a wonderful blog about big revision. In it, she talks about the difference between tinkering and really digging deep, taking apart your story, getting back down to the bones of it and making drastic changes. Here’s a great passage from the post:

…look at the word revision…it means “to see again.” To see your story in a whole new light. To make massive plot, character, and language changes. And having so much on the page already often lures us into a false complacency.

I think I’ve been doing something kind of in between tinkering and the deep stuff. I have made significant changes to the story, at least to the way I tell the story. I’ve been trying to revision the way I see the characters and how I draw them on the page. I’ve been playing a lot with what I write into words, and what I leave for an illustrator.

But–as these new critiquers brought home to me–I haven’t gone deep enough. I still need to answer questions about the purpose of each character (thank goodness there are only three!) in the story. I need to think about who’s story this really is, and why. And I need to seriously take a look at that ending and see if it needs to be tossed out–if it’s simply leftover from that initial idea, rather than being the true way that everything comes together.

Back to the bones. Not just picking up the ones I’ve scattered around, but figuring out–for real this time–which bones I need and what they do. Maybe the wrist bone isn’t connected to the arm bone. Or maybe it is, but I’ve stuck a leg bone in by mistake. I have, possibly, been spending too much time laying the muscles and skin over a not-yet-sturdy assemblage of parts.

I absolutely believe everything Mary Kole says in her post. I’ve told people the same thing a hundred times. I’ve told it to myself. I know it all to be true.

This doesn’t mean I’m not nervous about whether or not I can do it. Or how.

But…this is what it’s all about. It’s as Mary says: “…it’s those writers who have the guts to start over in a piece that usually reap the biggest rewards.”

And it’s one of those writers who probably said best, how I’m feeling as I head into this next revision:

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Friday Five: Questions to my MC

This week, I was able to start digging back into my YA WIP.  For Friday, here are a few things my MC and I are wrestling with. At least I hope she is. Because I sure am.

1. What will make you get back in that car? Love for a guy? Really? SO not happy with that answer.

2. Will you ever get your mother to talk with you about her past? Yeah? Okay, how?

3. Can you please stop feeling like you’ve been punched in the gut?

4. Are you honestly telling me that you go for help because you, as a teenager, think you need an adult to save you. Excuse me, but that is NOT going to fly with our readers.

5. What DO you want from your grandmother? Yes, I know she’ll give it to you. Yes, I know she’ll give you anything. But you need to narrow down the target just a little bit. Please.

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PiBoIdMo: A Wrap-up

A few days before November, I took the PiBoIdMo pledge, promising that I’d do my best to come up with 30 ideas in 30 days.

How many ideas did I get?

57!!!!

Which means, I get this!

I also treated myself to one of the PiBoIdMo mugs, with Bonnie Adamson’s darling art, from the CafePress store.

Yes, I’m proud of myself. Especially because I definitely got a bit muddled there with the stupid sickness that hit the family in the middle of the month. And, you know, some of those ideas are pretty…meh. But there are a few, maybe a half-dozen, that sparkle. At least for me. One of my critique partners who also did PiBoIdMo, has ranked his ideas, in order of how strongly they call to him. That’s next on my PiBoIdMo to-do list. To identify the ideas that I want to work on, or–I guess–that want me to work on them!

Because it’s not really time for pride yet. Happiness, yes, that I have way more ideas than I would have had if it weren’t for Tara Lazar and her awesome challenge. What really matters, though, is what I do with these ideas. What’s important is that I don’t simply shut them in a drawer, or drop them into that folder on my computer and forget about them.

Ideas aren’t stories. Yet.

One of my critique partners, who also did PiBoIdMo, has gone ahead and ranked his ideas–putting those that really call to him up at the top. I think this is the next task on my PiBoIdMo to-do list. I know I have maybe a half-dozen ideas that are sparkling for me, and the first thing to do is identify them.

The next thing is to grow them. I need to give them characters–characters with problems. I need to find settings and voices. I need to turn those ideas into plots. What I have is just what Laura Purdie Salas talked about in her PiBoIdMo post–I have seeds. I need to tend them–with my imagination, my creativity, and–here’s the most important: my time. This is the kind of gardening I can get behind.

This is the notebook I bought in October.

Pretty, isn’t it. It’s also something else…just the beginning.

Here’s my commitment to my PiBoIdMo idea list. That I will take at least one of the ideas on it and turn it into something more. Into a story that I will pass along to my critique group, a story that I will revise. And revise.

Who’s with me?

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Blog Silence: Not On Purpose

Just a quick note to say I haven’t disappeared from the Internet, I haven’t gone completely invisible, and I haven’t done a Rincewind and fallen off the Disc.

All is good here, now, but I’ve spent the last week with a sick son–first the flu, then pneumonia that took him into the hospital for a couple of days. Everybody–doctors, nurses, techs, family, friends–has been wonderful, so wonderful that I never really got scared. Focus, though? Pretty much on the sick room.

We’re home, we’re happy, and healing is progressing nicely. Family is coming for Thanksgiving, and we’re all going to take it easy–eat, play games, take in a movie–and get totally well! After that…?

After that, I expect you’ll be seeing me around here a whole lot more again!