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The Joy and Torture of Art Notes/No Art Notes

I love art notes.

I hate art notes.

Okay, I really only hate them a little bit. Mostly, I do love them. And, at this stage on my PB path, I’m using them. A lot.

As I’ve mentioned before…I. Can’t. Draw. stick figure

But, you know, I can see! One of my favorite things about writing picture books is that I seem to get snapshot images in my brain as I write–as though I’m eavesdropping on my characters and, at just the right moment, I click my cellphone camera, and…There! That’s what it looks like. Except the images don’t really look like photographs, they look like illustrations. Illustrations I can’t draw.

So I throw in an art note. It seems to capture that image for me, not just on the page, but in my mind. It brings the characters and action to live–still life, yes, but “animated” in the way only a fantastic illustrator can do.

Yes, most of the art notes will come out. (Remember that little bit of hating them?) I know they have to. I know, when I get to the stage where an illustrator is actually working with my words, I won’t get to say, “Draw this.” And, although it’ll be painful at the time, I believe it’s the right way for this process to go. I remember Jim Averbeck talking about the illustrations Tricia Tusa did for his picture book, In a Blue Room (which if you haven’t read, you MUST, because It is the most amazing blend of perfect words and perfect art). Jim said, and I’m paraphrasing and interpreting here, that Tricia created art and, consequently pieces of story, that he had never imagined. And, at least to me, he seemed to describe that fact as a gift to him and to the book.

So, no, I don’t want to push my ideas on any illustrator. (Okay, only a TINY bit of me wants to do that!) I’ll take out the art notes. Most of them. One of the skills I think PB writers have to learn and, hopefully, master, is what very few notes need to stay and which very many notes are simply writing tools.

Tools that I’m using.

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Friday Five: Fan-TAS-tic!

  • Yes, I’ve become a Doctor Who convert. I ADORED Christopher Eccleston. For those of you who assured me I’d also like David Tennant, okay, yes, he’s good, he’s cute, he’s sweet, but he’s not Christopher Eccleston. And to those of you who told me I’d love Rose, you’re absolutely right. What a fun actress! We’re hooked, although still seasons away from all the excitement about the 12th doctor. This feels a little bit like when I read Charlotte Bronte’s Villette, which–if I remember correctly–had dual points of view, and as I ended each traumatic, exhausting chapter, I had to grieve about leaving that character on the next page. Except, here, Christopher Eccleston won’t come back. Sigh.
  • I’m sitting here, writing this post, listening to my son compose a bass solo (homework!) to Lullaby of Birdland. Like so much of what he does with music these days, I have no idea what he’s doing or how, but I know it sounds pretty darned cool. And it is more than cool to watch this world of his grow.
  • It has been a busy, busy work week, but there have been and will be a few hours of picture-book revising. I was told by my critique groups that one of the PBs I’m working on is “almost there.” Yes, I know that can still mean plenty of revisions still to do, but close feels so much better than miles and miles away. I’m shooting for getting this back to them for our next meeting. LOVE critique deadlines.
  • I’m amping up my meditation schedule. I’ve moved from searching for just the right mp3 of guided meditation on random days, to really trying to sit for 10 minutes of silent meditation every day. Sometimes I have a plan of what the meditation will focus on; sometimes, I just try to quiet that noisy mind I so often wake up with. I’m trying to think of my days as full, rather than busy, and sometimes I just sort of meditate all the to-do list items out of a tangle into a calmer, more linear sequence. Me and Bonnie Franklin.

  • One week till school starts. Have I mentioned lately that my son WILL BE A SENIOR!!! He is so very different from the little boy he was not that many years ago and, at the same time, I can watch him now and see the roots of his personality all those years ago. But he has taken those roots and watered them as he wanted and pretty much pruned and directed and grown himself into the plant he WANTS to be. Oh, for pete’s sake, a GARDENING metaphor? From me? Motherhood turns you into a mushbrain. It’s going to be an insane year (hence, perhaps, the increased need for meditation), but an incredible one. If I could make sure that every eyelash and falling-star wish went toward him landing in The Place, for this next stage of his life, that makes him happy and healthy and still-growing, I would. But, really, all I can do is make sure he gets those applications in, get him to his auditions, and then, pretty much, hold my breath.
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Mid-Summer 2013: Another Stage on the Life Path

When I think about being a child or a young teen, what stands out to me is how far into the future my gaze didn’t go. I know a lot of people think of kids and teens as self-centered, sort of in a bubble of their own world, their own time. That may be partially true, but if it is, it has to make a kind of sense that, having lived so few years so far, they don’t stretch their vision decades forward, don’t yet look at people much older than themselves and say…there is where I may go. And maybe many teens do actually look that far out, and I was just one who didn’t.

The thing is, I don’t really remember thinking much about my what my life would be like at this age. This is probably at least partly because I moved out of the house when my parents were a decade younger than I am now, so my age now, at that time, meant grandparents.  Wonderful as mine were, they were still one more generation jump away from me, so I’m sure I simply loved them much more than I saw them as a potential future model. And, honestly, even if I did look at my parents as a pattern for how my life might go, that pattern would have turned out to be false–not in any huge things like love and happiness, but in subtle shifts that, obviously, work better for me than they would have for my folks.

All this is leading up to the fact that, here I am, once again, looking at where my life is and thinking, yeah, so…didn’t see this coming.

Last summer, about this time, I went back to work. Part-time and basically within school hours, but I still knew it would be an adjustment. Luckily, I like my job a lot, and, luckily, it’s definitely filling a hole that had bee in my life for a few years–a hole that needed something new and brain-stimulating-in-a-different-way to fill. And, honestly, during the school year, I didn’t see all that much difference.

Then summer came. It’s been a good one. I’m still happy to be working, and I got my awesome vacation, and weekends are treasures, but–once again–a “season” doesn’t feel like it did last year. Or five years before that. Or five years before…you know. It’s relaxing, yes, because–hey, no school for son–but it’s busier, duh! The motion feels steady and forward, like a set of wheels powered by kinetic movement. It used to feel like an oasis of long, slow, warm weeks, in which you barely noticed the turning of the clock, let alone the calendar. Neither is better. Boy, are they different.

It’s not like I’m surprised. If you’d laid out a plan for me decades ago, showing me that things would change, I’d have said, yeah, sure. Okay.  I think, though, that I would have also said something like, it’ll be easy/simple/straightforward/boring (pick your word), because I’ll be settled. I’ll have things figured out. I’ll understand life.

Mwahahaha!

And…thank goodness I would have been wrong.

Yes, life is more scattered, more chaotic than I thought it would be. Yes, there are changes coming–both for myself directly and through my son and husband–that I can’t predict, as much as the little control-freak-monster part of my personality might want to. Yes, there are days when I would happily swap the still-not-settled feeling for just a TASTE of boredom, when the unknown makes me anxious. But…oh, well. Whatever. If I had to live now with the “me” I would have visualized back then…?

YAWN.

I’m not here to shout, “Bring it on.” You can bet I’m hoping that most of the changes I’ll have to face will be good ones. But trade the sometimes-chaos for predictable and defined? For everything in its place and on my calendar? Nah. No way. Thanks, but no thanks.

I’m good.

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A Thing to Hang My Plot On

The other day, while I was listening to Jennifer Laughran’s Writer’s Digest webinar about  middle-grade fiction, something sparked for me. This, I swear, is the best reason to take webinars, go to workshops, attend conferences. Sure, yes, you hear lots of wonderful, practical information–just like I did from Jenn that day–but also because of the sparks. The thing someone says that….ZING! shoots you right back into your WIP and makes you think, “Wow! What if I….” You never know when the spark will come, but I don’t think I’ve ever attended a conference where I didn’t get at least one.

And, you know what, they pretty much all pay off.

This spark was about the plot for my middle-grade WIP. I had some plot, already; I had a definite sense of some of the big scenes and what various characters were doing. And it was enough to be going on with, especially since I’ve recommitted to the shitty-first-draft process, which means a lot of scene writing just to get something on the page.

BUT…this was new. I stared at it for a while before I pulled myself back into what Jenn was saying, and it stayed in the back of my brain for the rest of my webinar. It came home with me from Ashland, Oregon, (yes, I signed into the webinar from my hostel room at the Shakespeare Festival–how awesome is technology today?), and it stayed with me while I did one more picture-book revision. It’s still with me, and it’s weaving itself nicely into the plotting and scenes I already had.

You know what this Thing is? Well, no, obviously I’m not going to tell you. But I’ll describe what I think is the important part.

This Thing is concrete. It’s real and solid and it will be a Thing in my MC’s life. It’s something he can actually touch and do things with and create problems (for others and himself) with. I had problems before, sure, but they were feeling (to me, at least) all nebulous and vaguey and loosely thematic before.

I had a Thing in the first MG I wrote and finished. The book was a mystery, and the mystery was the Thing. Finding stolen stuff. Figuring out the bad guy. Catching the bad guy. When I felt stuck about what was supposed to come next, I could always come back to a mystery-solving act that my hero could do: he could ask some questions, or follow a suspect, or break into a house. (Hey, he was investigating!) I’m not saying I did this perfectly. I’m not saying I did it well enough–I’ve had enough really good critiques on that manuscript to know that, while the plot might have worked out well and I wouldn’t call it a completely plot-driven story, I did come up short on the character stuff. And I know I need to be watching for that on this book–I may have a physical Thing, and I even have my character’s emotional Thing, but I need to make sure they weave together tightly and work together to build suspense and change. Nobody said this would be easy, right?

But I’ve been missing this Thing. I did not have a thing in the YA historical. That book was, and still is–where it sits tucked away in its cozy, little drawer–totally character-driven. I had dreams and problems, I had events, I had historical locations and sources, I had personalities, and I had plot points. And I had big, saggy lengths of pages where nothing held together, nothing provided any kind of structure for me (or my MC) to move from scene to scene to scene. Picture a laundry line with just-wrung-out clothing hanging damply from it. Blah. I was constantly struggling to think about what Caro might/could/should do next…and why. Plot without character; character without plot…not enough.

I don’t know whether it’s a matter of skill/experience or a matter of style. I don’t know whether it’s that I’m not good enough yet to write a character-driven novel, whether I haven’t found the one that races through my veins and sends lightning bolts of structure to my brain, or whether I’m just not that “kind” of writer. Right now, honestly, I don’t care. Because I’ve got one more element that–as I plot into the middle–I can turn to when I get stuck. I can look around and say, hey, he hasn’t done something with that Thing for a while. Maybe he could lose the Thing, or throw the Thing away, or fight with so-and-so over the Thing. Or, you know, whatever with the Thing.

Yes, I know. I’m simplifying. Maybe the whole Thing idea is simplifying. But I’m telling you, if it gets me through this first draft more happily, I will get down on my knees and kiss the feet of the Thing. For today, at least, I’m a Thing-happy writer.

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Let’s Hear it for Brain Plasticity

Okay, this post has very little to do with writing and very little to do with actual science. You’ll find a tiny reference here and there to either, maybe, but don’t look for any big revelations. This is mostly a gratitude post.

Just under a year ago, I hit what I consider to be my middle-age. (Both of my grandmothers lived past 90, and both of them smoked when they were younger, so with age-inflation and my never having lit up a cigarette in my life, I have done some generous math and pushed things out a bit. Hey, optimism is a factor of long-life, right?)

Anyhoo…So far, this side of the middle-age line, along with the two decades or so before, seriously top the previous decades for growth, self-understanding, self-change and just all-around happiness. And this from someone who had a very good childhood.

But I’ve been thinking about one aspect of this getting older thing a little lately. Prompted, probably, by my re-realizing some things about myself as a writer and about my writing process. Things I thought I had figured out, yeah, decades ago. Things that, apparently, I’m having to relearn again, but in a different way–maybe in a more open way, maybe in a more flexible way. As in, let’s try this again and see what happens; not as in, I’ve got it now and nothing about it will ever change again. (Yeah, right.) Also, I’m currently letting my husband borrow my Kindle, to see if he wants one, and I downloaded a couple of books for him from the library–one on brain plasticity, a topic he loves.

Here’s the thing. I remember a time when all the talk about brain growth was dedicated to young brains. I remember when people, if not scientists, knew that brains stopped growing and changing after a certain–not that old–age. I remember how amazed people were when they found out that some teens don’t develop the long-term planning areas of their brain until, gasp!, in their twenties. And I remember reaching my forties and discovering–both by reading and by experience–that I could take active steps to set new and better patterns into my brain, that I could regroove it.

Do you want to talk relief? Do you want to go into all the ways that my brain and I worked together, in my youth, to keep my life narrow and limited? Do you want to know how magical it is that, these days, my brain and I can exchange peptalks that keep us from making those kinds of choices ? I’m not saying it’s easy. I’m not saying it’s not painful. Hey, we’re talking about carving out new neural pathways. Of course, it’s tricky.

But it’s so possible.

It seems to me that people are talking about this like it’s a new discovery, like it took science to give us the truth. Or does it just seem new to me, because when I was younger I didn’t care so much about what an “older” brain was like? Go talk to my parents, and they’ll tell you about life changes, life hits, adapting, and taking on new adventures. Put my dad on a plane to another country; okay, just watch him put himself on that plane, and watch him eat whatever food is on the menu (yes, even rotted shark in Iceland) and ride whatever animal there is an opportunity to climb onto (yes, elephants and camels). This last trip, he got on a motorcycle, for the first time ever in what’s getting close to eight decades of life. (I know, not an animal, but he didn’t even know the driver!)

Why did I think, all those years ago, that I was set? That the person I was then was the person I would be forever? Is that how teens feel today? Is that what makes being young so tough?

Yes, sure, I could do a Cherry Drop (with help) off the monkey bars, and I could sleep till noon on Saturday without cracking an eyelid, and I could eat bowls and bowls of Lucky Charms without worrying about a sugar crash. And, during those years, I guess my brain had to be growing. But there were years when it felt like any movement it was making was circular, spinning and spinning in the same way of thinking.

I’ll take the now. I’ll take the stiffer joints and the semi-constant sleep-deprivation and the lower-carb diet. Because with that all seems to come the possibility of bumping the record needle out of its groove and seeing where it will land.

Frankly, brain plasticity rocks.

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Retrying an Old Process

I received an email today. The email set me to a small task. The task helped me make a decision. The decision made me send the right email back. The path was pretty straightforward: cause-to-effect, cause-to-effect, cause-to-effect. Sequential. Linear. Except for this other little layer, a seed that got planted somewhere during the sequence and that germinated for the next hour or so. And then I was talking to my husband about. And I had a lightbulb moment.

The task involved pulling out some chapters of an old WIP and reading through a few pages. I had distance and time from the project, from all the words on the page. I had some nice surprises and, yes, some grim recognition of what wasn’t working. The thing was, though, I’d put a pen nearby without really thinking about it, and before I knew it, the pen was in my hand circling sentences and passages, crossing out lines, scribbling critiques and compliments in the margins. The decision meant that, for today at least, those notes aren’t needed. So I put the pen and paper down and went from decision to task.

Then my husband came home, I was describing the sequence, and…

bright bulb

O.M.G. I. LOVE. REVISION.

I know this. I so know this about me. For pete’s sake, it’s a big part of why I participate in a critique group and why I wrote The Writing & Critique Group Survival Guideand it’s why I did freelance editing for many years.

I think I just didn’t know until today how much more I like it than first-drafting.

How clueless can I be?

The book I have been most successful in, both in getting it written and in getting it closed to agented & published, I wrote in a week. I’ve blogged about that process before–I did some very basic plotting and then sat down for five days, while my husband and son and brother-in-law took care of Life around me, and I wrote and I wrote and I wrote. I didn’t take breaks at the end of a chapter, I had a word count for the day, and I reached it. And then I started again the next morning. And I did it again. And when I was done, I had…crap. I sat down and started reading, and it was painful and messy and I didn’t have to even read through the whole thing before I had my first big revelation: I’d given all the action and drive to my sidekick. My hero was observing and narrating, but he was also following. I sat down and started my second draft, in which–in every chapter–I shoved that MC to the forefront of the action and made him do things to make things happen. Sure, I made other, little changes along the way, but the focus of that revision was on one thing and one thing only. And that’s the draft I sent to my critique group.

I think I’d be really fooling myself if I said that I could write the first draft of my current WIP in a week. I’m back to work part-time and, well, I’m just in a different place than I was. I’m not going to dissect all the reasons.

What I’m going to do is try to push myself back into a speedy first-draft mode. I’ve talked about it and blogged about it, but for some reason, I haven’t started doing it again.

Yet.

I’m setting a goal: Complete first draft of this WIP by the end of the summer, by the day my son goes back to school.

I know this is doable. I know it’s doable by me. Sure, there are ifs, but, frankly, I’m feeling like dropping those ifs down the garbage disposal and flipping the switch.

This means something big for me. This means not sending chapters to my critique group until this draft is done. I’ve talked to so many writers who take this idea as a given; they accept that they can’t receive critiques on their first drafts. I’ve been looking at that idea a little more closely lately, and I’m starting to come around to it. The problem for me has been that I really, really, really love having people read my work. I love the idea that I’m sending it out, that I’ll get to hear people talk about it, brainstorm ideas, come home with more grist for my mill. I’m pretty good at knowing that the comments need to be reserved for later, for when I reach revision. But, somehow, I think wanting to do it that way has gotten me into accepting a slower pace from myself. I’ve slipped back into that idea that I can get my X number of chapters written, send them along, and then–you know–wait a bit and write a few more.

If I loved first-drafting, that might work for me. But I think what I’m doing is keeping myself  too long in the stage that is just so-so for me. It feels okay, but it doesn’t feel inspirational or motivational. I feel a little like the kid who gets all their home work done and…gets some more. I don’t hate first drafts, but…oh, revision.

love heart

It’s where I want to be.

So that’s the plan. The new process will be the old process, the one that…hello? WORKED.

And we’ll see where it takes me this time around.

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Some Random Thoughts in May

It’s not Friday, so I’m not doing five, and it’s not Saturday, so I’m not doing six. Is Sunday seven? Even when it’s the Sunday of a three-day weekend, and Monday won’t really be Monday?

I could go on.

But, instead, just some thoughts in May.

  • When you are feeling tired and rambly, your writing may very well turn out to be tired and rambly. Which is okay, because, hey, it’s still writing and the word “writing” is just code for “pre-revision.”
  • I cannot complaint that I have been a little chilly this weekend, because–and may I say, GEEZ!–people in Vermont and other northern sites in the U.S. had SNOW this week. I’ll just put on socks and deal.
  • Eucalyptus are still my favorite trees, a fact I was reminded of by a recent trip to Golden Gate Park. Yes, I have Eucalyptus trees less than 100 feet outside my office window at home, and, yes, I love them. But you do stop looking. Temporary relocation is a good thing.
  • One of the biggest reasons summer vacation is so awesome is, because May can be, let’s just say: Quite. The. Challenge. Every year, I forget (blessed wimpy memory) how schools seem to have a great, demanding need to pile on and pile on and pile on. Next year, I swear, I am scheduling NOTHING in May. Nothing. Except perhaps the purchase of a new freezer, to be dedicated solely to the storage and supply of ice cream.
  • If I’m really, really careful and use props, I can do the Pigeon pose in yoga again. Which I couldn’t for a while, after hurting my hip. Pigeon is good. Props are good.
  • Piles on the shelves behind you are much less worrisome and intrusive than piles on your desk.
  • Mindfulness. A path I’m really glad that I’m finally stepping on to. Yes, okay, sure, sometimes also a path that I wish were one of those motorized person-sized belts, like at the airport, that carry you wherever you want to go without any effort on your part. With, you know, a High-Speed setting. But, overall, just glad.
  • I do believe, even with the weird weather, that Spring is definitely here and Summer is on its way. And that feels good.

tulips

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Hearing the Big, Bad Editing Voices…But Not Listening

At the beginning of this year, I made a choice to put away the book I’d been working on for a couple of years. There were lots of reasons, most of which I went into here. The minute I opened my mind to working on something else, a MG idea I’d had in a file jumped in and shouted, “Me! Me! Me!”  That’s what I’ve been working on for the past months, and I haven’t regretted the change once. Oh, sure, there are worried about whether this WIP, too, will only get so far and then stall out, about whether I’ll fall out of love with this MC. But I’m pushing those worries outside and letting myself play with the story and, for now at least, stay in love.

Actually, I’m pushing away a lot of worries. For many years, I really didn’t understand when people talked about the “editing” voices and insecurities that got in the way of their writing, that stopped the flow. I’d been lucky, I guess. The one book that I’d worked on forever, with little progress, I hadn’t really cared about. The first book of my own that I did fall in love with, I finished, and–while I can see why it didn’t get agented or published–it made me happy, still makes me happy. Ditto for the picture book I still have agenting/publishing hopes for. So, basically, while not everything I worked on turned out well, my confidence level (okay, yes, possibly my conceit?) was pretty high.

And then came Caro. Who, basically, kicked my confidence in the butt. I haven’t gone really deep into analyzing the why of this, other than recognizing all the possible reasons why her story was too hard or too not-right-for-me to tell at this time. Basically, I decided I was in-hate with my writing every time I sat down with her, and that wasn’t what I wanted my writing experience to be, so…drawer.

What’s been really interesting, though, are that some of the bruises Caro gave me seem to have turned into scars. Not big, bad ones, just little cracks in my confidence armor. My son and I have a thing we do when we’re reading books or watching a movie: as soon as the hero gets cocky, we’re basically like, “Here it comes! He/She is going to get it!” So, yeah, maybe I was a little cocky. And maybe, in a little way, I got mine.

Which is okay. Maybe I needed to come down a bit off the “I’ll get an agent! I’ll be published next year! Everybody will read and love me!” (Say the last three sentences in the same tone as Sandra Bullock’s “You want to daaate me. You want to kiiisss me!” from Miss Congeniality.) Maybe I needed a push back into remembering that writing is for loving words and loving stories and loving the doing of it all. At least for me.

But…as I work on this MG WIP, I am hearing more voices. They’re saying things like “Hey, just pick which point of view you want and stick to it.” They’re waving at me and saying, “Really? Are you sure that scene goes right here? How will that connect up with that scene you wrote two days ago?”   They’re recommending that I put the story aside for a week or three and go research X. Or Y.

I think the voices were probably there when I was working on Caro’s story, and I was not just hearing then, but listening to them. Without realizing it? If that’s possible? Whatever was going on aurally, I think I was bouncing around a bit like a pinball. Do this. No, do this. But that won’t work; you’d better do this instead. And–possibly the worst thing for me to believe–you can do it all at once!

I know people hate the voices, but I’m kind of feeling lucky, this time around, to actually be hearing them–to be aware of the games my brain is trying to play. Because, at least now, I can use my fine-mesh, all-iron, keep-the-bad-fairies-away net to catch them, look at them, hear their words, and then say, “No.”

One example. In this WIP, my MC, Charlie, gets caught up in something, something very cool and, I think, sort of real and unique all at the same time. His interest becomes a passion, becomes an obsession, becomes some real trouble. And, of course, his interest is something I know only a little about. You know where this could lead, where one of those voices is “recommending” I let it lead. Yeah. Research.

Well, hey, look at these shelves. These are the books that I bought when I was researching for Caro’s book. This doesn’t show you the ones I got from the library.

carobooks

I’m not sorry about any of the reading time I spent for this book; I am now officially in love with Chicago and in awe of Jane Addams, and none of that is bed. But…do you think it’s possible that I overwhelmed myself? Let’s all say it together: DUH!

Okay, maybe not. Maybe.  All I know is that I get a slightly PTSD’ish twinge when I think about doing any research for Charlie’s story. Story. That’s the word. I feel like I know enough about Charlie’s thing to write his story. And these little warning bells go off every time I think about learning more about that thing. For now. Warnings that maybe I’ll get overwhelmed again, find myself chasing facts down various paths, playing with all the different ways Charlie could play with those facts. Warnings that maybe I need to figure out Charlie first and then take him with me into the research.

And for now I’m going to listen to the bells.

Not the voices.

How badly do the voices hit you? What do you do to push them away? How do you settle into trust of yourself and your characters?

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Thoughts on Varian Johnson’s Post, “Where are all the black boys?”

I read Varian Johnson’s post, “Where are all the black boys?” earlier this week, when people were linking to it all over Facebook. If you haven’t read it yet, you can see it at Varian’s blog, here. It’s one of those posts that has stayed with me, partially–of course, because it’s so important and Varian shows the problem and his feelings about it so beautifully. But, also, I think, because there are so many questions in the post, one question in particular–which I’ll get to later–that I can’t find any answer to.

I’m going to talk first about my own reaction to the post and to many of the excellent posts I read about multi-culturalism. Basically, I feel part of the privileged group–the white American girl who grew up in a safe, sheltered environment; who tucked herself consciously into that safe, sheltered environment and was happy there. I have always been able to find myself in books–basically, you could build a tower as tall as the Washington Monument about us shy, reader girls who don’t feel popular and would rather curl up with a book than venture out into the world. Yeah, that’s me. Except, of course, in those books, those girls always find themselves in a situation where they have to step out of their comfort zone, and I never, really did. Yes, I’m Jewish, and no, there aren’t that many books about Jewish-American girls today, at least not that I know of, but I grew up in a completely non-practicing family, of which many members had also grown up not-practicing and not necessarily believing for a generation or two before me. I still don’t practice any form of religion, Jewish or otherwise. So the Jewish girl who’s written about as a practicing, even semi-religious character just isn’t my “me,” if that makes sense. I can find my grandparents and great-grandparents, and my mom, in some excellent historical fiction–for adults and kids–if/when I want. I guess, if I were looking for a more specific me than that white, sheltered girl, I’d look for an atheist girl growing up in a very non-atheist world. I look around my brain and heart and ask if I mind that I don’t find that story, and–for myself–I guess I’m okay with that. Maybe I shouldn’t be?

All that is just to explain why/how, when I read Varian’s post, I feel like I’m a bit on the outside looking in. I feel sad and angry and frustrated, but as someone seeing this stuff happen (or not happen) to another person, not to me. I’ve had the same feeling, reaction ,when I’ve read and contributed to some of the excellent posts on multi-cultural writing at Mitali Perkins’ blog, Mitali’s Fire Escape. I’m not sure whether that actually makes any difference in how I respond or how I should respond, but I do think it’s part of my perspective.

Anyway, what I do know is that it matters what I do about it. It matters what we all do about it. Except…

I don’t know what that is. I don’t know what I, we, can do to change the uneven, unfair representation in books of so many peoples, so many populations. Is this misrepresentation even just happening in books for kids? I’m guessing not, but I really don’t read enough “adult” books to have an opinion.

Whatever. The question is, what can we do?

Buy the books that are written with non-white characters? I do that. Not just because I should, but because I’m always on the lookout for a good MG or YA story. Also because I like to explore worlds and cultures and people who are different from me. Like I said, I can pick up a “me” book anytime, anyplace. With ease. I like something new and different. Buy these books for our kids? Did. Do. Check out these books from our libraries? Request that our libraries purchase them? Did, do, again. Possibly, on this one, not often enough. (Note to self: Send more requests to librarians.) Talk about the topic and the books on our blogs and in social media? Did. Do. Doing.

What else? It just doesn’t seem like enough, not enough to actually make a change. I know, I know, a drop of water can wear away a stone, but…IT TAKES FOREVER. Varian says he’s worried about his daughter, and his nieces, and his nephew. I’m worried about them, too. I’m worried that our kid will still be fighting this battle for their kids, and so on, and so on.

What do you think? What else can we do? What do you do? And do you think it’s actually going to work?

Trying not be discouraged. Trying to find a sweet spot in the fact that Varian’s post is making its way around and that we are all at the very least talking about this. It just feels like a relatively small sweet spot.

Thoughts? Comments?

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Separating My Writer and Reader Selves

I have read some spectacular books lately…Marissa Meyer’s Cinder and ScarletHelene Wecker’s The Golem and the Jinni, Aaron Starmer’s The Only Ones. And I just started Francisco X Stork’s The Last Summer of the Death Warriors. The quality of writing in all these books, at every level–from character to plot to storytelling to voice to prose so absolutely gorgeous you can taste it–is phenomenal.

And I’m being reminded all over again that (and why) I need to make sure I separate myself as a reader from myself as a writer.

Why?

Well, frankly, because each of these books could scare off my writer self.

I’m usually pretty good at this. I’ve been writing only a few years less than I’ve been reading, and books and authors have always been inspirations to me. Sure, yes, they’ve also been distractions, but they haven’t been deterrents. When I was twelve, I wanted to be as good a writer as Phyllis A. Whitney (in her teen mysteries). To be honest, at that age, and with that level of hero-worship, I probably wanted to write books just like hers. In later years, I got over the flattering wish for mimicry, and mostly felt like I wanted to be able to put words on the page as well as some of my favorites, but certainly not in an identical way.

Have you read those books I mentioned above? Okay, maybe you don’t aspire to writing fantasy/sci-fi, but which of us wouldn’t want to have the world-building talent that  Meyer does. Who wouldn’t want to tell a story like Wecker, to dig deep and come up with characters like Stork’s Pancho and DQ? Who wouldn’t want to be able to fashion words with the beauty that all three of those authors do?

Not me.

I don’t think this is a problem/solution post, more an observation of yet another stage in my writing journey. I’ll continue to lose myself in other writers’ books, and I’ll continue to remind myself that if I even want to get close to what they’re doing, I need to step away from their stories and get back to mine. And then I’ll get out the staple gun and attach myself to my chair and desk. And write.

My own words in my own way.

I seem more vulnerable to staring at that gap these days–that gap between what authors like this can create and what I–realistically, I think–am capable of. Today. So far. I’m not letting this turn into discouragement or push me away from my own writing. That path leads only to poison, as far as I’m concerned. But things have shifted a little for me in the past year–a combination, I’m sure, of struggling with one book for so long before deciding to “drawer” it; returning to work part-time; reminding myself that this is a long-haul path, not a quick flick of the magic wand. I’m a little less certain, a little more conscious of my writing flaws. (Ah, youth, I guess–loads of low self-esteem and lack of confidence in so many things, but apparently not in my writing!) Again, this isn’t necessarily a bad thing, as long as I keep it reined in and don’t let it get in the way of my writing.

I know some people who don’t read (as much?) when they’re in the throes of writing their own novel, maybe just for the first draft. Maybe they just don’t read books like their own. I’ve said before that the only time I had to pull back from reading certain books was when my 12-year-old male protagonist started sounding too much like Meg Cabot’s Princess Mia. In general, though, if my writer self even looks at the idea of pulling back from reading, my reader self comes at me in a fury, all teeth and claws and really loud screams. Besides, the corollary to my question of who wouldn’t want to write like those brilliant authors is the question of who wouldn’t want to read their words. Every day.

One more time: Not me.