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Back at it

From Thursday to Sunday, I had extra time. Time while my son was in Anaheim, totally kicking it with the rest of his jazz band, the symphonic band, the string orchestra, and the choir–who all placed in their competitions. So much so that their high school took home the school award for the whole shebang.

We temporarily interrupt our regular programming to bring you a Mom moment.

Anyway….the thing about having your kid away for a few days AND knowing it’s pretty good odds he’s having a fantastic time, is that you are free to enjoy YOUR time. There’s something about unscheduled days that–even if you spend time sleeping in, time doodling around Facebook, time shopping and eating and movie-ing with your husband–makes it feel like you have so many more hours to spend…writing.

I sat with my historical novel this weekend. I worked through just one-and-a-half of the worksheets in Maass’ Writing the Breakout Novel Workbook, but I went deeper into those worksheets than I have a in a long, long time. I had Scrivener open the whole time, because scene ideas were popping up all over the place, along with connections between different character arcs and various plotlines. Ideas came to me when I wasn’t at the computer, which–honestly–just doesn’t happen to me as much as I’d like.

What did it all do for me? Well, yes, it brought me back to the love state with this WIP.

It reminded me what being relaxed and recharged is really about.

And it brought me back to a stronger level of commitment to this story and, frankly, to my writing.

To putting that butt into the chair and to showing up. Not necessarily to scheduling an hour here and an hour there, or to stressing myself out if that hour doesn’t happen, but to wanting to step into this world of words and hang out. And being open to seeing what comes from it.

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Friday Five: What’s Up Around Here?

1.  Right now, my son is off in Southern California, (possibly yawning and) playing stand-up bass in a music festival. Jazz band is first on the calendar for the day, and I’m pretty sure they didn’t get into the hotel till 11:00 or so last night. I’m also pretty sure the adrenaline is going to make the lack of sleep irrelevant! Not to mention the fact that, Disneyland is next, this afternoon and all-day tomorrow. Too much fun!

2.  What that means for me is a few long, uninterrupted days of writing. Okay, plus a few errands, a couple of work tasks, and some date-time with my husband. But mostly I’m spending time with my historical YA and Donald Maass’ Writing the Breakout Novel Workbook. Yes, again. Yes, still. Got started yesterday, and am remembering how great it is to be able to just sit for a long stretch, thinking and taking notes, rather than trying to cram brainstorming and illumination into a brief hour here and there.

3. HUGE storm here last night. I tried not to spend too much time thinking about those big buses taking all the band kids down Highway 5 and up and over the Grapevine.

Here’s to good, safe bus drivers! There’s a tree down on our road somewhere, and I’m pretty sure I’ll be without power some time today. Here’s to good, charged laptops! This weather feels an awful lot like that lion March was SUPPOSED to come in like, even though it’s mid-April.

4. I spent time the last two days immersing myself in Robin LaFevers’ Grave Mercy: His Fair Assassin, Book 1,and let me just tell you how happy that “Book 1” part makes me. I love all of Robin’s books, but she has surpassed herself with this one. So many layers. Such an awesome heroine–complex and angry (totally justifiably) and smart and powerful, with just the right amount of flaws and need to change. All smoothly and seamlessly integrated with real history, including a young-teen duchess I would totally support as ruler. Not to mention lots of action. If you’ve been hesitating about this book, don’t–it’s a wonderful read.

5. I’m struggling with finding the right music to work to lately. I’ve got my playlist for the historical, but it’s feeling a bit old (probably a clue about how long this book is taking me to write!), and I’ve been switching around on Pandora with some Electric Blues here, some Folk Rock there, but nothing’s quite making me happy. If you’ve got any new stuff to recommend–something with a strong percussion or bass line, some awesome strong-voiced singers, or just something you’ve discovered this year that you must share, feel free to leave a note in the comments! With my gratitude for the assist.

Posted in First Drafts, Uncategorized

Why Start Writing? Sometimes, Just to Get to the Questions.

I started a new project yesterday.

Voices: You what?! You have a picture book to revise. You have a YA novel to just figure out. There’s that other picture book that’s just sitting there in first-draft stasis! What were you thinking?!

Me: Oh, hush.

Yes, despite all the reasons not to, I opened up a file and tossed down a few more ideas for another picture book that’s been stewing. And then, with not enough ideas, not enough organization, not enough characterization, not enough anything…I started writing.

Why? Because I wanted to. Because I had a few sentences, a few actions, popping up in my brain, and they wanted me to write them into a scene. Or, at least, something resembling a scene.

So I typed. I deleted. I typed some more. I deleted some more. I kind of let that internal editor go a little crazy, telling me that something wasn’t working, telling me to start over. This is something I rarely do, but it kind of felt good. It was sort of nice to look at something I’d written, think about it and decide that, yes, it was trash, and then…ZIP! to get rid of it.

Frankly, I was having a little power party.

Anyway, I wrote and liked stuff, and I wrote and didn’t like stuff, and then I kept writing, letting the stuff I did and didn’t like all stay on the page for now. Kind of a mess, but I was writing. I knew the direction I was going probably wasn’t the right one, and I sure as heck didn’t have any sense of structure or voice or rhythm or pacing yet. Still, I was going somewhere.

When I wound down, and it was time to go pick up my son, I saved, then closed and backed-up the file. I stood up and walked away from the computer.

And those voices came back. Louder this time. And here’s what they said.

  • Why does your hero want to do THIS thing? As opposed to know, any one of a hundred other things. Why THIS THING, with THIS KID?

and

  • If you’re going to show THIS other thing, you’re kind of making a statement. Except you’re not yet. It’s just…there. Doing nothing. Are you going to make THIS thing count, or lose it?

At first, I was:

And then I slapped myself on the forehead, ran back to the computer, reopened the file, and typed those questions (in red!) at the bottom of the draft-so-far.

Because those questions took me that much closer to figuring out the core of this story.

So, sometimes, yes, go for the mess. Write the trash. Somewhere, under those slimy banana peels and the rags you cleaned your skunk-infested dog with, is the thing you need. The tool to take you the next step.

Wherever that goes!

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Monday Map: Wait! I’m Holding the Stupid Thing Upside Down!

Okay, honestly, I’m not all that impressed by the “success” record of my Monday-Map posts. Last week, I tried being flexible with myself and, yes, I was less stressed, but I also got almost nothing done on my writing. Other things, sure. Writing…meh.

I’m going to say that I was gathering inspiration. Some of that was in reading a couple of brilliantly written books: Dana Stabenow’s latest Kate Shugak mystery, Restless in the Grave and John Green’s The Fault in our Stars. Some  more was going up to Books Inc in Burlingame for a NYMBC (Not Your Mother’s Book Club) signing with Robin LaFevers (Grave Mercy) and Barry Lyga (I Hunt Killers).  Robin said something (as usual!) that really struck a chord for me: that she sometimes starts writing a book with a lie–the lie, to herself, that nobody else is going to read this book, that she’s writing it only for herself. This frees her up, obviously, to play with new ideas, but it also lets her push some limits that she might keep herself back from, if she let herself accept that the story would have a wider audience. Something in me feels like I need to get back to this place–back to what I love about my historical fiction’s MC, about what I want her to be.

This week, I’ve got some free hours. And the map thing? Well, I’m shifting directions, pulling what my GPS navigational voice calls “a legal u-turn.” The one thing I did get done last week was that I sent the two most recent versions of my picture book off to my critique group. I was feeling muddled, lost about which way I should be doing. I knew there were some big differences between the two drafts, and I was feeling like I couldn’t look at them straight, see whether one was better than the other, or whether I should be merging them both into something new…again. Lo and behold, my critique group loved the newest version and just had a few things to say about that.

So this week, I go back to being a picture-book writer and reviser. I’ve got a chunk of hours free tomorrow and later in the week, and I’m going to dump out a draft of one story that’s been calling to me (and being way too patient with being ignored), and then I’m going to put some more time into revising the first picture book. Goal? Get it back to the critique group for the next meeting for the next pass.

As to these posts: they may stay, they may go. I guess I’ll see next Monday!

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Jo Knowles’ Truth & John Green’s THE FAULT IN OUR STARS

If you read Jo Knowles blog (and you should), you’ll know the importance that truth holds in her writing–not just in what appears on the page, but in the truths she explores and pushes herself to look at, as she writes. Her commitment to these truths is so clear in all her books. And I’ve been thinking a lot about this kind of truth as I work on my WIP, and the fact that, if I find my truth in the story, it’s probably (hopefully) going to resonate as some truth to my readers. Even if those truths aren’t the same.

I’m not going to go into a deep review of John Green’s latest book, The Fault in our Stars, because, honestly, I don’t want to take apart what, for me, was just a pretty pure emotional reaction of absolutely loving the story, the characters, and the writing. I do want to say, though, that if you’re looking for a wonderful example of what I think Jo is talking about, go read this book. Are all the facts real? Who knows, although, in Green’s acknowledgements, he does say “I cheerfully ignored [expertise on medical matters] when it suited my whims.”

And, really, it doesn’t matter. What does matter is this story Green tells, a story of cancer in so many layers and ramifications it could easily have become heavy and overwhelming, and yet it is light and warm and funny and…true. True to the characters, so, so true to the narrator, and true to me. I have to admit, I had one of those reactions I seem to be having lately, along the lines of, how in the world did this man get so wise, so young? And so talented, so able to magically write that wisdom into an absolutely non-lecturing, non-preaching book?

However he did it, he did. And I’m holding this book up, along with Jo’s, as something to keep pushing myself toward.

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Monday Map: Slowing Down

Even as I typed that header, my brain was arguing: How can you go any slower than you already are? This book is taking forever.

Breathe.

Years ago, my son made this turtle for me.

You probably recognize him. Yes, he’s that little turtle that won the race. My son made him one of those (other) times when I was feeling like my writing work was going to slow, like I was never going to cross the finish line, let alone get there ahead of that hare.

My question for today is: What race? Personally, I think the turtle had a secret– he wasn’t in a race. He was just doing his thing, putting in the time and keeping the pace real, and…getting there. Oh, he beat the hare? Yeah, but you know, that wasn’t about anything the turtle did. He didn’t change his attitude or his behavior….he walked his walk and didn’t worry about what the hare was doing.

I think I forgot about that truth this past week. I started feeling the need to race again, and the feeling like there was no way I could win, and guess what? I turned into the hare. I stepped off the track and didn’t get much done. On any of my projects.

This week, back to the turtle. I got into the right pace on Saturday, just putting in steady, relaxed time at my computer, working toward a deadline. And, yeah, I got so much done. And then on Sunday, I took the day off: drove up to San Francisco airport to have breakfast with my sisters (one of whom was flying through), and then down to Great America to spend the afternoon strolling around with my husband and then attending an awards ceremony for my son’s Science Fair.

Yes, I said strolling. At an amusement park. Rides? Nope. My husband’s ribs are still healing from that bike crash, so for us, roller coasters were out. My son went off with a friend and did all the rides where you go upside down, get drenched, and try not to throw up. (Oh, wait, that would be me.) My husband and I strolled. Normally, this would have driven both of us crazy. But here’s the thing. It didn’t. Okay, yes, we needed a cup of coffee to get into the mood, but the sky was blue, and the park wasn’t crowded, and we sat in the sun and talked about work and house projects and what we want to do with our time when our son goes down to Disneyland for a jazz festival. We ate fried food and soft-serve ice cream. We walked. And then we sat for two hours in a theater watching hundreds of kids get called up on stage to win their science awards.

We did this all calmly, happily, and without feeling like we were losing the race. My guess? We needed a day like that. Who knew?

Okay, yes, I probably knew. There was a reason my son made me that turtle all those years ago. There’s also a reason I keep the turtle around–obviously, I need a reminder every now and then.

So, at least for this week, I’m not calendering things, I’m not allotting hours here and there, I’m not getting fixated on any finish lines. I’m putting my relaxed butt in the chair, and I’m channeling the turtle. And I’m not going to worry about what that hare is doing.

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Prize-Winner and Monday Map

Thanks, everybody, who came and read and commented on Annette Dashofy’s guest post last week. Son pulled out a name for me this morning, for a copy of The Writing & Critique Group Survival Guide, and the winner is…

Norma Huss!

Norma, if you can send me an email at beckylevine at ymail dot com, with your snail-mail address, I’ll get a copy of the book out to you soon!

Last week, I pretty much followed through with my plan of getting back to the YA WIP. I’m still working on the Breakout Novel workbook and got started with the plot worksheets. I didn’t get far, which was a little frustrating, but I’m still there and working.

An incidental character got bigger, I think, and I got closer to figuring out my antagonist’s goals and how they match up with and conflict with my hero’s. I imagined a scene of hope for my MC, just before it all starts to fall apart in a bigger way…and this was new. I had Scrivener open most days and dropped ideas for a potential scene or two onto the corkboard.

The plan for this week is about the same–get my fiction time scheduled first and make some progress. This morning was tough, for some reason: the wrong dose of caffeine, negative ions in the air, distracted thoughts about my picture book–take your pick!), but I did the “showing up.” I sat in the chair, I opened the file, I worked through the exercise. Sometimes, those are the steps you take, while you wait for the muse to come calling again. I’ll be here again tomorrow.

Here’s hoping your muse is not only visiting, but has brought leis and spiced chocolate and confetti!

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Monday Map: Getting Back on Track

The last few weeks have been a reminder lesson that we can only split ourselves onto so many paths. My husband’s recovery from the bike crash has been great, and he started driving himself around last week, which was MORE than great. Still, of course, work hours were reduced for me the first couple of weeks after he hit the ground, and last week I set up to spend many more hours at home, pulling together the delivery draft of my NF kids book.

Which I did. Yay! It was a ton of fun, and I had a lovely week of writing and revising and trimming and more revising, with little tidbits of last-minute research thrown in. And then I sent that draft out the email door on Thursday.

I know this week is going to be a catch-up week, but I also don’t want to let the whole time go by without getting back to my fiction. It’s too easy, you know, after a crunch, to slip into take-it-easy-and-relax mode. Yes, for a bit, that’s necessary, but I’ve found I can let it go on too long, and then I find myself frustrated and, yes, intimidated about getting back to the story. So I’m mapping this week.

I have one simple goal, to do something in the Maass workbook every day, Monday through Friday. I’ve got it on the calendar. I may or may not make that every-day accomplishment, but you can bet that, by scheduling it, I’ll get more done than I would have otherwise.

There you have it. Stepping back into things gently. How about you? Writing goals to share for the week?

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Kadir Nelson’s WE ARE THE SHIP

Today, I finished up the main draft of the NF kids’ book I’ve been working on. Somewhere between 1600 and 1800 words; simple, clear text; and–I think–a nice balance of interest and entertainment. I did my happy dance and decided to celebrate with an evening and a day off work.

The evening off included curling up with Kadir Nelson’s We Are the Ship: The Story of Negro League Baseball.

Wow.

This post is not going to be me eating a piece of humble pie. I’m really proud of my book, of the fact that I got it together to submit samples to the publisher, and that they were good enough to get me this opportunity. I’m happy with the writing I’ve done, and I think it will be a book that the kids for whom it’s meant will also like.

But…

Kadir Nelson. Again, wow.

We Are the Ship is a tribute, a work of art, an incredible story. When I first looked at the size and the format, I had that thought I sometimes to with rule-breaking books: who, exactly, is this book for? The gorgeous full-page illustrations are interspersed with long stretches of text (for a “picture book”), in a font-size small enough that I was reminded I really do need to get some new bifocals. The wondering absolutely disappeared as I started to read.

I am not an artist. I never will be. My son takes much longer to read picture books and comics than I do, because he really looks at the art. I pretty much check it out and move on to the words. I admire and am seriously impressed by Nelson’s paintings. I know, understatement. But it’s also, for me, an opinion of relativity, because this book with the incredible art in no way has to rely on that art. Nelson has taken a too-little-known piece of history and told it brilliantly. Is the story accessible to young readers? Yes. More than accessible. The players of Negro League baseball come alive on Nelson’s pages–the more famous players, but perhaps even more importantly so many players that most of us have never heard of. The drive they had to play; the persistence with which they met problems, obstacles, and sheer nastiness; the personalities they were either born with or created for their fans–it’s all here.

When I was readying my samples, I wrote a few chapters of a kids’ biography of Satchel Paige. I had recently read Larry Tye’s excellent biography of Paige, Satchel: The Life and Times of an American Legend. I loved Paige’s story and felt like it would be a great one to play with for kids, even if I and the editor I hoped would hire me would be the only two to read the sample. Tye’s book is several hundred pages and, while it naturally focuses on Paige, it does contain a lot of fascinating detail about the Negro Leagues.

Nelson still taught me plenty of new things about that world and the people in it. I picked up the book, opened it to the first page, and was caught. I caught myself reading the page of footnote references and realized that’s how much I wanted to keep reading.

Go pick up a copy of We Are the Ship–whether you want to read a truly lovely tribute to the Negro Leagues or you want to read a brilliant example of writing nonfiction. And, yes, stare at the art!

Many, MANY thanks to Jeannine Atkins for recalling my attention to this book. Yet another example of Jeannine’s excellent taste in books.

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What I Love about Writing Nonfiction for Kids

Over the weekend, I had a chance to really dig into my nonfiction project again. The deadline is coming up, and–yay!–the book is coming together. As I got into the flow, I remembered, once again, why I love this  kind of work. Just a few of the reasons:

  • I love trivia. One of my favorite board games is Trivia Pursuit. Even when I moan and groan about the Science and Geography questions (okay, honestly, about ANY questions that aren’t about books), I love hearing the answers that I don’t know. There’s something about findout that that tiny detail of information that intrigues me. As I write this book, I get that same spark when I hit on a cool fact or tidbit in my research.
  • I like playing with words. On the first pass, I tend to overwrite–both on the amount of content and in terms of the reading level I’m using. That’s okay. Because I absolutely love fiddling around with my sentences to get rid of the excess material, make the wording more active, and smooth out the sentences into a simpler clarity. I’m not fond of the term wordsmithing, but it almost fits here. How about word-tuning instead?
  • This kind of work is about as close as I get to instant-gratification. I know there will be revisions. I’m absolutely positive my editor will have changes for me to make. Cool. BUT…as I work, I can see myself getting closer and closer to Good. My fiction projects are all just so…big. Big in length, big in concept, big in pretty much any kind of unit of measure you want to apply. Can you say….overwhelming? There’s always that sense of how much work I still have to do to see it all turn into something I’ve done well. My chapters in this book have 3-4 paragraphs. Those paragraphs have 3-4 sentences. Give me a few minutes, and I can take a rough draft of one of those paragraphs and make it sparkle! Talk about positive reinforcement.
  • I love my audience. I’m still not sure how much info I’m supposed to be sharing about this book’s subject matter, and, no, I’m not just trying to be mysterious! The main target audience, though, is kids who may not be the strongest readers, but who deserve to have a book with material they’re interested in, that’s presented to them in a way that makes them want to keep reading. How important is it to have books for these readers? And how cool is it that I get a chance to write one for them? Pretty much totally awesome-sauce.

It was definitely a weekend of happy writing. I hope you all had time for some of your own!