I was griping on Facebook the other day about needing some new fantasy novels to read, and a FB friend recommended Roshani Chokshi’s The Star-Touched Queen and A Crown of Wishes. I hadn’t realized until I looked up Chokshi that she is also the author of Aru Shah and the End of Time, the first book in her middle-grade series and the first book published by Rick Riordan’s new imprint. That’s been on my to-read list for a while, and I’m bumping it up to the top as soon as I finish A Crown of Wishes.
I love fantasy novels. The Hobbit probably started me off. It was the first book I ever cried over–I remember sitting up when I was 12, after everyone else in the house had gone to bed, and whole-body sobbing as…!!SPOILER ALERT!!…Bilbo said goodbye to Thorin. (Do NOT get me started on Thorin in the movie version; what were you thinking, Peter Jackson?) And then, in high school, I discovered Anne McCaffrey’s Harper Hall series, and I was a goner. In the past decade or two…young-adult authors have been adding brilliant worlds and works to the genre. Kristin Cashore. Sarah J. Maas. Laini Taylor. Leigh Bardugo, Kendare Blake, just to name a few. I’ll take a leap and add Joe Abercrombie, even though, so far, I’ve only read Half a King.
And, now, Roshani Chokshi.
I like beautifully written, fun, fast-moving fantasy stories. Throw in some humor–even better. I love strong world-building, and if you throw in a bit of philosophy to the mix, you’ve got me.
As long as the balance is right. If you lean too far toward the philosophy, with the action as a side-note, I’m gone. Keep things moving, keep me intrigued by the character’s actions and reactions, as well as their life-view…yes!
It’s not that easy. Terry Pratchett does it brilliantly, especially in his Tiffany Aching books. (I sobbed as hard, if not harder, with The Shepherd’s Crown as I did with The Hobbit.) Kristin Cashore rocks it, especially in Bitterblue (which I talked about here.) And Roshani Chokshi has mastered it.
Chokshi has set herself an extra challenge, I think, by setting her stories in a world where magic has layers and layers and where, when you step into the magic world, the shields (or scabs) you have built up around your vulnerabilities are ripped away. Chokshi’s magic gets into your mind and plays games, it grabs onto the big thoughts–the foundation of who you are and how you see things–as well as the smaller, not-fully-developed thoughts that flutter across that foundation to both threaten and promise. There are sections, long passages and chapters, where Chokshi’s characters essentially swim in this disorientation, sometimes struggling to even stay afloat. And you swim with them.
So many books, when they reach for this place, this kind of storytelling, get lost. As a reader, you feel swamped by beautiful words that are all thoughts, all philosophy. Often they are thoughts that are true to the characters the author has created, but–in the end–they are still just thoughts. Chokshi tiptoes up to the edge, she skims over its shore, but she never once falls in.
Chokshi’s characters are, much like Cashore’s Bitterblue, characters of the mind. The core of their being is the way they think–they way they see the world around them and the way they see their place within that world. It’s why they are so at risk–if the magic gets their minds, it gets their selfs. And so they fight it. And, I think, it’s the resistance that makes them so strong and that keeps Chokshi’s books concrete, active, and powerful. They have quests that force them into the magic and, to achieve those quests, they step in. Deeply. They immerse themselves in the magic as long as they need, and then…they jump back. Or draw swords against it. Or laugh at it. They grab for the pieces of magic they need to move forward; they dispose of the pieces that don’t. The magic is the vehicle for Chokshi’s characters; the characters are not simply vehicles for the magic.
Read any or all of the books I’ve talked about in this post. Just make sure you include Chokshi’s stories on the list. And cross your fingers that she has many more coming.