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Friday Five: Five Things about Alice

If you’re my friend on Facebook, right about now you’re probably making that really mature, fake gagging gesture and saying, “Oh, puh-lease! Have we not heard enough about that cat in the last week?!” But for those of you who haven’t seen all the pics and those of you who just, you know, LOVE CATS, let me introduce you to Alice.

Alice01

We went to Humane Society Silicon Valley last Saturday, basically all a-twitter at the possibility of finding a cat, or–you know–being found by a cat, and at the possibility of not finding one. I cannot recommend this shelter enough. The animals went way beyond clean and healthy; they were all happy, relaxed, and friendly. And the people who work there, with the animals, are also happy, relaxed, and friendly! There were lots of cats we could easily have decided to take home.

But I fell in love with Alice.

Five things about Alice.

  • She is bee-yo-ti-ful. I know, I know. beauty is only skin fur deep. But she is. At first I thought she was a funny mix of grey tabby and orange tabby. (No, I wasn’t listening when we did the whole Mendel pea thing in school, so what do I know?!) But then I thought, hey, no, she’s a calico-tabby cross. Because she’s all calico colored, but each patch has tabby stripes. And then someone on Facebook said something about diluted or pastel calicos. So now I think she’s a pastel-calico-tabby cross. It doesn’t really matter, because all they want to know at the vet is that she’s a DSH (Domestic Short Hair).  They probably wouldn’t put DSHT (Domestic Short Hair AND Tail) into the computer, even if I asked nicely.
  • She is probably somewhere between a year and two years old. Old enough to be NOT a kitten (one of my criteria), but young enough to act kitteny a little bit of the time AND to not put us back on the elder-kitty path too soon. I loved, loved, loved our last cat, Lacey, but the past couple of years were pretty stressful. Obviously, I’ll go through that stage again and again with every cat we have, but I am ready to see it as way off in the distance for now.
  • She likes low places and high places. She likes to be under things–under the chair, the coffee table, the couch, the futon in my office. Obviously, part of this is her transitioning into our home and family and just taking shelter to feel quiet and safe. And her time underneath things is already lessening, but she still does it enough that I’ve taken to using the laser pointer to find her–flick that around a couple of times, and out she comes, saving me from having to get down on my knees and peer under all the furniture. She also loves to be up high, though, and she will climb onto your shoulders and use them as a launching pad–she landed on a shelf so high in my office that she accepted my help in getting down, and she was eyeballing the oven hood while she rode around on my son’s back the other day. That would have been interesting to watch…KITTY SLIDE! She is an awesome jumper, which is not making Bard, our cockatiel, the happiest bird on the planet. We’re trying to keep an eye on things, make it more difficult for her to get to his cage, and see if they’ll work out their own relationship.
  • Like most cats, she rejects all the actual toys we offer, and chooses her own playthings. She spends a little time each day “killing” a rope that hangs down under the futon in my office, is making it clear that I can no longer leave hair bands just laying around, and is true to the bag-loving nature of all felines. Where’s Waldo Alice?
  • wheresaliceShe is making me very, very happy.
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Matchmaking with Books

One thing I love about this time of year is the chance to pick out a book for someone not on my usual supply list. Okay, let’s be honest–for a kid not on my usual list. I’m never happier than when I have a specific child in mind, and I get to sit on the floor of the bookstore and just browse. I take a few things into consideration.

  • Do I like the book? I have bought books for adults that I don’t like, but only when my favorites have proved failures many miserable times.If I’m buying for a child, I really need to think the book is awesomesauce.
  • How long has the book been out? Is it a classic? Some of my favorites are everybody’s favorites, and I figure that ups the chances of a book being one the child already has. I don’t buy anybody Where the Wild Things Are. As wonderful as that book is, I want my gift to open a new door for the child. (I’ll sometimes take a chance with Caps For Sale, because SURPRISINGLY few people seem to know it.)
  • Does the book click with an interest I know the child has? My son was never a reader of animal books. But there are kids who that’s all I know about them-that they will ooh! at any puppy and sit down quietly to let any cat come visit. Dick King-Smith’s books come in very handy here.
  • Can I picture the child reading the book? Or, in the case of a very young child, can I picture the child and a parent or sibling or grandparent (and I’m talking about a specific person that I know reading the book together. Yes, the less I know the child, the bigger the challenge, but it’s one I’m happy to take on.
  • Does the book make me laugh. This is a biggie, especially when I don’t know the child all that well. Because most kids like and want to laugh. And if it’s a picture book, most parents bow down in gratitude to any book or author that lets them laugh while they read it. Humor, to me, crosses all reading borders. My son was a huge fantasy addict, but the few “real-life” books he would pick up and read all the way through were the ones that were funny from page 1?
  • Do I ignore the people offering to wrap the book, because I know my son and husband will want to read it before it gets hidden by paper. And that I’ll probably want to read it through again. Possibly again?

Those are the basics. Sometimes, obviously, I have to take a risk. All I know about the child is their age and, at the very most, let’s say, that they do or don’t like sports. Which does me no good, since my family barely knows that sports exists. Anyway, then I’m out on a limb–especially for an older kid. One who might not even be into reading. Or into it anymore. What do I do then? Well, hey, I put on my I-Know-Best hat and get them something stupendous, something of brilliance, something that has at least a teeny, tiny chance of turning the tide, of lighting or relighting book-love, of giving them a reason to go online and type in those magic words, “If you liked…”

Hey, I can dream.

 

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Revisiting the Blog…Again

I feel like I do this every year, either in December or January–come around and take another look at what I’m doing with my blog. I just spent an hour or so updating my website (about time!), and–boy–looking around, it was clear that I’m not blogging the way I want to. I’ve heard other people talking about this, from Kelly Fineman to Jen Robinson, both of who’s blogs I read and enjoy. So, once again, I’m trying for a reboot. I’ve got a few questions for you at the end of the post, so read through to the end. Or skip to the end, if you want.

I want to:

  • Blog regularly. At a minimum, once a week.
  • I’m going to blog shorter. Oh, sure, yes, you’ll get a thoughtful, perceptive, in-depth, long-winded post every now and then, but I’m going with the premise that shorter can be better and is definitely faster.
  • I want to do more reviews. If you look at my Reviews page, you’ll see that this isn’t a request for books. But when I fall in love with a book, I’m going to share that love.
  • I’m going to rebuild my blogroll and try to comment more. I have a great reader on my phone (WordPress), so I’ve got no excuse for saying “hi” when I stop by.
  • I’ll share more links to good posts at other blogs. It’s about a community, right? Right.

So those are my goals. And now a few questions for you.

  • Approximately how many blogs do you check in at each week (blogs, not posts)?
  • Do you prefer shorter or longer blog posts?
  • Got any favorite blogs? Please share away!

And in the spirit of my actually making the above list of goals happen, here’s a little Louis for your day…

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Getting Rid of the Internal…Scheduler

You thought I was going to say Internal Editor, didn’t you? We know that guy–the one that shouts mean thoughts at us from the sidelines. The one that tells us we can’t write, this is a stupid idea (or possibly 30 stupid ideas, if you just finished PiBoIdMo. Which they aren’t, by the way. Stupid, I mean.). Yes, we all know that guy. When he visits alone, I can usually handle him.

But sometimes he brings company. He’s been doing that lately. Maybe his friend shows up more easily in December, along with that feeling of it being time to wind up projects, cross off items on the to-do list. Whatever the reason, she’s been here the past couple of weeks and, frankly, I’m getting pretty sick of her.

She’s the Internal Scheduler. She’s not as hard on my actual writing as the Editor. At least she typically tags the word “yet” onto her comments. Like: “You haven’t got very far…yet.” “This isn’t a very strong revision…yet.”

Where does that “yet” come from? From the Should world. The circle of you-know-where that Dante didn’t bother to mention. The world that says I should have finished these picture books already. The one that says I should have sent more than one revision per meeting to my critique group the past few months. The one that says I should have all of  them ready to submit by the end of the year.

I love December. I really do. I love the weather (it starts to get chilly here in California, but–even in a wet year–the rain isn’t pouring down). I love the holidays–the shopping, the wrapping, the Xmas carols in the stores. And, usually, I love that coming into the turn of the year, that feeling of things being good right now and a new set of possibilities waiting just around the corner.

But I do not like the Internal Scheduler. I do not like the fact that she tries to shove me into a regime, tries to make me think that time alone–those hours in the chair–will produce the story I want to tell. I do not like that she makes me start blaming myself for the things I haven’t accomplished.

So what am I going to do with the Internal Scheduler? Same thing I do with the Editor. Tell her to go away. Disappear. Vamoose. Firmly and not even the littlest bit kindly.

And I’m going to work on my stories. With attention and love and patience.

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Plodding Through the Painful

This weekend, I’ve had a large chunk of unscheduled time. My husband is traveling, my son had some friends over all afternoon and evening yesterday, and today he’s got a paper to write. I’ve had time for both leisure and revising. It would have been a very easy time to just let go of the revising and wallow in the leisure.

But I’ve been doing too much of that lately. So each afternoon, I’ve pushed myself to get into my office and do some work.

And then, of course, I realized why the wallowing was so tempting.

I’m at some stage where the picture book revision just isn’t coming easily. I’m hoping that means I’m actually getting closer to good, closer to done, but I’m not sure. I could analyze the stories or myself to death, trying to find the why behind the painfulness, but I’ve decided…nope. Enough analyzing. Get working. Yesterday, in the dharma talk that follows my meditation “class,” the teacher talked about how the word dukkha, which is commonly translated as “suffering,” actually has a literal meaning that is something like a wheel in which the axle doesn’t fit well. Roll, roll, clunk. Roll, clunk, roll. Clunk, clunk. You know, that’s life.

And, apparently, this weekend, that’s my revision process. Acknowledging, noting as “not pleasant,” and rolling that silly wheel a little further along.

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New Adventures in the World of Catdom

A couple of months ago, our wonderful cat, Lacey, died. I’ve had a lot of cats in my life, and this loss was the biggest–I don’t remember ever missing another cat quite so much after they were gone. So I “knew” it would be a bit before I/we’d be ready to bring another cat into our homes, and–as I do–I made a plan. We have a lot of traveling to do, little short trips, in the next 4-5 months, so I said…okay, no new kitty until Spring. The guys–as they do when it comes to pet questions–agreed with me.

BUT…Missing Lacey so much has translated into just missing having a cat around. Maybe it’s because we’re in Autumn, with Winter coming right around the corner. I mean, Winter. You’re supposed to have a cat on your lap, right? When my husband added a set of cupboards and little shelves along one kitchen wall, a few years ago, he set the bottom shelf “Lacey-high” above the floor, because that’s where one of the heater vents is, and, obviously, Lacey needed to be able to curl up under that shelf. Which she did.

That heater vent is being completely wasted right now.

So, I said to the guys, “Spring, Schming. Right after Thanksgiving, we’re going to the kitty shelter. We’re going to sit down in the kitty room and see who adopts us. And we’re going to bring that kitty home.” The guys…agreed.

But here’s the thing. I have never, never, NEVER gone and got a cat. I counted up the other day, and in the 18 years before I left my parents’ home, I was part-owner and co-habitor with at least twelve cats. Here’s the list (Siblings, feel free to add more in the comments if I’ve forgotten anyone!): Henry, Moses, Tommy, Freddy, Frankie, Callie, Flopsy, Mopsy (Later renamed Lily), Cottontail, Peter, Rye Krisp, Rocky Road (We got tired of my parents naming every pet we had with an -ie or -y ending name!) Dog friends, don’t get worried, we had four dogs in that time (Five? Can’t remember when they got Patrick the Chihuahua, no comments, please!), a couple of canaries, a guinea pig, and I believe a couple of salamanders. And fish.

We bought the canaries and the guinea pig, I think. There may have been some small amount of money exchanged for the first three dogs. But cats? My parents were veterinarians with their own vet hospital. Cats came to them. To us. Pick out a cat? Unheard of.

When I met my husband, he’d had two cats, both of whom had also come to him. Cat (I know!) and Fred. Fred was still around when I showed up, and he was an awesomely cranky cat who actually liked me: Bonus points with the then-boyfriend!

And Lacey found us. She showed up one day in the front yard of our mountain home–clean, well-fed, cuddly, not in the least bit feral, and she climbed into my son’s five-year-old lap and stayed there. My husband says that maybe, if we wait, another clean, well-fed, cuddly, not in the least bit feral cat will show up. I say, no, I’m pretty sure that was Lacey Magic.

So we will go to the shelter and pick out a cat.

Do you know HOW MANY CATS will be at that shelter? It’ll be like this:

I really, really, really want just one cat. We are a very good one-cat family. I know, I know, and I’m not standing on a box and shouting “NO!” to two cats, but still, how in the world do you pick?! How do you walk out with one fuzzball under your arm and leave the others behind?

Tips? Suggestions? Awesome stories? The comments are yours!

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Giving Some Shape to My Writing Time

So I’ve got a little more time these days. One job ended and, while I’m working to discover the next one and what it will be, I’ve got time for other things. Like more writing. Which is good.

As long as I use it.

Sudden changes can be…sudden. And disruptive. We can focus too narrowly on one task, the one that seems to shout TOP PRIORITY at us, while tucking the other, equally important, pieces of our lives into a corner. I think I’ve done that for the past couple of weeks. Plus, then, there was the cold. Which wasn’t bad enough to keep me from focusing on those “priority” items, but told me it was too much for my creativity. I let myself listen. For a little while, that was okay. Adjustments take…adjusting.

But now it’s time to write. And to look at some goals. I have some more writing time. How do I want to use it? Typically, unsurprisingly, the novel is calling. This extra time I have now is undefined–it could disappear at any moment; it could last for a while. And that “while,” makes me feel like falling into long stretches of early drafting. It makes me feel like immersing myself in characters and moments that build, over pages, to bigger moments. It sounds relaxing, attractive.

I’m saying “no.” I’m saying, “Hey, you have picture books you’ve been trying to Finish.” Part of the call to the longer manuscript is fear; I know this. If I look realistically at where life is right now, I DO have time to finish those picture books. I have time to put in the real work, the committed and focused minutes and hours. Which means…Gulp. Setting to it and doing it. Facing all the quibbles and false starts and WTHs and pushing through them to the other side. Yeah: Fear.

It’s another time when I have to ask myself, “Hey, Becks, what is it you actually want?” And while one of those wants is, sure, to just lose myself in writing and writing and writing, there’s another big one that needs to be attended to. That Big Want is: I want to complete some more projects, I want to submit them, and I want to see what happens. I want to give myself that chance to have my books picked up and possibly, hopefully, end up on a publisher’s schedule and in a reader’s hands. Many readers’ hands.

So it’s picture books first. It’s commitment and determination and focus the projects I’ve brought this far for a reason. It’s getting past the fear and through to the love.

What’s at the top of your writing-to-do list this month?

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A Few Thoughts on Words and Labels

Words have power. As writers and, heck, as people, we all know that. I will get into an argument with anyone who dismisses a person’s right to choose their own name, their own identity, their own cultural definition. I’ll get into a BIG argument with anyone who doesn’t see the power claimed by those who call themselves “Right to Lifers,” as though those of us who support a woman’s right to choose are anti-life.

Ahem. Okay, that went off on a tangent. But, still, words=power. Yes? Yes.

So I’ve been making my way through a book by Walpola Rahula called What the Buddha Taught. I had been looking for a book that talked about the things the Buddha actually/supposedly said, one without too much interpretation of “translation” or too-heavy layer of spirituality. My meditation teacher recommended Rahula’s book. I’m liking it. It’s a bit slow-going, but it’s nice and basic and clear and has almost a sweet voice to it. There are lots of little details that make me pause and think and have a kind of mm-hmm moment. Like this:

According to Buddhism there are two sorts of understanding: What we generally call understanding is knowledge, an accumulated memory, an intellectual grasping of a subject according to certain given data. This is called ‘knowing accordingly’ (anubodhd). It is not very deep. Real deep understanding is called ‘penetration’ (paivedha), seeing a thing in its true nature, without name and label. This penetration is possible only when the mind is free from all impurities and is fully developed through meditation.”

So, to dissect a moment: Yes, I get the irony of assigning words (labels!) to different kinds of knowledge, in the same sentence as the author sort of dismisses names and labels as unimportant. As I talked about above, I think words and labels have power and, while letting go of any attachment to that power may be the point here, it’s not a point I’ve reached. Obviously. Separate from that debate, though, are a couple of things that hit me strongly about this passage. First, when I was young (okay, maybe still today–sometimes), I felt some inferiority around people who had a lot of what the author here calls anubodhd. As a child who immersed herself in fiction and imagination, I didn’t have a lot of facts at my fingerprints, and even when I thought I did, I’d get myself in an emotional tangle trying to defend my small grasp of them. I was much happier outside the world of facts, but I still often felt a lack, somehow, a shortcoming, without them. I don’t know that I agree with the author’s assessment of one kind of knowledge being less deep than the other, but I am in complete agreement that there are two distinct types. And it’s taken me years to recognize that I have some strength in the other, in paivedha. Whether it’s from all those years of fiction reading (yes, I know, it’s what we all want to believe!), or whether it’s because of my original brain chemistry, or a combination of both, I am better at paivadha than at anubodhd. Thank goodness, right? Because how else would I write?

But I think what I’m getting at most of all is that seeing “my” kind of knowledge recognized on this page, in a language and vocabulary and teaching that have been around pretty much forever, felt good. Warming. And again, despite the irony and the attachment-problem, let me just tell you how much I love that paivedha has been given its own label. Its own power.

Words. I think I’ll keep them.

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I’ve Been Tagged: Picture Book Projects

Okay, I was tagged almost two weeks ago, but I’m here! Thanks to Carol Baldwin for giving me the chance to talk about my project(s) and process. And, rather than tag anyone specific in turn, I’m just throwing out an invite. If the questions in this post look fun and you’ve got a project you want to talk about, drop the link into the comments so we can all see.

What are you working on right now?

Picture books! I actually have three picture books in the works. Partially because these stories called to me, partially because I have fallen in love with all the manuscripts, and partially because I’m learning that if I want to submit a picture book to an agent, I need to have more than that one ready to go. So the MG novel is set aside for now, even though it keeps sending out little peeps to try and get my attention. I’m promising it lots of time when these other manuscripts are ready and done.

I’m not going to share details about the picture books, because by the time I’ve told you anything about them, I might as well tell you everything. And I’ll hold onto that for marketing time, when/if that comes! But I will tell you that I feel like I have tapped into several different story modes, voices, and characters for the manuscripts. When I look at them, I’m not quite sure how they all came out of my brain and fingertips, but I think some of the credit has to go to Tara Lazar and PiBoIdMo. (Holy Cow! I have to start thinking up new ideas in TWO DAYS!). Something about the speed and craziness of coming up with one or more ideas, every day for a month, seems to let loose a randomocity of ideas, at least for me. It’s a challenge, because I have to shift neurons and synapses each time I turn from one to the other of the three manuscripts, but it’s also energizing and just really, really cool.

How do picture books differ from other genres?

Okay, the original question is how does your manuscript differ from other books in its genre, so feel free to answer that one in your post. But since I’m talking about three picture books, it doesn’t quite work. So I changed it! As I’ve talked about before, I’m fairly new to picture books, so they feel very different. I have always been a novel person, from the series books I read as a kid to the years I spent reading 700-page works of Victorian fiction in college. Dickens got paid by word-count; in picture books, you are seriously encouraged to reduce your word count. Which I love. Maybe I’m coming at it wrong (but don’t tell me if I am!), but I am finding that the tighter I can make the words in a picture book, the more clear the theme/vision/main problem becomes. It’s truly like trimming away the fat, or chiseling the marble away from the statue inside. As a reader, I have always loved spare writing, and while I’m not sure I’ve achieved this in any of my novels, I’m so there with my picture books. I have one manuscript that is down to 200+ words. Some of those still need to be replaced. Some will be cut. But I’m pretty sure I won’t be adding back a whole lot more.

The other difference for me, and the real challenge, is how tricky it is to create a truly active protagonist when they are, essentially, a very small child whose life is constantly impacted by bigger, older, theoretically wiser characters. You’ve heard that we’re supposed to read what we write. Well, I spend a huge chunk of my picture-book reading time tracing the actions and the behavior of the hero, seeing what techniques and steps the author has taken to bring their protagonist to the forefront of the story and give them some control over their lives. And then I go back to my protagonists and tell them to get their act together. Please. And again and again.

Why do you write what you do?

Well, obviously because I’m loving it. But I think there are two other reasons. One, frankly, is time. And impatience. I went back to work a couple of years ago, and started feeling like a completed novel was way, way, way down the line. (For those of you starting NaNoWriMo in two days, just ignore me! Seriously. Get out there and dump it all onto the page. And have fun!) I had some picture book ideas and while it was never easy, I could see progress in a way I wasn’t able–right then–to see on my novel. It felt good to be able to take time on a weekend and see some actual changes, get some new ideas and put them into effect…on the entire manuscript.

The other reason, I think, goes back to me and my lifetime of novel reading and writing. Picture books were new. I didn’t know the structure, I didn’t know the voice, and I really, really didn’t know how to tackle that super young protagonist. I felt my brain wake up, felt the areas that had been comfortable resting in the patterns of a 200-page manuscript, sit up and stare. What is this? We want to play! Something about having to learn a new genre, a very different genre, felt like magic–neurological magic, I guess. The last thing I want my brain to do is stagnate, and I have a feeling adding picture books to my repertoire is going to help it not do that.

How does your writing process work?

Process? It’s changed so much over the years, so much with every genre/project, and so much with whatever else is happening with my life. These days, unfortunately, it seems to be a lot of bringing myself back to a project. I haven’t been as good as I’d like at keeping the writing going every day, along with regular job-work things. So there’s pretty much always a gap between the last time I wrote and the next time, and not just a gap of 24 hours. So there’s fear. There’s that feeling of not remembering quite where I was and of not automatically knowing the next step I need to be taking. The only thing I’ve found for a cure is to get to the computer. Even if I am only looking at one sentence in a manuscript and thinking about it, I make myself do that. And if I can make myself sit and look, gently think, then I almost always hear the key turn in the lock. Ideas start coming. My fingers start typing. And something changes.

Other than that, I revise and revise. My first draft, especially on a picture book, is a wild dump. I am amazed at how powerful and complete I can think an idea is until I try to write it down. If I were going to give up on a manuscript, that would be the point at which it would happen. But I’m learning (again, thanks to PiBoIdMo), that junk doesn’t stay junk. And even when it does, for a long time, that core idea is still there, and something about it is valid. So, like I said, I revise and revise and revise. And I sent the manuscripts to my critique group. Again and again and again. They are saints. And I whittle, and I trim, and I substitute, and I go on wild rampages of totally new angles. And each revision gets me closer to something right. And something done.

Any departing words of wisdom for other authors?

Nothing brilliant. Read Anne Lamott’s Bird by Bird. She will tell you about the pain and anguish and joy and delight of writing much better than I can. But basically, if you want to write, write. Somehow, make some time for it. And be incredibly patient with yourself. When something matters as much as writing does, then worry, fear, and struggle are going to come along for the ride. But so can stubbornness, determination, and moments of absolute light and inspiration.

And, something I learned for myself this past year, if you’re not happy with the project you’re working on, stop. I don’t mean worried or stressed or confused. But if every time you come to sit down with that manuscript, you’re grumpy and sad and unmotivated, take a look around. Is something else calling to you? Work on that for a few days. Do the grumpies go away? Even while the challenges hang around? Maybe that’s where you need to be. Writing is too important to be truly, steadily unhappy while we do it. Truly.