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The Current Process

Last week, I mentioned that I’m remembering something all over again–sometimes, the writing process is whatever is working. Today, I want to talk a little more about that.

First, a picture of my writing space this morning, just because it makes me happy.

Writing SpaceCozy, yes?

So…process. When I was freelancing from home and working part-time, I tried to fit writing time into most, if not all, my days. Frankly, as I shifted from working in my own office to showing up at someone else’s work space, that got harder to do. Remember the kids who the preschool/elementary teachers used to describe as maybe not so good at transition? Yeah. That would be me. It’s not that I don’t like transition; it’s that I like/need/want to take a lot of time over it. I don’t zoom well from one thing to another, which means I never zoomed well from the part-time work out and about to the writing work tucked in back at home. I would need a snack, a bit of reading time, some cuddling with the cat. Which all added up to minutes not writing, and all of a sudden the clock would have jumped forward to some other piece of life that needed to get done.

Nevertheless, I did write, i did make progress, I did get those picture books written and many-times revised. And I got started on this latest MG idea. So when I went back to work full-time, something I really wanted to do and felt ready to do–I was a bit worried/stressed about keeping the writing going. I started putting more pressure than I was happy with on getting to the computer in the evening after work–after a grocery store run, after a yoga class, after a catch-up with a friend.

You think I don’t do well with transition? Try me with self-pressure!

A while back, I read this post by Nathan Bransford, in which he says he doesn’t write every day, and I (okay, “you”) don’t have to either. I remember thinking at the time that, yes, that’s good, that’s nice to hear, but, really….I still need to TRY. And then, more recently, I was at a critique-group meeting, where my crit partners had just read the second set of two or three scenes I’d sent them, and one crit partner said, “I want you to be thinking about what your process is. Because whatever you’re doing is obviously working.”

Um…I was pretty much writing on weekends.

From Nathan’s post: “I’m not a morning person, so I can’t wake up early to write in the mornings. And after a long day’s work, I’m usually too mentally exhausted to write. So I get my writing done on weekends.”

Now I will admit that I am still not QUITE comfortable with the fact that I’m not touching my story every day. I still hear that little “should” voice every now and then telling me how much more I’ll be connected to the characters, to their problems, even if I only sit down for 30 minutes every night. I come to most weekends knowing that this is the writing time, this is when I’m going to/supposed to get those pages done, and that is its own version of self-pressure, right?

But it seems like, when I have that space and time, when I can relax into my morning, get a few things done, then open up the computer, check out where I was at the last session and where I think I am going next…the words come. And if the feedback from my critique partners, some of whom have been reading my writing for going on 18+ years, is any indication, they’re coming pretty well.

So, is this my process? For the past months, yes. For today, yes. Beyond that, I have pretty much given up trying to decide.

What’s working for you right now? Is it the same process you’ve always used, or have you (or life) changed things up recently? I’d love to hear your thoughts.

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Restarting & Catching Up

Okay, so…

I’ve been working full-time for about a year now. Loving the job, loving the busy-ness, loving the people I work with and the challenges (yes, I landed in a fantastic place!). But…one thing that I have obviously and totally let go is this blog.

Not what I wanted to do.

So I’m going to try getting back into this with a baby step. Once a week. That’s all I’m asking from myself, and it’s a tester to see if I get enjoyment and fun from posting or if I just put stress pressure on myself. Hoping for the former! The posts may be shorter than they used to be (oh, stop that cheering!), and I’m sure they’ll be a mix between writing stuff and life stuff. I’d like to get some links up for you, too, to posts I find interesting or useful or to books I’ve read and loved.

Like this one about writing with a new baby from Jen McConnel. Oh, yes, it’s been years, but I remember. And, no, going back to work full-time and still writing is NOT (for me at least) as challenging as having a newborn and still writing, However, it is another phase in my life where I’m having to figure it out. (See below). Go, Jen!

For today, a quick catch-up:

  • This is where I work. RAFT is an educational nonprofit that provides educators with professional development, educational products, and totally cool/fun repurposed materials–all focused on the idea that hands-on learning, where you actually touch and build and explore is the way to go. I’m the Grants Manager, helping raise funds to support our mission and programs. After years of looking for a job I might actually like, I found one I love.
  • I am empty-nesting. Since our son is an only child, we did the first college/empty house thing all in one fell swoop. First, may I say, thank goodness for the full-time work; otherwise, I do think I could have driven myself crazy. But…right now, he is really happy with what he’s doing, I am really happy with what I’m doing, and–yes–I’m getting to know my husband again and finding out that we are still more than good together. So, yay.
  • I am writing. My middle grade magical-realism story is making me love writing again. And I am coming to terms, once again, with the fact that maybe having a process just means doing whatever gets the writing done. My biggest challenge with the full-time work thing is trying to use my weekday evenings for other-than-life stuff: i.e., writing. I. Am. Not. Good. At. This. But…I have realized that, being the total introvert, please-give-me-the-whole-weekend-at-home-to-recharge person that I am, well…I have lots of hours for writing during those weekends. And I am turning out more pages than I was before I went back to work. By a long shot. So, yes, I lose that touch-your-story every day feeling, which I still believe in, but I’m writing and I’m loving it and I’m feeding my critique group several scenes on a regular basis. So–process!
  • I am querying several picture books at the “ready” stage, so I’m back in the query process, which–I have to say–feels surreally different from the last time I was at this stage. Back then, I was freelancing at home with a son in elementary school, and while I was doing many things, I had a less packed-full life, which meant TONS of time to obsess and worry and recheck email for query responses. Now I get mine out there, I check to see if the not-heards have been long enough to mean a “no,” and I get some more out there. I am still hoping and dreaming, but I am also fretting less. Good? Not good? No judging here, just noting.

I know, I said, shorter. Maybe I just don’t have it in me. In the one statement that I probably could have left it all at: I am balancing. Pretty well and very happily. And now I’d like to weave this blog back into this balance. So….see you back here on a more regular basis, I hope!

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Happy Valentine’s Day: Romantic Moments

For Valentine’s Day, I’m sharing a few of my favorite “romantic” scenes from books. Feel free to toss your favorites into the comments.

  • When Anne breaks a slate over Gilbert’s head.
  • When Professor Bhaer shows up in Jo’s home town.
  • When Calvin kisses Meg.
  • When Mary and Dickon first meet.
  • When Hermoine tells Ron he has “the emotional range of a teaspoon.”

Happy Valentine’s Day!

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Daily Meditation: Progress?

I didn’t make it a resolution. I didn’t even talk about it in my post about my 2015 Word. I’m not sure, when I wrote that, if I had even thought about this goal.

Yet, here I am on February 1st, and I achieved it. I meditated every day in January.

10 minutes. I have a timer on my phone, and I set it for 10 minutes. I’m sure there are people out there who can manage without the timer, but for me, it’s a little tool that helps me pull my brain back from wondering how long I’ve actually been mediating. And wondering if it’s time to stop yet. And feeling like I need to know.

Pretty obvious why I need meditation, right?

I got another tool. I downloaded HabitBull onto my phone. I thought, well, I won’t push myself to do this every day, and if I don’t make it every day, that’s fine, but maybe it would be nice at the end of the month to see what I did manage. (And, yes, it was nice to see that I managed the whole thing!) It’s a very simple app, but it does what I need–most of which, it turns out, is just sitting there on the top menu on my phone, reminding me about its presence and my goal. And there were many days the first few weeks on which that reminder was the thing that got me sitting.

So 30 days. Pretty consistently for 10 minutes every day, although there were definitely a few days where I didn’t make the whole 10 minutes. Still…every day, I sat. I closed my eyes, and I breathed.

And when HabitBull asked me if I wanted to keep going, I said Yes.

Here’s the thing I’m thinking about today, as I start in on February. I know I need to meditate. I doubt you’ll find anyone on the planet (okay, you COULD, but why bother!) who would say meditating isn’t a good thing. I know that my brain is a brain that needs not only that 10 minutes of relative calm every day, but one that needs practice in exactly what meditation is for–pulling back out of the world, out of the rush that my brain often makes it–and just breathing. It’s a brain that needs training (yes, still, at my age) in responding rather than reacting, in learning to see the reaction rise and catch it, gently, to observe and think and make a decision around.

But…not seeing it yet. No, sure I’m getting better. I’ve been meditating on and off for a few years now and working on the whole mindfulness thing, and I do see a difference. And believe me, if I can, I’ll keep doing this–through February and into March and so on. Heck, I’d love to keep doing this To Infinity and Beyond! What I’m being curious and observant about is this habit thing. The stages of needing an app to remind oneself, to thinking about it during the day on your own, to having it become almost autopilot–not the meditating itself, but the remembering. I am really, really, really not good at the I Will Do X or Y Every Day. Every Day is one of the things that sends my brain into reaction–and not a good one.

I say, again, pretty obvious why I need meditation!

So for now I’m doing the meditation, and I’m doing the observing. I’m watching my breath and I’m watching my habit form. And I’m watching to see what will feel different about the sitting and when it will start. And how it will move forward. And what will change and what will stay the same.

Which is, I guess, what progress looks like.

Posted in Picture Books

Julia’s House of Lost Creatures: The Art of the Unexplained

Every time I hit the library, I try to bring home a stack of picture books. I have probably reached my 10,000 hours of reading kids’ novels, but I don’t think I’m there yet on the picture book. Plus, hey, I love them.

Yesterday, in my stack was a copy of Ben Hatke’s Julia’s House for Lost Creatures.

Julia

Let’s put aside my awe (and jealousy) of people who can both write and draw, and let me just tell you one of my favorite things that this book does. Or, rather, that it doesn’t.

It doesn’t explain.

Here’s the first sentence: “Julia’s house came to town and settled by the sea.”

What? Huh? A house that actively comes on its own? How? And why the sea?

Here’s the thing: It doesn’t matter.

Granted, the art adds to the words. We do see the actual arrival of the house (Note: Don’t skip the inside title page, or you’ll miss a lovely piece of the story.) But even the art will, if you let it, just open up more questions. Why is the house transported the way it is? Why did the house (or Julia) pick the sea? Why does Julia have to plant her mailbox?

Again…doesn’t matter.

Because all these whys and wheres, and the hows and whos and whats in the rest of the book, are part of the story world. The house transports the way it does (no, I’m not telling you!), because in this world it can. Julia has to plant the mailbox, because houses have mailboxes, and–duh–you can’t plant your mailbox until your house arrives and settled.

Within the context of the world, the details make sense, and–flip the coin–the details create a world that makes its own sense.

I know there are readers who will certainly ask these kinds of questions. They’ll ask why Julia’s house has a workshop. They’ll ask why Patched Up Kitty is actually made of patchwork cloth. They’ll ask why, if Julia is lonely, she makes a sign advertising for lost creatures.

But I would take just about any wager that the readers who ask these questions won’t be kids. Because kids work within the world they’re reading. And even if they have a question, they’ll feel in their own answers–they’ll add their own layers to the words they’re hearing and the pictures they’re seeing.

They’ll use their imaginations.

I think I have possibly gotten a little preachy here. (Who, me?!) But this is one of my favorite things about good picture books–that they create an entire world in so few words, so few pages of art. (If you want to see one that does a lovely job with pictures only, I also brought home a copy of Mark Pett’s The Girl and the Bicycle-gorgeous and sweet.) And that world may have its own rules, it may have elements that would–in our world–make no sense. But how many things in our world actually make total sense when we’re young. Plus there are other “worlds” out there, other worlds that we’ll grow up to learn about and that are outside our daily experience, and they are open to exploration and experimentation and adventuring.

Possibly books like this help kids get ready for worlds like that.

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2015 Word for the Year: More

More.

Even to me, that looks intimidating, when I just type it out there and leave it surrounded by white space. But I’ve thought about this a lot, and I think it’s all a matter of font. I’m not thinking “more” like this:

MORE!

I’m thinking “more” like this:

More.

Or at least that’s the best I can do, in terms of comparison, with my simple font choices here.

Here’s the thing. For some reason, I’ve been itching to figure out something new and different I can add to my life this next year. I’m sure this is in part the empty-nest syndrome, feeling like there is a gap to be filled and a freedom to be utilized. Plus, I’m a couple of steps into a new decade of my age, and I typically do add something new each decade. So I’ve been looking around and thinking about what this new thing could be and how I could fit it in with working full-time and all the writing I want to do and keeping up with my yoga and getting more knitting done…

Major forehead slap.

See, I don’t actually need anything new and different. I actually have a plenty long list of things I already want to be doing and, if I’m going to be a little self-judgmental here, on which I am already not spending enough time. One of the things I haven’t figured out yet, with going back to work, is how best to use my evenings. I’m not a late nighter, and all too often by the time I get home and “settled,” the only thing that really sounds appealing is reading a good book. Which, yay, but…that’s not getting the pages written or the rows knitted. And then the life-things I also don’t get done on the weekdays start to take over the weekends…ick. It’s not really time management, I don’t think, as much as Introvert Management. I love my job and I love the people I’m talking to and seeing all the time, but I’m allowing myself so many recovery hours that I’m not getting to the things I actually value and need to prioritize.

So nothing new. Nothing different. Just more time and more commitment.

More.

Do you have a word or a theme for this coming year? Share it in the comments so we can all be inspired, and feel free to link to any post you’ve written about it. And a Happy New Year to you all.

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A Smidgeon More on Writing through Fear

Writing was always the one thing of which I wasn’t afraid.

Okay, no. Not true. I wasn’t afraid of stuffed toys, or live animals (although horses are REALLY BIG, you know?). I wasn’t afraid of going to the doctor (once those shots were out of the way) or the dark or most bugs (don’t talk to me about fuzzy black caterpillars). But I was, let’s admit it, a cautious, shy, anxious child. And teenager. And young adult. I’m actually pretty proud of how, in the past years, I’ve done a pretty good turn-about on fear and anxiety, to the point where I can almost welcome change and where I’ll purposely try something new, even with a risk of failure.

So there’s some not-so-delicious irony that after decades of writing without fear, life has decided to flip things around and dish up a plateful of writing fear for me to deal with.

I can trace it back to plenty of stuff–to actually getting some pieces of writing to a submittable place and then not getting accepted. To getting tangled in a book I really wanted to write and having to put it away unfinished. To, possibly, even getting so many other ducks in a nice, calm row that there was finally room for writing to be something other than an escape? Maybe?

Whatever, can I just say that the writing fear is not welcome? Did I need another test for my mindfulness attempts? Did I need to be told, okay, here’s one of the most important things in your life, and you’re going to have to experience all the thoughts about where you haven’t “succeeded” in the past and also (in case you thought you were going to get off easy) those thoughts about where you might very well not “succeed” in the future? And you’re going to need to let those worries flow into you for a bit and then let them flow out again, and in the midst of all that in and out actually get some writing done?

Personally, I’d vote for: No, I didn’t need this. But apparently, life is not a democracy. Or, even a dictatorship with me at the head of my own personal mental state. Life is, darn it, just life…and things come up when they come up, right? Sometimes I wish I could believe that they come up with a purpose, or because they’re what I do need at the moment, but that’s not how I see it. Steps I’ve taken and choices I’ve made have lead me here, and now I get to deal with it. My challenge and quest for right now is to be mindful of the fear, but to not let it control me. To remember that what I’m doing at any given time is what I’m doing and to do it the best and most focused that I can. In other words, to keep writing.

So that’s where I’ll be.

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Transitions, Time, and A Little Thanksgiving Gratitute Thrown In

Lately, I had a flash of concern that I seemed to be forgetting a few more things than usual. Nothing big and nothing critical–I don’t have a To-do List app on my phone for nothing, you know! But just enough for me to sit up and take notice, figure out why, and reassure myself that it wasn’t that whole not-so-young-as-I-used-to-be thing.

Here’s how it went.

I had to schedule one of those no-biggie, routine medical procedures that ARE a piece of that whole not-so-young thing. (Just to jump ahead so you don’t worry–all done, and all’s well!) It was one of those things that comes with 24 hours of semi-fasting and a week or so of not taking meds like aspirin or ibuprofen and not eating certain foods. The doctor and staff went over it all with me ahead of time, they gave me a list, and I knew what was up. A no-brainer, right? Except…

I KEPT FORGETTING AND EATING THE FOODS!

Okay, let’s back up. First, I forgot about the week without the meds, and I had to call in and check whether six days off, instead of seven, was acceptable. Yes, it was. (Okay, I’ll admit to a smidgeon of disappointment that I didn’t have to reschedule, because, hey, it wasn’t exactly a procedure we all put on our Super Fun Things To Do bucket list.) Luckily, also okay were the certain “banned” foods I’d happened to munch on that day.

All good. I move along and get on with my week.

A couple of days later, I’m reaching for a food item to snack on, when I remember that 1) I’m not supposed to eat this and 2) I JUST ATE SOME OF IT THE DAY BEFORE!

To shorten what’s getting to be a long story, it was all good. I was okay, I had the procedure, everything’s cool, and all I have to do is put the next one on my calendar for a few more years down the line. (Whee!)

Even better, I figured out what was going on with my memory. I realized that my forgetting was about transitions and about mindfulness and about how time changes for us during different phases of our life.

When i went back to work full-time, about six months ago, I knew it would bring big changes. Not only would I be in someone else’s office 4-5 times a week (I often get to work at home on Fridays), but I’d be adding a commute to my days on top of the hours actually at work. I’d have to figure out how to shift all those things I used to get done during the weekdays, to evenings and weekends. Yes, I knew I used to do that all the time, but it had been a while, and I’m a very different person than I was back then.

Overall, it’s been working well. I’m not being as writing-productive in the evenings as I’d like, but I’m still making significant forward movement on my WIPS, and that’s huge. I’m not seeing friends as often as I want, but I’m working on it, and I’m making sure it does happen. I’m keeping the things that matter, and I’m trying to let go the things that don’t.

I’ve also been keeping down the stress levels, and that’s something I’m very proud of. That person I used to be, back when I did this last time, would have spent evenings (and middles of the night) looping about the job-work that had to be done the next day and the next week and the next month. She would have spent equal time berating herself about the life-things she hadn’t got done the day before and the week before and the month before. She would have been a lot less happy, and she would have made others around her much more unhappy, too.

See, I’m very clear that, with this transition to a different, more full schedule, I’ve been taking each day as it comes. (Cue theme song from One Day at a Time.) I’ve worked with that To-Do List app so that the things I have to do are out of my head and on the list, ready for me when and if I need to look at them, not zipping around in my head shouting at me when I don’t need them. I’ve focused on one or three tasks at a time while I’m at work–prioritizing, and putting tasks back in their folders while I wait for someone to get me the info I need, picking up another folder and working on that. And I’m writing when I write and getting life tasks done when I’m doing life.

What I’m not doing, apparently, is thinking multiple days ahead! I’m not remembering to check that list from the doctor eight days before my appointment so that I’d know to stop taking ibuprofen. I’m not spending time focused on or worrying about that procedure that’s still four days off, so that I’d know I shouldn’t eat that food.

Welcome to the downside of mindfulness, folks. Welcome to the risks of living in the moment.

I’m kidding. When I realized what was going on, I was actually pretty proud of myself. I still felt like an idiot, sure, but like an idiot I was proud to be. I know that this “downside” is part of my transition back to work and that, as I get more and more settled into my new patterns, my memory will be just as strong as I need it to be. But this has been a long time coming for me, this pushing away of the anxiety, this putting the future into its place…into the box labeled NOT TODAY. And as sure as I am that my memory is fine, I’m also that sure that I will not step back onto the path of worry and fretting. Oh, for pete’s sake, on random days when life is crazy, sure? Of course I’ll go back there. But the next day and the next, I’ll pace myself and live with a balance and happiness I never even hoped for when I was younger.

So am I grateful? Oh, you bet. Because along with these lovely routine medical procedures that come with getting older, so does a peace and ease that makes them–and so many other things–no big deal. In a very, very good way.

Happy Thanksgiving, all! I hope your holiday is filled with love and friendship and a few moments of quiet solitude between the turkey and the pies. And don’t beat yourself up if you forget to buy the whipped cream!

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Getting Out My Butterfly Net

I finally started reading Ann Patchett’s This is the Story of a Happy Marriage, which is–as I knew it would be–wonderful. I’m part way through her essay, “The Getaway Car: A Practical Memoir about Writing and Life”–also wonderful.

When I read the part about the difference between carrying a story idea around in your head and trying to put it on the page, I almost shouted out loud, “YES!!!” Instead, I just nodded my head. A lot. Hard.

Here’s the idea part:

The book makes a breeze around my head like an oversized butterfly whose wings were cut from the rose window in Notre Dame…a think of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in it as I track its lazy flight, is the single perfect joy in my life.

And here’s the part about trying to write all that down.

…when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing–all the color, the light and movement–is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.

Yesterday, I started reading the fast first draft I wrote over the summer, the MG WIP. Unlike what I feared, it didn’t send me into despair at how bad it was. There were a few smiles–I even let myself put a few smiley faces into the margin for myself. And there were lots of ideas–some in the form of Aha! moments that made me grateful, but many others in the form of big, big questions.

I think this reading, and these ideas–not the first draft–are my attempts to catch the butterfly.

I had the feeling–to continue with Patchett’s metaphor–that I wanted to use the gentlest net possible–something made out of fine, gossamer threads of cashmere, maybe–something that would barely brush against the butterfly’s wings. A net that would more encourage than force, that would just create a gentle breeze to nudge the butterfly to land for me.

But maybe I need to just steal Patchett’s SUV and press that gas pedal to the floor.

Either way, this morning, I’m carrying around that feeling of: if ANN PATCHETT feels this way when she writes…then, yes, I can and had better keep moving forward, net in hand.

Posted in Uncategorized

Picture Books: Animals vs Real Kids

So… PiBoIdMo has started, and I’ve recorded my first idea. (Insert art note re crowds of people cheering, confetti being thrown, maybe a few sparkly fireworks.) I went with my plan for this year and found a quiet, cat-accompanied place to sit and think, then pushed my mind out of the immediate surroundings and into memory and imagination. (Art note of more cheering.) And I pushed myself to think of the actual problem, a set of threes, multiple possibilities for turning points, and some layers to the ending. (Art note of people shaking their heads at hero’s hope this could work for all 30 days.)

Anyway, all that thoughtfulness led me to a bigger thought, which I want to share and about which I’m hoping you’ll chime in with some comments.

The story idea I got today came with an image of the hero as an animal. A non-human animal. A particular non-human animal with a particular problem. A problem that many real, human children experience. I could write this story with the animal or I could write it with a human child. Either will work. My gut tells me that I will write it with the choice that brings the story to me, that helps me see it best, that helps me get it on the page. So I’m not really looking for writing advice or encouragement here.

What I’m looking for are your thoughts on how this choice (not just my choice, but this choice every time it’s made by any author, illustrator, or publisher) impacts the child reader (or listener) of a book.

I recently attended KidLitCon, at which one of the big themes was the need for more diverse books, with which I totally agree. And one of the conversations was about how diversity isn’t just about racial or ethnic differences, but how it’s about everything–sexual preference, socio-economic differences, physical and mental disabilities or challenges. Everything. And one of the biggest layers in the push for these diverse books is the critical need for children in all these worlds to see themselves in stories. Again, a need I totally believe in.

More than one person said that seeing an animal in a story is not seeing oneself.

I don’t know. I totally see the point–the idea that you’re distancing the problem from the actual child, maybe padding it in a bad way with fantasy. That you’re denying the reality of the scenario in the real world and that–the bottom line–you’re not recognizing the child.

But…I’m trying to see from a child’s eyes and mind. Children have powerful imaginations. Children extrapolate. Children see the universal in the specific. Right? So if a child sees an animal with a problem, challenge, or just a situation that she or he has experienced, does the child automatically think, “Not me,” or does the child possibly think, “Hey, me, too!”?

What do you think? Animals or real kids? Sometimes one, sometimes the other? When and why? Thanks for joining the conversation.