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This post is dedicated to my sister Jenny, the history teacher, who is stunned to find me reading history after all these years and who, I fear, grits her teeth and bites back words every time I reject or whine about a book. Love you, Jen!

Dear History Writer:

I’m back on the research trail, along with honing in on my WIP’s story. Over the weekend, I read a great book about technology and housework and what all those newfangled inventions did and didn’t do for women’s (and men’s) work in the home. (I can now tell you that there were, at one time, gas-powered refrigerators as well as electric ones, but do not ask me to explain the workings of either, or why one took off while the other didn’t!)

And then this morning, I picked up another book, that shall remain nameless, because–even though it’s on a topic I am interested in and that has a lot to do with my WIP, I couldn’t get through it. I tried–reading a few pages at the start of each chapter, skipping through looking for a heading that might be relevant, reading a few paragraphs more here and there…but nope. There might be information in this book that I need, but I can’t keep my brain attached to the words long enough to find out.

Why did I enjoy (and learn from) one book and couldn’t force myself to keep reading the other? Well, the obvious answer would be that the first author is a better writer, but I think there’s more to it than that. So, for anybody out there who’s considering writing history for readers like me–who aren’t their strongest with a nonfiction read, who need to be entertained while they’re being educated, who will leave behind a dry research book for something fictional at the drop of a hat…here’s what I’d like you to be thinking about as you write.

  • Do, please, tell me stories. I can only take so many facts without a breather, without being pulled into something that has plot, tension, character dynamics, and forward movement. No, don’t feel like you have to write a novel for me–I have plenty of those lying around. But bring that information into something with the elements of a novel, if only for half a page. Kay? Thanks.
  • Give me people. Yes, I know there are readers and researchers out there who love diving into pages and pages of government edicts, tables with housing and employment data, maps of population migration, lists of the various ores used in building railroads. And I need some of that, too. But please sprinkle them lightly through your words, as examples, not the entire text of a chapter. And then let me know what it really felt like to live with those statistics, what someone said about them in a letter or diary. Feed my imagination, not just the calculator that is, yes, stored somewhere in the dark recesses of my brain.
  • Weave some humor into your narrative. Make me smile, even laugh. Some of those quotes you’re sharing are ludicrous–I know it and, come on, you know it, too. How could he/she say that with a straight face? And how can you deliver it without at least a tiny well-phrased smirk. Or go the other way. Make me mad, get me pissed off at the nerve of a group, a person, a leader. And let your own anger leak out–just a little trickle, so I know we’re on the same side. So I know you didn’t just type that passage into your manuscript coldly and objectively, not when it’s outrageous enough to break through anyone’s objectivity. Seriously.
  • Draw connections. Yes, I know it’s simplest for you to organize your book by decades, or by geographic regions, or by ethnic groups. And,  yes, that organization makes it easy for me to find the information I most need. BUT…just because your chapters are separated by page breaks, does not mean these people, these areas, these timelines are distinct and isolated from each other. They’re not. One year builds to another; one person’s actions ripple through the lives of others; the events in one state cross the borders into another–even if it takes a while. Share this with me. Show me that you see the threads weaving through it all, and make me aware of the ones I don’ t know yet.
  • If you need an example of the things I’m talking about, I can refer you to a couple of books that were beginning steps of my conversion into reading (good!) history. Pick up Amy Butler Greenfield’s A Perfect Red: Empire, Espionage, and the Quest for the Color of Desire and Laurence Bergreen’s  Over the Edge of the World: Magellan’s Terrifiying Circumnavigation of the Globe. (Note: Don’t eat a big meal before reading the sections about scurvy in Bergreen’s book. And, yes, making me sick to my stomach gets you a gold star, right up there with the whole humor and anger thing.)

That’s all. For today, anyway. Thank you for listening and for, possibly, considering my wish-list as you start writing Chapter 1. I don’t know how far my request will get you in academic circles, or in the lives of those people who live for facts (Hey, some of my best friends are people who live for facts!!), but your efforts will not go unappreciated here, in my world.

Which must count for something.

Yours in research,

Becky Levine

The winner in last week’s giveway of The Writing & Critique Group Survival Guide is…

Joyce Moyer Hostetter!

Joyce, I know I SHOULD have your address, but I’ve been so good about cleaning out my inbox lately, it’s gone! Can you email me at beckylevine at ymail dot com and give it to me again. And I’ll get a copy of the book out to you.

1. I’m typing this as the most chocolatey-ever cake is baking in the oven. Seriously, I’m waiting for the crash that I’m sure is coming, after I convinced myself that all that batter wouldn’t fit in the pan and better just be eaten.

2. I just told son he should probably get up soon (almost 11:00), so he could eat and be functional before going to take the test for his…DRIVING PERMIT!!!!!

Me? Old enough to have a son who drives? When did this happen?!

3. Spring has hit. I’m loving the warmth and the sunshine, the wearing of shorts and sandles, the blue skies. I’m not so happy about the pollen, but I’m telling myself the snorkiness of the last few days was a small cold. Denial is a powerful thing.

Scotch broom is pretty much covering our mountains.

4. I’ve made serious progress this past week in thinking out my WIP, thanks to Donald Maass ‘ worksheets and my resurgence of stick-to-itivity. I’m accepting that all the time I spent on character, which felt like rambling nebulousity, is paying off, now that I’m in the plot section. Honestly, I still couldn’t explain how one leads to the other, but I can’t argue with the fact that it’s happening on the page.

5. Oh, and I ordered a new research book, ignoring the half-dozen still on my shelf that I haven’t yet cracked open. I’ve been trying to stay away from research while I work on story, but of course one of my characters decided his story brings in a piece of 1910′ish Chicago that I really haven’t delved into yet (unbelievable as that may seem). Plus, somehow, now that I’m finding the story, I’m feeling the urge to do more research. The whole writing-research thing really does seem to be symbiotic. Or parasitic. Take your choice.

I’ve read one of Jennifer R. Hubbard’s books–The Secret Year (read my review here). As I write this post, I’m 33 pages into her second book, Try Not to Breathe. And she’s done it again.

Jenn writes the kinds of books I don’t ever see myself writing. Realistic YA, yes, but even within that genre, she goes with topics that are ones I don’t think I could/would write about. In The Secret Year, Colt and Julia had a secret year together, but the book opens by announcing Julia’s death to the reader. We only learn about that year in the context of Colt’s loss of anything that could have come after. I haven’t read far enough into Try Not to Breathe to give away any spoilers, but here’s the first line from the jacket blurb: “Sixteen-year-old Ryan is fresh out of a mental hospital and trying to figure out how to reboot his life after a suicide attempt.”

Hard stuff. Stuff I often choose not to read, let alone explore in my own writing.

And, yet, when it’s Jenn writing, I’ll pick up the book, and I’ll turn to page one, and I’ll start reading. Even with that blurb.

Why?

Well, I got The Secret Year, because I’d been reading Jenn’s blog. I still read it; it’s one of the most consistently intelligent discussions of writing and reading that I’ve found out there on the Internet. I bought The Secret Year half because I’m always curious about books by people I “know” online, and also because I knew that Jennifer could write. Good, tight writing–whether it’s in a blog, a comment, or a book–carries a lot of weight for me, has a lot to do with what books I choose off the shelf.

Why did I get Try Not to Breathe? Suicide. Again, not something I easily or casually read about. Not an escape-read, not something I can figure will make me laugh out loud, not something for a quick, light afternoon of reading.

I got Try Not to Breathe because I’d read The Secret Year. Because I trust Jenn.

I trust her to:

  • Develop her characters into distinct individuals, not simply stereotypes of people who have “this kind” of experience.
  • Write a story that, while it may have its roots in a starting moment, abig, starting moment, goes far beyond that moment in exploration.
  • Give me things in her characters that I like and that I don’t like, and to do it in a way that the writing terms “heroic traits” and “flaws” are too simplistic.
  • Never toss a word, paragraph, or scene at me that relies on my automatic reaction–she doesn’t rest her writing on the plain fact death or suicide, doesn’t go for the shock-value of just putting that into the book.
  • Push herself past truisms and stereotypes.
  • Explore both characters and character dynamics (which is, ultimately, what I am ALWAYS reading for).

I know Jenn will write a story about people who seriously interest me, who–by just a few pages in–I care about. I’m only 33 pages into Try Not to Breathe. I’m sure bad things are coming. Probably very bad things. But for these people, in this story, because of this writer–I’ll keep reading.

Trust. It’s a biggie.

From Thursday to Sunday, I had extra time. Time while my son was in Anaheim, totally kicking it with the rest of his jazz band, the symphonic band, the string orchestra, and the choir–who all placed in their competitions. So much so that their high school took home the school award for the whole shebang.

We temporarily interrupt our regular programming to bring you a Mom moment.

Anyway….the thing about having your kid away for a few days AND knowing it’s pretty good odds he’s having a fantastic time, is that you are free to enjoy YOUR time. There’s something about unscheduled days that–even if you spend time sleeping in, time doodling around Facebook, time shopping and eating and movie-ing with your husband–makes it feel like you have so many more hours to spend…writing.

I sat with my historical novel this weekend. I worked through just one-and-a-half of the worksheets in Maass’ Writing the Breakout Novel Workbook, but I went deeper into those worksheets than I have a in a long, long time. I had Scrivener open the whole time, because scene ideas were popping up all over the place, along with connections between different character arcs and various plotlines. Ideas came to me when I wasn’t at the computer, which–honestly–just doesn’t happen to me as much as I’d like.

What did it all do for me? Well, yes, it brought me back to the love state with this WIP.

It reminded me what being relaxed and recharged is really about.

And it brought me back to a stronger level of commitment to this story and, frankly, to my writing.

To putting that butt into the chair and to showing up. Not necessarily to scheduling an hour here and an hour there, or to stressing myself out if that hour doesn’t happen, but to wanting to step into this world of words and hang out. And being open to seeing what comes from it.

1.  Right now, my son is off in Southern California, (possibly yawning and) playing stand-up bass in a music festival. Jazz band is first on the calendar for the day, and I’m pretty sure they didn’t get into the hotel till 11:00 or so last night. I’m also pretty sure the adrenaline is going to make the lack of sleep irrelevant! Not to mention the fact that, Disneyland is next, this afternoon and all-day tomorrow. Too much fun!

2.  What that means for me is a few long, uninterrupted days of writing. Okay, plus a few errands, a couple of work tasks, and some date-time with my husband. But mostly I’m spending time with my historical YA and Donald Maass’ Writing the Breakout Novel Workbook. Yes, again. Yes, still. Got started yesterday, and am remembering how great it is to be able to just sit for a long stretch, thinking and taking notes, rather than trying to cram brainstorming and illumination into a brief hour here and there.

3. HUGE storm here last night. I tried not to spend too much time thinking about those big buses taking all the band kids down Highway 5 and up and over the Grapevine.

Here’s to good, safe bus drivers! There’s a tree down on our road somewhere, and I’m pretty sure I’ll be without power some time today. Here’s to good, charged laptops! This weather feels an awful lot like that lion March was SUPPOSED to come in like, even though it’s mid-April.

4. I spent time the last two days immersing myself in Robin LaFevers’ Grave Mercy: His Fair Assassin, Book 1,and let me just tell you how happy that “Book 1″ part makes me. I love all of Robin’s books, but she has surpassed herself with this one. So many layers. Such an awesome heroine–complex and angry (totally justifiably) and smart and powerful, with just the right amount of flaws and need to change. All smoothly and seamlessly integrated with real history, including a young-teen duchess I would totally support as ruler. Not to mention lots of action. If you’ve been hesitating about this book, don’t–it’s a wonderful read.

5. I’m struggling with finding the right music to work to lately. I’ve got my playlist for the historical, but it’s feeling a bit old (probably a clue about how long this book is taking me to write!), and I’ve been switching around on Pandora with some Electric Blues here, some Folk Rock there, but nothing’s quite making me happy. If you’ve got any new stuff to recommend–something with a strong percussion or bass line, some awesome strong-voiced singers, or just something you’ve discovered this year that you must share, feel free to leave a note in the comments! With my gratitude for the assist.

I started a new project yesterday.

Voices: You what?! You have a picture book to revise. You have a YA novel to just figure out. There’s that other picture book that’s just sitting there in first-draft stasis! What were you thinking?!

Me: Oh, hush.

Yes, despite all the reasons not to, I opened up a file and tossed down a few more ideas for another picture book that’s been stewing. And then, with not enough ideas, not enough organization, not enough characterization, not enough anything…I started writing.

Why? Because I wanted to. Because I had a few sentences, a few actions, popping up in my brain, and they wanted me to write them into a scene. Or, at least, something resembling a scene.

So I typed. I deleted. I typed some more. I deleted some more. I kind of let that internal editor go a little crazy, telling me that something wasn’t working, telling me to start over. This is something I rarely do, but it kind of felt good. It was sort of nice to look at something I’d written, think about it and decide that, yes, it was trash, and then…ZIP! to get rid of it.

Frankly, I was having a little power party.

Anyway, I wrote and liked stuff, and I wrote and didn’t like stuff, and then I kept writing, letting the stuff I did and didn’t like all stay on the page for now. Kind of a mess, but I was writing. I knew the direction I was going probably wasn’t the right one, and I sure as heck didn’t have any sense of structure or voice or rhythm or pacing yet. Still, I was going somewhere.

When I wound down, and it was time to go pick up my son, I saved, then closed and backed-up the file. I stood up and walked away from the computer.

And those voices came back. Louder this time. And here’s what they said.

  • Why does your hero want to do THIS thing? As opposed to know, any one of a hundred other things. Why THIS THING, with THIS KID?

and

  • If you’re going to show THIS other thing, you’re kind of making a statement. Except you’re not yet. It’s just…there. Doing nothing. Are you going to make THIS thing count, or lose it?

At first, I was:

And then I slapped myself on the forehead, ran back to the computer, reopened the file, and typed those questions (in red!) at the bottom of the draft-so-far.

Because those questions took me that much closer to figuring out the core of this story.

So, sometimes, yes, go for the mess. Write the trash. Somewhere, under those slimy banana peels and the rags you cleaned your skunk-infested dog with, is the thing you need. The tool to take you the next step.

Wherever that goes!

Okay, honestly, I’m not all that impressed by the “success” record of my Monday-Map posts. Last week, I tried being flexible with myself and, yes, I was less stressed, but I also got almost nothing done on my writing. Other things, sure. Writing…meh.

I’m going to say that I was gathering inspiration. Some of that was in reading a couple of brilliantly written books: Dana Stabenow’s latest Kate Shugak mystery, Restless in the Grave and John Green’s The Fault in our Stars. Some  more was going up to Books Inc in Burlingame for a NYMBC (Not Your Mother’s Book Club) signing with Robin LaFevers (Grave Mercy) and Barry Lyga (I Hunt Killers).  Robin said something (as usual!) that really struck a chord for me: that she sometimes starts writing a book with a lie–the lie, to herself, that nobody else is going to read this book, that she’s writing it only for herself. This frees her up, obviously, to play with new ideas, but it also lets her push some limits that she might keep herself back from, if she let herself accept that the story would have a wider audience. Something in me feels like I need to get back to this place–back to what I love about my historical fiction’s MC, about what I want her to be.

This week, I’ve got some free hours. And the map thing? Well, I’m shifting directions, pulling what my GPS navigational voice calls “a legal u-turn.” The one thing I did get done last week was that I sent the two most recent versions of my picture book off to my critique group. I was feeling muddled, lost about which way I should be doing. I knew there were some big differences between the two drafts, and I was feeling like I couldn’t look at them straight, see whether one was better than the other, or whether I should be merging them both into something new…again. Lo and behold, my critique group loved the newest version and just had a few things to say about that.

So this week, I go back to being a picture-book writer and reviser. I’ve got a chunk of hours free tomorrow and later in the week, and I’m going to dump out a draft of one story that’s been calling to me (and being way too patient with being ignored), and then I’m going to put some more time into revising the first picture book. Goal? Get it back to the critique group for the next meeting for the next pass.

As to these posts: they may stay, they may go. I guess I’ll see next Monday!

If you read Jo Knowles blog (and you should), you’ll know the importance that truth holds in her writing–not just in what appears on the page, but in the truths she explores and pushes herself to look at, as she writes. Her commitment to these truths is so clear in all her books. And I’ve been thinking a lot about this kind of truth as I work on my WIP, and the fact that, if I find my truth in the story, it’s probably (hopefully) going to resonate as some truth to my readers. Even if those truths aren’t the same.

I’m not going to go into a deep review of John Green’s latest book, The Fault in our Stars, because, honestly, I don’t want to take apart what, for me, was just a pretty pure emotional reaction of absolutely loving the story, the characters, and the writing. I do want to say, though, that if you’re looking for a wonderful example of what I think Jo is talking about, go read this book. Are all the facts real? Who knows, although, in Green’s acknowledgements, he does say “I cheerfully ignored [expertise on medical matters] when it suited my whims.”

And, really, it doesn’t matter. What does matter is this story Green tells, a story of cancer in so many layers and ramifications it could easily have become heavy and overwhelming, and yet it is light and warm and funny and…true. True to the characters, so, so true to the narrator, and true to me. I have to admit, I had one of those reactions I seem to be having lately, along the lines of, how in the world did this man get so wise, so young? And so talented, so able to magically write that wisdom into an absolutely non-lecturing, non-preaching book?

However he did it, he did. And I’m holding this book up, along with Jo’s, as something to keep pushing myself toward.

Even as I typed that header, my brain was arguing: How can you go any slower than you already are? This book is taking forever.

Breathe.

Years ago, my son made this turtle for me.

You probably recognize him. Yes, he’s that little turtle that won the race. My son made him one of those (other) times when I was feeling like my writing work was going to slow, like I was never going to cross the finish line, let alone get there ahead of that hare.

My question for today is: What race? Personally, I think the turtle had a secret– he wasn’t in a race. He was just doing his thing, putting in the time and keeping the pace real, and…getting there. Oh, he beat the hare? Yeah, but you know, that wasn’t about anything the turtle did. He didn’t change his attitude or his behavior….he walked his walk and didn’t worry about what the hare was doing.

I think I forgot about that truth this past week. I started feeling the need to race again, and the feeling like there was no way I could win, and guess what? I turned into the hare. I stepped off the track and didn’t get much done. On any of my projects.

This week, back to the turtle. I got into the right pace on Saturday, just putting in steady, relaxed time at my computer, working toward a deadline. And, yeah, I got so much done. And then on Sunday, I took the day off: drove up to San Francisco airport to have breakfast with my sisters (one of whom was flying through), and then down to Great America to spend the afternoon strolling around with my husband and then attending an awards ceremony for my son’s Science Fair.

Yes, I said strolling. At an amusement park. Rides? Nope. My husband’s ribs are still healing from that bike crash, so for us, roller coasters were out. My son went off with a friend and did all the rides where you go upside down, get drenched, and try not to throw up. (Oh, wait, that would be me.) My husband and I strolled. Normally, this would have driven both of us crazy. But here’s the thing. It didn’t. Okay, yes, we needed a cup of coffee to get into the mood, but the sky was blue, and the park wasn’t crowded, and we sat in the sun and talked about work and house projects and what we want to do with our time when our son goes down to Disneyland for a jazz festival. We ate fried food and soft-serve ice cream. We walked. And then we sat for two hours in a theater watching hundreds of kids get called up on stage to win their science awards.

We did this all calmly, happily, and without feeling like we were losing the race. My guess? We needed a day like that. Who knew?

Okay, yes, I probably knew. There was a reason my son made me that turtle all those years ago. There’s also a reason I keep the turtle around–obviously, I need a reminder every now and then.

So, at least for this week, I’m not calendering things, I’m not allotting hours here and there, I’m not getting fixated on any finish lines. I’m putting my relaxed butt in the chair, and I’m channeling the turtle. And I’m not going to worry about what that hare is doing.

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